Tag: color value

Ten Centimeters of Tapestry

Karen

Slow weaving is even slower when a full week goes by since you last touched the loom. If only I could sit here and do this every day, hours at a time. But other responsibilities…and other looms call for my attention.

Four-shaft tapestry in progress on the loom.
First ten centimeters of the tapestry is complete. Plastic baskets hold the wool yarn beside the loom, sorted by color and value.
Color blending by combining various colors and weights of wool yarn.
Color blending is achieved by combining various colors and weights of wool yarn.

We don’t see much of the main subject yet. I am intensely eager to see a distinguishable image. I suspect you may be eager to see it, as well. But I know it’s coming, so I gladly pursue this adventure, one row at a time.

Four-shaft tapestry beginning.
Elements of shading and texture in the beginning background of the four-shaft tapestry.
Tapestry, woven from the side.
Tapestry is being woven from the side. So, this is the direction the tapestry will hang.

Gladly. We need strength beyond ourselves to endure and be patient—with gladness. Endurance and patience with a glad attitude is an indicator of maturity. Strength for endurance is one of the treasures that God supplies when we ask. And he reminds us that he sees the completed picture. And that it’s worth the pursuit. Aren’t you glad?

May you find patience for waiting.

Gladly weaving,
Karen

Tapestry Territory

Karen

Here we go on this adventure! The yarn is plentiful, and sorted into color groups by value. I have tweaked and updated the cartoon, putting measurement marks along the edges and adding shading to places where I want texture. I wove a header after the sample, but it drew in too much. I pulled it out and redid it, making sure to use adequate weft this time. I am now ready! I’m walking into four-shaft tapestry territory!

Beginning of a four-shaft tapestry.
Background begins with wool butterflies in shades of black.
Wool butterflies for a four-shaft tapestry on the Glimakra Ideal.
Several butterflies are introduced across the beginning section of the four-shaft tapestry.
Four-shaft tapestry just beginning.
Linen weft is used between some of the wool picks.

Walking. It’s how we live our life. Step by step into an unknown future. To walk in a manner worthy of the Lord, we follow the Grand Weaver’s cartoon, which he reveals to us, sometimes row by row. And he supplies us with the yarn butterflies in the right colors and values to create the tapestry of his design. We may never see his whole cartoon, but we have the sure hope of seeing the finished tapestry in all its glory!

May you be ready for an adventure.

Happy weaving,
Karen

My Four-Shaft Tapestry – Will it Work?

Karen

Is this going to work? Yes, I think so. I am testing things out. So far, so good. Can I follow the cartoon? Yes. Do I have a good way to hold the cartoon in place? Yes. And to put the color and value key where I can see it? Yes. Do I have enough yarn in each of the colors, values, and thicknesses that I need? No. I see some gaps, especially in the mid-to-dark value range. I am ordering more yarn today. Is four-shaft tapestry going to be as delightful an experience as I’ve long hoped? Most probably, yes! Word of the day: Yes!

Wool yarns for four-shaft tapestry.
Testing, testing. Blending of yarns, blending of colors, checking value contrasts.
Blending yarn colors and thicknesses for tapestry.
Blending yarn colors and thicknesses gives interesting results. This is practice for some of the background area of the tapestry.
Testing new approach to tapestry weaving.
Finding out if I can follow details on the cartoon. Experimenting with adding floats in places as texture to enhance the design.
Trying out four-shaft tapestry.
Will I be able to handle multiple yarn butterflies? I think so.
Practicing technique for a new tapestry on the Glimakra Ideal loom.
Testing some of the green hues for part of the main subject of the tapestry. Also keeping an eye on selvedges, so they don’t draw in.
Testing various elements before starting the *actual* tapestry.
Plenty of warp is available for practice. I want to test all the critical elements before I start the *actual* tapestry. This tapestry will be woven horizontally.

Words. I am affected by words—spoken by others, and spoken from my own mouth. Grace in our words can be an invitation of kindness and relief to someone who is testing our framework. When Christ’s words dwell in us, the richness of his words affect our being. And then, our words of yes and no are grace-filled bearers of hope.

May you see hope on your horizon.

With hope,
Karen