The best things take time. Time (years) to know what you want to learn. Time to study, time to practice, time to put into practice what you’ve studied. By the time you finish a work of art you have invested more hours than most observers will ever realize. If you have ever made anything, you know the most common question you are asked: How long did it take you to make that? Answer: A lifetime, really.
Tapestry progresses row by row.Cartoon under the warp is held in place with a plastic clip on each side. Center warp end is marked so I can line up the cartoon horizontally. Horizontal marks on the warp and on the cartoon provide for accurate vertical alignment.Boat shuttle with 6/1 tow linen rests on the side frame. Linen picks are woven between pattern rows of wool colors in this style of tapestry.As I weave, I pay attention to the cartoon that is visible beneath the warp to see where to make color changes.At the end of my time at the loom I stand back and look at the progress. And then, I stand up on a stepstool to get a good view from above. And then, I pull out my little monocular and look through the back of it to see what I can see from a distance. What I see: one cut fig and a couple more figs emerging. You will see what I see when this is off the loom and hanging on the wall across the room. All it takes is time.
Time is the greatest gift. We always have enough time. How will we invest it?
May your lifetime reveal the good investments you’ve made.
I am starting to see a fig. This tapestry is a short story about fresh figs and a cup of coffee. My full attention is on weaving while I’m at the loom. I’m always looking for the moment that a recognizable image forms in the woven wool and linen cloth. Attention flows from desire. And when I am weaving, there is no other place I’d rather be.
When I look through my monocular I get a distinct view of the first part of the fig.Colors of wool (primarily 6/2 Tuna and 6/1 Fårö) are combined in butterflies to represent color values and hues that will become an image of a cut fig–mostly recognizable from a distance. An exciting challenge!
When our affections are set on the Lord Jesus, there is no other place we’d rather be than sitting in prayerful conversation with him. And, I imagine he is delighted when he sees his own image formed in us.
Pictorial tapestry on the floor loom requires a good working knowledge of basic tapestry techniques. Doing small tapestries on a tapestry frame loom, line by line, is one thing I do to hone these basic skills. I have finally reached the happy realizaton that I am no longer frustrated by meet and separate.
After several rows of scrap wool to space the warp, I weave ten rows of 6/1 tow linen as a header.
Meet and separate is a simple concept. It’s not hard to understand. Two butterflies come toward each other (meet) in one shed, and they move away from each other (separate) in the next shed. If you are working with only two butterflies — piece of cake! But when you need to add one more butterfly in a row you can find yourself in a pickle!
Butterflies are arranged so that the heads of butterflies are next to each other, and tails of butterflies (which have been tucked to the back) are together.
Resources that help me understand basic tapestry techniques, including meet and separate:
The Art of Tapestry Weaving, by Rebecca Mezoff
Tapestry Design Basics and Beyond, by Tommye McClure Scanlin
Tapestry Weaving, by Kirsten Glasbrook.
Workshops by Joanne Hall for weaving tapestry on a frame loom.
Meet and separate. Two butterflies on the right-hand side don’t have “partners.” New butterflies will be added in the next row that will balance the meet-and-separate order.
Meet and Separate strategies:
Add two butterflies at a time. Remove two butterflies at a time. (Easier said than done.)
Add one butterfly near where you are ending another butterfly.
Add a “two-headed” butterfly, with the two heads going in opposite directions.
If you must add or remove a single butterfly, expect to reset one or more other butterflies. (To reset a butterfly, cut it off and tuck in the tail, and then reverse its direction.)
Think ahead. You may find that the next row will need one more (or one less) butterfly, and the problem will resolve itself.
So far, not too complicated for meet and separate.As the tapestry progresses it’s a continual dance of the butterflies.More butterflies. More fun.
Every row is a game of strategy. Where is the best place to add in a new color butterfly? How can I add or remove a butterfly and cause the least disruption? It’s an intriguing puzzle. The frustrating part has become the fascinating part.
I like to come prepared when we travel. Prepared to weave, that is. Our recent camping trip to Grand Canyon National Park, North Rim is no exception. Relaxing after a full morning of hiking? That’s tapestry time. Rainy day? No problem. Time to pull out my small tapestry frame and do some tapestry weaving.
Sitting on a log to do a quick sketch. Widforss Trail on a Sunday morning was a wonderful way to worship our Creator.Ponderosa Pines fill the North Rim Campground. It is refreshing to sit there for some relaxed tapestry weaving. Weaving from the back, meaning the face of the tapestry is facing away from me.Weaving outside in the cool afternoon.
To view the incomparable expanse of the Grand Canyon leaves me in awe. It’s as if the glory of our Creator is on full display. Oh, the colors, textures, and breathtaking drama!
Sunset brings a hush over the vast Grand Canyon. Vibrant colors, phenomenal textures, in an unfolding dramatic ending–this is the language of a weaver.Weaving inside the Casita Travel Trailer until the skies clear up. Messy back of tapestry because I’m not trimming any more than necessary – fewer scraps to keep track of.
Our hearts turn to recognize God’s authority when we view the wonders of his creation. And, in the awe of it all, we pause to consider the vastness of his personal love, such that the Grand Weaver grants us the pleasure of creating something small with colored bits of yarn. Oh, the wonder of it all!
Pondering the deep questions of life.There is still work to be done. This (second) Rain Girl is not in a hurry. She is ready for me anytime I decide to add more colored bits of yarn.
I started this warp as a place to test some tapestry techniques. I have studied, practiced, and evaluated my own results from techniques used by various tapestry artists. What I have learned is that I prefer the techniques that I am already familiar with, that I learned from my friend Joanne Hall. I am ready to dive in one more time on this warp to refine my own approach to pictorial tapestry weaving.
Tapestry tests and samples are on this warp. My mind is made up. I’m ready to start again.
This little hand-built loom has been sitting idle long enough. It’s time to start again. Starting takes courage. The cartoon is almost ready. Soon, this little loom will be back in action as my favorite place to be immersed in color and yarn.
Piecing pages together to make the cartoon. Only a few more adjustments are needed in the cartoon. The cartoon is being developed from a recent watercolor sketch of morning coffee and fresh figs.
