Home in Texas on the Drawloom

The sky is the limit! That is my conclusion after weaving a few designs using the Myrehed combination drawloom. The shaft draw and the single unit draw systems are combined on this ingenious apparatus that is attached to an otherwise ordinary loom. The shaft draw system enables me to weave repeated patterns. The single unit system enables non-repeat patterns. This narrow warp is my playground to do both.

Myrehed Combination drawloom - learning its potential.
Pattern shafts (the wood bars) and single units (with black and white draw cords) are combined for this warp. 36 pattern shafts, including the X shaft. 132 single units.
Setting up the Myrehed combination drawloom.
Central design area uses a repeat of 30 pattern shafts threaded in a straight draw. Side borders use a repeat of 5 pattern shafts. Lift heddles and lanyard clips on the single unit draw cords attach the draw cords to the all the individual units (single units) on the pattern shafts.

I use the computer to create designs. ”Home in Texas” shows the back of our house, with its massive stone chimney. The tree in the scene is a tracing of the oak tree that I pass as I walk up the hill to my drawloom studio. The airplane is a copy of the Mooney that our pilot friend took us in to fly over Enchanted Rock. I am delighted to discover that I can use a drawloom to bring features of personal meaning such as these to life.

Making a gridded pattern for weaving on the drawloom.
Photo of our back deck. Using Affinity Photo, I set up a grid on the page to represent 30 pattern shafts. I then import my photo onto the gridded page.
Creating a simple gridded pattern on the computer.
Simple outline is created and saved as a separate image. The filled-in outline becomes my drawloom pattern.
Creating gridded designs in Affinity Photo.
Oak tree that I pass on the hill up to my drawloom studio. After importing the photo, I adjust the opacity to fade the picture, which makes tracing easier.
Tracing a tree in Affinity Photo to make a drawloom pattern.
I use a pen tool in Affinity Photo set at 3 pt to do the tracing. Now I can fill in the outline and copy and paste the image onto my chart that I will print and then use at the loom.
Drawloom weaving, using the Myrehed Combination.
Houses are woven with 30 pattern shafts. The hearts in the corners and the added details above the houses use the single unit draw cords. The tree is beginning to appear between the two houses on the left.
Myrehed Combination drawloom.
Two draw handles are pulled for the pattern on the side borders. Single unit draw cords are pulled and held in place on the hook bar above the beater.
Our Texas Home - woven on the drawloom.
Our Texas Home

The words of the Creator have life in them. It’s as if he puts his thoughts on the loom and weaves them into being. Let there be light! He speaks; and it is so. Listen closely. Hear the Grand Weaver say, Peace to you. And it is woven so. You are his workmanship, bringing his design to life.

Experimental warp on the drawloom.
More ideas are forming, even as this fabric begins to hug the cloth beam.

May your life reveal the Creator’s design.

Happy Weaving,
Karen

25 Comments

  • Kelly says:

    Wow, that is amazing!

  • Beth Mullins says:

    Mind blown! Wow!

    • Karen says:

      Hi Beth, The drawloom attachment changes everything. At the root of it all, though, is normal weaving. The draw handles and cords turn it into a giant counted cross stitch machine. 🙂

      Happy weaving,
      Karen

  • Wanda says:

    Fabulous! I love seeing what you weave!

  • Judy Goodwin says:

    I took a drawloom class at Vavstuga Studios in MA. I loved being able to create the designs. Would love to do more of it. Your work is wonderful

    • Karen says:

      Hi Judy, That’s great that you had the drawloom experience at Vavstuga. I’m sure it was wonderful! Creating the designs on the computer has been quite a learning curve for me. I’m beginning to enjoy it. 🙂

      Thank you,
      Karen

  • Kevin B says:

    Ah, so much to learn! As always your weaving is beautiful and very inspirational! Thank you for sharing!

  • Betsy says:

    Oh, wow!! Very cool.

  • Charlene says:

    There is a great deal more than the threads of fibre weaving through your blog posts and the story of your art. I catch a thread or two, sometimes in what you write; “May your life reveal the Creator’s design” and sometimes in the comments; “May I add, amen.”

    Comparatively, I find my own weaving journey so intimidatingly small as I read about your journey, but then I remember the joy isn’t in comparison, the joy is in our created uniqueness.

    It is fascinating – both in this created life God has given us and to share your unique contribution with you. Thank you for such detail in both photo and description. I thoroughly enjoy both.

    • Karen says:

      Hi Charlene, The underlying threads you insightfully detect are at the heart of all my intentions. I’m pleased to have you join me in this little corner of the created life God has given us.

      Your friend,
      Karen

  • Shari says:

    You have truly embraced weaving! So much to discover. When I was visiting my best friend Janet in Austin last October we went hiking at Enchanted Rock. Very special place. Be well.

    • Karen says:

      Hi Shari, I’m so happy to know that my little mention of Enchanted Rock meant something to you. Having had hiked Enchanted Rock a few times, it was very exciting to get to see it from the air!

      Be well to you and yours,
      Karen

  • Linda Adamson says:

    Lovely. How long does it take you to set up your loom? Where did you learn how?
    Linda

    • Karen says:

      Hi Linda, This warp took me a good 12 hours to set up. I was determined to get it done, so I spent about 3 hours, 4 days in a row. I enjoyed the process – it all seems so amazing how the systems work together. But this is why most drawloom weavers put on looooong warps. This current warp is only about 5-6 yards long because this is for planning out designs to use on larger pieces in the future. Besides, I still need the practice of dressing this loom often enough so that I don’t have to start from scratch with my memory.

      I took a drawloom class from Joanne Hall at her studio in Montana. It was excellent!

      All the best,
      Karen

  • Linda Cornell says:

    I enjoy your posts and weaving inspirations! I hardly know what a draw loom is but it’s cool to see what you produce in it! Most particularly, your intertwining of faith through your weaving is mist inspiring. God continue to bless you!

    • Karen says:

      Hi Linda, It wasn’t that long ago that I hardly knew what a drawloom was, either. It’s been an interesting learning journey.

      I’m glad the intertwining of faith through my weaving experiences resonates with you.

      Thank you,
      Karen

  • Connie says:

    All I can say is, WOW! Thanks for sharing.

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