I have another rag rug warp on my Baby loom (Glimåkra 100cm Ideal), playing with the magic of double binding again, this time with four shafts and four treadles. Ten yards / nine meters of warp. I planned an additional twelve inches / 30.5cm between rugs for cutting off and tying back on, so I can cut each rug off as it is finished. Here is the first rug.
Small warping reel is used to measure the ten yards / nine meters of 12/6 cotton rug warp.Warp chains are undone and lengthened out over the warping trapeze. Several pounds of walking weights hold the bouts under constant even tension for beaming the warp.All tied on. Ready to weave.Design concept is created; and fabric colors are chosen.Progress.Temple is always in place when I am weaving a rug. I fitted two different temple parts together to get this warp width. Notice the lengthwise gaps between the temple parts…but not a problem.Around the breast beam, and over the knee beam, to wrap around the cloth beam. Warping slats are placed between the cloth beam and the rug the first time around to make a smooth surface for the woven rug-cloth.Hem is completed with 12 picks of rug warp. Three inches of scrap fabric header comes next, and then the rug is ready to be cut from the loom.Warp ends have been knotted and trimmed; and hem folded under and pressed. Now, hemming with a needle and rug warp, the last step is almost complete. The only thing left is to sew on my label.Notice the subtle changes in color and depth of color where the warp colors change–purposely not aligned with the block changes.Home sweet home. A patterned rag rug makes a house feel like home.
A picture works better than memory. By the time I get to the opposite end of this rug, I doubt I will remember the details of this starting hem. Technology makes it simple. This is one reason I keep my iPhone handy when I am at the loom. Click. Now I have a visual record of the hem that will do the remembering for me.
Four picks of rug warp between hem sections gives a good edge when turning the hem under.
Some things are worth the effort to remember. Remember the good. When times are difficult, waiting to see the Lord’s goodness requires strength and courage of heart. It requires remembering the good from before. Wait for the Lord with faith–the faith that looks like courage. Faith is that picture of good that made an impression on your soul, that’s been tucked away for a while. Maybe it’s time to pull it out and remember.
Bold striped hems and four white stripes across this rug stabilize the unpredictable design. This is the rug that uses up several remnants from my fabric stash. My main agenda was to use up fabric.
Final rug from this warp of double bindingtwill rag rugs. The striped hem is created by alternating picks of dark and light fabric strips.
I like rugs for the way they give the impression of a pathway. A place to put down your feet and walk. This rug does look like a path to me. Like a tapestry, this rug tells a story. I can see irregular changes of scenery. And the white stripes are like scheduled events that add structure and definition. It is good to have a path for your feet, and for your life.
Life is filled with changing seasons, and with schedules and interruptions. It isn’t always easy to see the right path. The Shepherd leads us on a path lined with goodness and mercy. These qualities are woven in. Like this double binding rug, mercy is always on the other side of goodness. And goodness backs up mercy. When these elements of kind-hearted design can be seen in our lives, though only as remnants and fragments, that is when we know we are on the right path.
Think of this as an experiment. A first try. A specimen with which to work out procedures and details. I like the bag, and I will certainly use it; however, there are a few things that I will do differently when I make the next one. And I do intend to make another one, or two, or three. Experiments are like that. One idea leads to another. This warp was all about double binding rag rugs. As always, though, it is delightful to have some warp left at the end for play.
Length of 1-inch/2.5 cm black cotton webbing is woven in. The webbing that extends beyond both selvedges will form the bag handle. Rag weaving continues for a few inches before placing the webbing ends back into the shed.Both ends of the webbing strap are tapered, and then overlapped in the shed before beating them in.Temple maintains the weaving width as the rag weave continues past the woven-in handle straps.Warpends are secured, as usual. First, square knots, and then cut off to 1/2 inch/1 cm.Sewing the sides of the bag, right sides together. I am using the four rows of woven rug warp at the beginning of the woven hem as my stitching line.After turning the bag right-side out, and pressing the seams open, I created a simple flat lining, with added pocket, to fit inside the bag.Lining is pinned into the bag, matching seams and mid-points at front and back.Lining is stitched into place with narrow topstitching.Voila!Fun tote bag to carry to and fro.
Next time… Find a strap that is not as stiff, so it will beat in better. Weave in a strap that is the same color as the warp. Make the strap longer. Find a way to secure the cut ends of the strap (this is the biggest issue). Possibly use a band woven on my inkle or band loom for the strap.
What would you use for the strap? Can you think of a good way to secure the ends of the strap together? What other suggestions or thoughts do you have to improve a bag like this? I would love to hear your ideas.
This rug is using up bits and pieces. Normally, I begin with a few choice fabrics in five-yard lengths to create a specific rag rug design. Not this time. With the exception of the grey print, there is not enough of any one color to suit me. Some favorite prints are here, but in very small amounts. Other fabrics have been around too long; it’s time to use them up. And some, like the denim, are in short lengths, which means annoyingly frequent joins. My task is to take these misfits and make something worthwhile.
Double binding rag rug that is using up fabric stash pieces. Wide white stripes across the width in regular intervals give definition to the uneven assortment of fabric scraps.
Even though I can’t guarantee the results with this mishmash, I am taking the dive. It is good to try something new, or do something old in a new way. Take fabric that is leftover, outdated, or unsuitable for anything else, and turn it into an artisan rag rug. Can I take ordinary and turn it into extraordinary? It is worth a try.
Do what you know, and take it further than you think you can. Go where you don’t usually go. Step out a little deeper to practice what you already know. Let the struggle push you to find new horizons. You could end up with a charming rag rug.