Drawloom Rag Rug Color Transition

This is a huge project. Four shades of blue from dark to light span the nearly one-and-a-half-meter-long rug. I have reached the final color-transition section. I am eagerly awaiting the day this rug will be rolled out!

Rag rug on the drawloom. Color transition.
Transitioning from one color to the next.

My measuring ribbon shows me where to make the color changes. I alternate two weft colors (C and D) through the transition area to blend the hues. All the while, I stop after every half-unit of four picks to manage the draw cords. A graphed chart tells me exactly which of the 164 draw cords to pull or release. In this way the graphic designs are woven into the rug, row by row. I weave in quiet, allowing me to put full attention on each move.

Drawloom rag rug.
View of the underside of the rug as it goes from the breast beam to the knee beam.
Single unit drawloom rag rug.
Draw cords are arranged by tens, alternating black cords and white cords. I pull the cords as they correspond to the prepared chart hanging at the left side of the loom.

We need hope in these unsettling times. Jesus invites us to admit our fears and failures, and put our trust in him, and follow him. And this is the message Jesus gives his followers: I am always with you. The Lord gives strength and courage. As our Grand Weaver, he has his full attention on us. So be strong and take courage.

May you have hope that lasts.

Love,
Karen

Most Unusual Tapestry Tool

Suddenly, I am able to see the tapestry on the loom from a distant vantage point. Aha! I can see that the left shoulder of Lucia is nicely defined, and that her shoulder appears to be in front of the turquoise rabbit hutch. What I am not able to discern up close becomes crystal clear from a distance. I have an unusual tool in the basket at my loom bench that gives me this advantage. Binoculars! I use them whenever I want to get a better sense of the overall context, color, and definition of what I am weaving in the tapestry. By peering through the WRONG side of the binoculars I am able to view the tapestry as if from a great distance. It is just the help I need to keep pursuing this mystery of weaving wool butterflies on a linen warp to make a recognizable, memorable image.

Pictorial tapestry in progress.
Each row is a new adventure.
Pictorial tapestry on the Glimakra Standard loom.
Photo image of the complete scene sits in the windowsill by my loom. I frequently refer to the photo as I weave.
Binoculars - unusual tool at the weaving loom.
I wish I could show you what I can see through the wrong end of the binoculars. It always surprises me how the image is clearly shaped at a distance.
Weaving a picture of my grandchildren.
Skin tones blend for the area of Lucia’s neck that is coming into focus. Before long, I will get to play with her flyaway hair.
Weaving a pictorial tapestry of my grandchildren.
Greater distance from the tapestry provides more clarity of context. But still, we only get to see the slice of the image that is in view on the loom. It takes faith and patience for the rest.

May you gain the perspective you need.

Blessings,
Karen