Thanksgiving. What is a family gathering without food? We have our traditions, like turkey, dressing, and pumpkin pie. We also have some recently discovered favorites, like pomegranate seeds and pecan pie. Even for a reluctant cook like me, the hustle and bustle of preparing the Thanksgiving meal with more-than-usual pairs of hands in the kitchen is heart-warming. Making memories with love is a thread that weaves the fabric of our family together. I am grateful.
Steaming dinner rolls, just out of the oven, are wrapped in a handwoven cotton towel. Thanks to my daughter, Melody, and her cooking timeline, we knew just when to put the rolls in the oven. The towel is simple plain weave that takes on elegance in this color-and-weave effect using thick and thin threads.Antique family bowl with pomegranate seeds, on classic cottolin hand towel in point twill, with turned rosepath ribbon at the side.Brined and Roasted Turkey, prepared by my daughter-in-law, Lindsay, was one of the best we have ever eaten. Eight-shaft two block twill Tencel scarf completes the presentation.Decorative band woven on my band loom playfully dresses up the reinforced weft table runner, which is made with narrow strips of cotton fabric for weft. Frozen Cranberry Salad is a traditional favorite for our family.My other daughter-in-law, Marie, created the braided edge for this pecan pie. Superb! The eight-shaft two block twill cloth matches the Roman shades that hang from my kitchen door, made from the same warp.
Rosepath (Rosengång) is a motif that shows up frequently in Scandinavian textiles. I love seeing rosepath in any setting, but rosepath is at its best, arguably, when it is used for borders and accents on otherwise ordinary cloth. This four-shaft rosepath is well-suited for rag rugs, giving delightful visual results. Because it uses two ski shuttles and fancy footwork on the treadles, I must be deliberately attentive. (Click HERE to view my other Rosepath projects.) If there is to be a positive motif in the fabric of our lives, we must be deliberate about that, as well.
The characteristic dot in the rosepath motif is clearly visible in the high-contrast red/tan accent. The dot is still visible, but not as obvious in the lower-contrast mottled green/tan accent.
People want to be remembered. Stop for a minute and think about the people you are connected with–family members, friends, co-workers, acquaintances. Think about how thankful you are for them. Thankfulness is an outstanding motif. Not just thankful for what people give you or do for you, but simply thankful that they are here.
One of the best ways to love someone is to remember them when you’re talking with the creator, thanking him for putting them in your life. Thinking thankful thoughts is nice, but deliberately thanking the one who makes it possible is even better. That thankfulness shows up as the defining motif in all our interactions with the people we’ve been given to love.
May your thankful heart be the delightful motif that others see.
Cotton, linen, wool. Thick, thin, slick, rough, smooth, bumpy. Yarn comes in so many shapes and sizes. But, oh, it’s the colors that draw me in. I love a wall of yarn! I don’t need to have it all, I just want to look at it. Thread on tubes looks spectacular, piled up in cubbies. Yarn in skeins looks inviting. Yarn, thread, fiber… Whatever you want to call it, may I have just a little more, please?
I love the circles of colors and the “O’s” of the tubes! It’s as if they all have their little mouths open.Class time at Vävstuga often means playing with colors.Decisions, decisions… Which linen color would you choose?Dahlia on the Bridge of Flowers, just outside the Vävstuga weaving studio.Cotton, anyone? This is a fun wall of color! It is the backdrop to the table where we wind our quills at Vävstuga.Another Dahlia that caught my attention! I like the raggedy edges. Imagine blending yarn in these colors.Yarn on skeins will be wound into balls to be prepared for weaving.What can I say? I never get tired of seeing the thread color circles!
Please come back next week for the lively conversation I had with Swedish weaving expert and founder of Vävstuga Weaving School, Becky Ashenden, in her living room. Find out what makes her tick!
You may remember that I recently returned from a visit to The Philippines. It may not surprise you that I am always on the lookout for interesting textiles, and especially handwoven fabrics. I don’t mean to do that; it just happens… Well, when I met sweet Beth at the Sunday market, I felt like I hit the jackpot! Beth and I had a common language – Handweaving!(She speaks fine English, too, of course; but you know what I mean.)
I tried to gather a few pictures of textiles that you would enjoy seeing.
If you don’t have time to look at all the textile pictures today, at least scroll down and see my little granddaughter carrying her big umbrella on the way to the market. Umbrellas are always in season in Metropolitan Manila. For the rain in the rainy season (our visit), and for shielding your skin from the sun all the rest of the time. (You can always come back later and finish looking at the rest of the pictures. Smile.)
I am wearing a cotton tie-dye scarf I found in a Makati store. We learned interesting World War II history on our day trip to Corregidor Island.Interesting painted metal gate in Makati. I instantly saw it as a potential tapestry design.Found a fellow handweaver at the Sunday market. Beth has ten looms in her workshop in Vigan, where she and other weavers produce beautiful cloth, mostly from cotton thread. 40/1 cotton is Beth’s most used fiber.
Beth identified this weave pattern as the most unique to The Philippines. I am sorry I failed to write down the Tagalog name for this and the weaves in the following pictures when Beth told me what they were.Beth is a third-generation weaver. She has woven this pattern for many years, but just learned four years ago that it is called “Overshot” in English.HandWoven Wonders by Beth’s Loomweaving. Stunning turquoise cotton table runner is two yards long.Ayala Museum has fascinating displays depicting various aspects of Philippine culture and history, including a display of 1800’s handwoven and embroidered clothing (picture-taking not allowed). I found these ikat woven coin purses in the museum gift shop. The woven plaid zipper pouch is from another market vendor.Mannequin in airport shop is dressed in a pleated handwoven skirt. The sash above the skirt is adorned with a shaped “rose,” formed from a handwoven wide band. (Click photo to enlarge)Wide handwoven band is gathered and stitched to form a “ribbon rose” that embellishes the sash.Neatly folded piles of colorful handwoven items at a shop in the Manila airport. You didn’t expect me to come home empty-handed, did you?Vibrant multi-colored cloth with intricate design. Perfect for a Christmas table runner.Notice the long thread floats and knots on the reverse side of the red cloth.Cheerful colorful stripes!Detail of the warp-faced weave of the colorful striped cloth.
I love making bands! I started weaving bands in the 1980’s on my inkle loom; and more recently, I have been weaving bands on my Glimåkra two-treadle band loom, like these bands. Now, I am also learning to weave bands with a small rigid heddle. (The pattern for this Sámi band is from this book – not an affiliate link.) There are rudiments of weaving that form a basis for understanding and developing skills. In the arena of faith, convictions are the rudiments that form a basis for learning and growing.
Doubled 8/2 purple cotton thread forms the pattern, and single strands of 8/2 unbleached cotton are used for the background. Tools used are a rigid heddle, a shaped band knife, and a band lock.
Follow a written draft, or a pattern passed down, or one committed to memory
Understanding these and other basics will give you a good foundation for any type of weaving, large or small. If I keep these essentials in mind as I practice, I have every hope that I will end up with something worthwhile.
Convictions of the heart form the basis for learning how to live in a meaningful way. When these convictions arise out of faith in our master weaver, they are accompanied with unfailing, unwavering, and unending hope. And hope assures that the journey is worthwhile.
