I had a visitor this week. You might be surprised to see what a seven-year-old can do. Young Jamie picked out her colors, wound fabric strips on the ski shuttle, and wove a small rag rug. Almost all by herself! She helped me advance the warp, and remove warping slats as they came off the back beam.
After twisting the weft at the selvedge, Jamie angles the weft in the shed before beating. And this seven-year-old has plenty of strength to pack the weft in tightly with the beater.
It was rewarding to see my little friend catch on so quickly. She believed me when I told her she could weave a rag rug; and she trusted me to show her what to do. Weaving was a success because Jamie listened well, and followed my instructions. After she left, I wove the warp thread header, cut the rug from the loom, and tied the knots, leaving fringe. Now Jamie has her own little handwoven rag rug!
Warpends are secured with overhand knots. The fringe adds a playful touch to Jamie’s first rag rug.
Trust in God is a bold thing; it is confidence in God through all of life’s challenges. Beware of anything that tempts you to question your trust in God. He comes beside us and faithfully guides as we walk through life. God is someone we can trust. When we listen well and follow instructions, he weaves something good through our hands.
I added one more letter to the Lucia Tapestry. The back of the tapestry is pretty messy. Since I weave from the back, I see the reverse image as I weave; and the scattered threads clutter the view. I am spelling my new granddaughter’s name. Each letter comes about slowly. I know what to expect on the other side even though I can’t see it while weaving.
Weaving from the back.
Baby Lucia is only a few days old. She does four things. Sleep, eat, cry, and have diaper changes. What she thinks or dreams or feels is a matter of speculation. My daughter and her husband are learning the hard way, as every new parent does. They only see messy threads right now, but they know Lucia has a special purpose.
Lucia in progress.
And they are trusting the Lord to show them the important things about parenting. Trust is the basis of faith. The Lord is searching everywhere to find those who trust Him completely so He can strengthen them in their faith. The tapestry He is weaving spells out the names of those who put their trust in Him.
Do you remember the baby wrap I was weaving for my daughter and her coming baby? Baby Lucia has arrived! And she is already capturing our hearts. I was glad to have a small tapestry to keep my hands busy while waiting her arrival.
Weaving from the back on my small travel tapestry frame loom.Weaving letters to spell the name of our new grandbaby, Lucia. L – U – …
Observing a newborn infant is observing pure trust. She completely depends on her mommy and daddy.
New baby and new mother. Trust and deep affection.
It will take days and years for Lucia to know her parents and learn to understand their deep love for her. Oh, to have the heart of a child. Trust in the Lord. Simply trust.
Weaving Southwest has a vibrant history in northern New Mexico that has influenced weaving traditions far and wide. I recently took advantage of this treasure trove of experience in a class taught by Teresa Loveless, the granddaughter of Weaving Southwest pioneer, Rachel Brown. I hoped to sharpen my tapestry skills by learning a fresh approach, and I was not disappointed! Teresa’s attentive teaching style brims with encouragement, making every student exceed their own expectations.
Weaving Southwest in Arroyo Seco, New Mexico.Teresa Loveless on the right with her five happy students from the class “Habitat, A Study in Verticals.”
Join me as I sit with Teresa in the park across from the shop to talk about her dreams and aspirations…
Fast forward twenty years. What would you like to be known for?
I have an interest in preservation of culture, and seeing that carried out through textiles. Preserving culture through textiles worldwide is a hidden passion of mine, and I’m working on ways to make that happen.
This sounds like a big dream.
Yes, it is a big dream that I have given a lot of thought to. With modern technology there is great potential. Technology makes it possible to pick out every little niche of fiber in the world and pull it all together in a classy and educational way.
What can be done to preserve cultures through textiles?
You could go to little villages or communities, and through today’s technology, bring them all together and preserve entire cultures. In Before They Pass Away, photographer Jimmy Nelson documents some of the most secluded tribes in the world. And he put them together in an incredible photo book, with their beautiful textiles draping all over them. That book was part of the inspiration for my dream.
