The “MID” marking helps me to make a slight adjustment on this towel so that the second half comes out the same as the first half. I like knowing when I am at the halfway point of a piece because it tells me how close I am to completion.
The midway point is a chance to evaluate and make sure everything lines up. If you could see the midway point in your life, or look back and see that you have passed “MID,” would you live the remainder differently? What adjustments would you make, large or small?
If only we could know when we are on the downhill side of life… But we don’t get a “halfway notice” on life, do we?
God made us. We did not make ourselves. Do you know a towel that wove itself? I don’t. The good news is that the one who made us wants to complete us. He knows all the necessary marks along the way, and nudges us when adjustments are needed. It is good to know we have a Grand Weaver who cares even more about our completion than we do.
Do you see a goose looking at you? This goose-eye twill is aptly named, as seen in the diamond motif that is woven in the fabric. You can see the motif best where the warp and weft are in contrasting colors. But even where there is little or no contrast, the goose-eye is still there. It’s in the structure.
I find it fascinating that one simple repeated geometric shape can set the tone for the whole cloth. It reminds me of what the great classical composers could do with a single musical motif. Think of what Beethoven did with just four notes in his famous Fifth Symphony! Bah-bah-bah Baahm... Joy is that kind of repeated motif that sets the tone for our days.
Joy is the urge to sing on the inside. And it shows up in your countenance on the outside. God loves to see a glad, singing heart. He knows that joy is good for your soul. Sometimes the motif is less visible because of the threads that are crossing your life at the moment. But abiding joy in your structure keeps the melody line alive.
Lay the groundwork; add a row of rya knots. Because of the coarser sett, and the thickness of this doubled linen weft, this rya weaving is progressing faster than the previous one. Tying all 36 knots across the warp is still the slowest part. But I can see progress. I like to see something happening, don’t you?
I weave about an inch / 2.5 cm of point twill linen background first. It provides a framework to hold the mixed wool and linen rya knots. This means throwing the shuttle at a good pace for a short distance, and then stopping to add another row of rya. Through this moving – stopping – moving – stopping, progress is made. A little green and beige garden is growing on the surface of the linen structure. It is during the slow part that the “growing” happens.
Are you troubled about anything today? Don’t lose hope. If progress seems slow, you may be in a growing season. The Lord rebuilds ruined places and replants desolate fields. It feels slow now, but in time, you will look back and see a garden covering what once was ruins. Keep going, you’re going to make it.
Slow and deliberate, rya knot tying is a satisfying exercise of patience. This background cloth feels like coarse canvas. You can imagine how robust the fabric is, with a hefty 8/2 linen warp, and the same, doubled, for weft. Threaded in a point twill, the cloth is simple, but texturally vibrant. The yarn pile, called rya, is made with combined threads of thick Åsborya wool, fine Mora wool, and fine 16/1 linen. (You can see my previous rya project in the post, Are You in a Pretty Mess? And if you want to see exactly how to make rya knots, check out this post – Quiet Friday: Making Rya Knots.)
I simply step on the “pile” treadle, which raises only shaft four, and tie rya knots around pairs of the raised ends. This process works because the fabric was planned and designed to have rya knots inserted on its surface. In a similar fashion, people are designed to receive God’s helping hand.
God wants to give us the ability to flourish in life. That’s his grace. We are made for that, and it happens when we offer “humble” threads. We must wear the cloth of humility as we interact with each other, revealing our coarse, simple, honest self. This is where God inserts his grace. In this process of his, he patiently makes us his work of art.
It is surprising how much difference this cream color makes. If I use the same gold color for the weft that is in the warp, as I had planned, the gold weft looks harsh across the gold warp. Switching to a weft in a lighter shade tones down the gold in the warp and gives the cloth a softer appearance. It makes sense to use weft colors that enhance the warp, even when it means changing my plans.
You have the opportunity to create the best outcome for others by adjusting to meet their needs. We get to serve others through the gifts God gives us. You are gifted. Maybe in speaking encouraging words, or in hands-on helping. Whatever your gifts, when you use them to serve others, you are the hands of God’s grace. And that grace may be the color someone else needs to soften their circumstances.
Loving one another means serving, giving God’s grace to each other. That is when relationships flourish, when we adjust our plans to the other person’s advantage. In other words, I choose the weft that makes you look good.
May your gifts bring the best color to your relationships.