Your grandmother taught you how to weave; and your mother taught you jewelry making. And now you are passing weaving on to your very young daughter. What are your thoughts about people passing what they know on to their children and grandchildren?
I grew up in this family of artists and inventors, and they were weavers and jewelers and everything in between, and I did it all. I wove and I made jewelry. It was normal. It was my life. When I went away and realized that not everyone brought their loom to college, or that making a silver ring is not something everybody can do… that was eye opening.
For me, it is all about passing it along. Teach your kids to do what you do. Even if they think they’re going to go off and do something else. I was going to go be a scientist. And then I came back. Clearly, I’m not a scientist. I’m a weaver.
Because it was passed on through my family, and because of my incredible grandmother, I am able to help preserve culture. I am helping to preserve beauty through textiles.
What about your daughter, do you think she will become a weaver?
Pass on the tradition, pass on the skill, and pass on, hopefully, the love for it. But my daughter loves bugs more than she likes yarn right now, so maybe she’ll be the scientist, who knows?
Weaving Southwest pickup truck depicts the down-to-earth approach of the shop. Highly accomplished, yet unpretentious.
Tell me about your sweet spot. Are there times when you think, “I was made for this?”
I’m doing it here, like the class we just finished. I love teaching. I love being able to share what I know, what was passed on to me. It doesn’t matter how much someone knows or doesn’t know when they come. From afar, weaving does look a little confusing, but if you get the feel of it, if you understand the warp and weft and structure… Oh, the things you can do!
You enjoy simplifying things for people, don’t you?
That’s it, definitely! It doesn’t have to be hard. There are all sorts of technical terms, but weaving does not have to be difficult. Seeing people blossom, from, “Oh my gosh, which is warp, which is weft?” Or, “Do I do a single dovetail here?,” to realizing you can do a single dovetail wherever you want, …but you don’t have to. There are so many options. If you go into it with confidence you’re going to be able to produce incredible work!
You seem happy to see your students flourish…
Oh, yes. When I see my students happy, then I’m happy!
Thank you for taking time with me. It has been fun to get to know you more!
Absolutely! Thanks!
This study in verticals is hung horizontally just above the work table in my weaving studio. Makes me smile.
A hemstitched edge deserves twisted fringe. You have to overlook the amount of time it takes to put this finishing touch on your handwoven articles (often as much, or more, time than it took to weave the cloth in the first place). You do it because you care about the end result. The hemstitching and fringe are the mat and frame for your work of art. Begin well and finish well.
Step 1: (First, with fabric not yet washed and dried, cut all fringe strands on both ends of article to an equal and even length.) A pair of two-pound walking weights holds the fabric in place for tying knots. This fringe twister tool has a long handle and four little alligator clips.Step 2: Tie an overhand knot a fingertip-length away from the end, securing four ends together. (Other projects may have more than four ends grouped together.) This extra step holds the secret to clean cut fringe ends (see step 7).Step 3: Let each little alligator grab a knot in it’s teeth, four in a row. Crank the handle around until the twisted threads begin to kink back on themselves. Count the number of turns of the handle and repeat that same number of turns for each grouping.Step 4: Grab the strands from the first two alligators’ mouths, being careful not to let the strands unwind. Combine the two thread groups and tie an overhand knot a fingertip-width away from the first knots.Step 5: After the knot is tied, let the strands unwind in your hand, keeping them from tangling with neighboring threads. Snug the knot by holding the knot and pulling on the two smaller knots, one at a time.Step 6: Wet finish the fabric by a method suitable for the type of thread or yarn being used. Air dry completely, or other suitable method for drying. While still damp, separate and straighten each twisted fringe.Step 7: First set of knots are cut off, removing the frayed ends, and leaving clean cut ends.Step 8: Wear your lovingly handmade creation to a very special occasion, such as to your daughter’s wedding.
This is a lesson for raising children and letting them go, too. You weave for years, give time-consuming attention to the finishing touches while they are in your hands, and then you let them go. Wedding in four days!
