Lizard in Black and White

Some things are better seen without color. Hence, an enlarged version of my lizard in black and white. Variances in value are not as easily discerned in the full-color print. These subtle value distinctions bring realism to the lizard tapestry. For this reason, I sort all the yarn into small groups of color and value, which clarifies my choices for each wool butterfly.

Lizard portrait in black and white for tapestry project.

Lizard portrait in black and white shows nuances in color value.

Yarn Sorting Process:
1. Select yarn colors for the tapestry.

2. Group like colors together.

Sorting wool yarn for a tapestry. Tutorial.

Wool yarn, much of which has been accumulated from previous projects.

For each color group (I have seven color groups):
1. Arrange yarn on a white background in value order, from light to dark. Take a picture.

Arranging yarn by color value for tapestry.

Green, from light to dark.

2. Take another picture using the smart phone black and white setting (“Noir” in the filters on my iPhone).

Yarn in order by value. Blog post explanation.

Photo shows that a couple adjustments are needed for the yarn-value order.

3. Adjust yarn to make value order corrections.

Yarn in order by color value. Suggestions on blog post.

Adjustments made.

4. Divide the yarn into three value sections. 1. light, 2. medium, 3. dark.
5. Label baskets to hold each yarn section; i.e., “G 3” for green, dark.

The preparation for a project like this is immense. And tedious. But this is a weaving adventure. Indeed, the results may very well be astounding. That’s my hope.

Yarn for tapestry sorted by color and value. Tutorial.

Little baskets of yarn next to the loom, sorted by color and value.

Life itself is a full color project. Immense and tedious. Rise above these earthly things. Our Grand Weaver sees the value distinctions that we miss with our natural eye. What hope this gives! Trusting him through this real life adventure brings assurance of astounding results. Setting my mind on these “above” things turns troubles into treasures whose values will be evident in the final real tapestry.

May you persevere.

With you,
Karen

4 Comments

  • Annie says:

    I like the reminder of value distinction. I think it is hard to remember or believe that a life lived in quiet, following Christ teachings has just as much value as the life lived containing one grandeous moment of self sacrifice.

  • Now we know why the art teachers insisted on pencil before pastels.
    What a great visual. Thank you.

    I am going to step out of topic and call on you and your readers to pray for all who share the roads. We lost a young man the day before Fathers’ day. A woman turned left into his Harley. She was trying to go onto a highway on-ramp. Late morning… dry pavement… sun out… mind not paying attention to oncoming traffic.

    Please add all people in their daily travels to your prayers and care on the roads. His death shattered 3 families.

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What the Shadow Reveals

Sometimes things do not go as you hope or expect. I thought this color-and-weave effect would be more distinct. Yes, I chose low-contrast colors. I wanted the pattern to be subtle. But this may be too subtle. I have to use my imagination to see anything other than a faint checked pattern. It’s not a complaint. It’s just not how I thought it was supposed to be.

Linen on the loom.

All 8/2 linen. Stripes in the warp and stripes in the weft. I intended more than a simple check pattern.

I am taking pictures from all different angles, thinking the camera lens might show more than I can see with my eye.

Warp and weft stripes in linen.

Detail of warp and weft stripes. A simple, yet pleasing pattern.

Weaving 8/2 linen upholstery fabric.

Crosswise view.

Linen upholstery fabric on the loom.

View at an angle. No significant difference.

And, to my great surprise, there it is! The pattern I am hoping for shows up when I snap a photo of the underside. What happened? It’s all in the lighting. In this case, I need shadows to reveal the pattern in the weave.

Color-and-weave effects in linen upholstery fabric.

Pattern shows up underneath.

Color-and-weave patterns in linen.

Same fabric, different look. This is what I intended all along. Hidden in the shadows.

Shadow reveals the pattern in this linen color and weave.

To test my hypothesis about the shadows, I cup my hand over the fabric. Where a shadow is formed the pattern is revealed.

Endure. When you walk through shadows of life, the patterns that are woven in you become evident. If you depend on the Lord’s might to walk through and endure day-by-day challenges, that same power will be with you when you walk into a major shadow and need endurance the most. In fact, it is in that shadow that the image of Christ is most clearly seen in you.

With you,
Karen

6 Comments

  • Beth Mullins says:

    Trick of the light! I love this.

  • cuyler says:

    Amazing! Thanks for the excellent photos. That really helps understand your point, and view.

  • Elisabeth says:

    It is when walking through the shadows of life we learn to see things in depth, it is almort like you experience life without a filter…it is raw, real, painful, yet beautiful at the same time… beauiful in the presense of wonder. Your pictures so well illustrate the beauty present in the shadows, as well as a great reminder not to fear the difficult times! Thank you!

    • Karen says:

      Elisabeth, yes, beauty can be found in the shadows. It’s not easy to remember that when you’re going through a hard time.

      Thanks for your words of wisdom,
      Karen

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What to Do about Weaving Errors

I’ve been waiting for a bright sunshiny day to thoroughly examine this tightly-woven linen satin dräll fabric. Today is perfect. Fixing errors must be done before the fabric is washed, when the weave will become even tighter. I am looking for unwanted floats where the shuttle skipped threads, and for loops at the selvedges.

In my examination I did find an errant float and a few small selvedge loops. Let’s get started.

Tools:

  • Blunt-tip needle. Sharp needle tip has been sanded to a rounded tip.

Blunt needle for fixing weaving errors.

  • Thread. Use the same weft or warp thread that is in the area needing repair.
  • Good lighting. If the fabric has a complex structure, good lighting is essential.
  • Magnification. I take a photo on my iPhone, and then zoom in to see the minute details.

Zoom in on iPhone photo to magnify details.

 

How to Mend Skipped Threads:

1 Locate the error. Here is a long weft float.

What to do with skipped threads. Tutorial.

2 Thread the blunt-tip needle with a length of the same thread as the float.

Tutorial on fixing weaving errors.

3 Following the exact under-over pattern of the weave, start one inch before the float and needle-weave toward the float. I lay my iPhone nearby, with the magnified iPhone photo clearly showing the weave pattern.

Needle weaving to mend a weaving error. How to.

4 Needle-weave the correct path of the thread through the float area. Continue needle-weaving along the same thread pathway, going one inch beyond the float.

How to fix skipped threads in weaving.

5 Check the front and back of the fabric to see if your stitches match the correct pattern of the weave.

Skipped threads in weaving. Fixed!

6 When you are certain that the float thread has been accurately replaced, clip the float and remove it (or, leave it and trim it after washing). Leave two-inch tails on the replacement thread, and trim after wet finishing. (I leave the replacement tails so I can find and check the repair after it is washed. This also allows for shrinkage before trimming.)

Clip off the float AFTER repair thread is in place.

 

How to Fix a Small Selvedge Loop

1 Locate the loop.

How to fix a loop in the selvedge.

2 Using the blunt-tip needle, gently ease the excess thread to spread over four or five stitches inside the selvedge.

Easing in a loop at the selvedge. Short how-to.

3 The thread that has been eased in (just above the needle) will completely smooth out in wet finishing.

Eliminate an errant loop at the selvedge.

What skipped threads and loops would be found if I were examined this closely? Would I leave them and hope no one notices? Or, would I allow re-weaving and cutting away? A negative attitude is replaced with a thread of thankfulness. A loop of complaining is eased back in. The result is joy. A thankful heart knows joy. When the fabric is washed, the errant floats and loops are gone. What remains is the woven fabric with lustrous threads of joy.

May you have a bright sunshiny day.

With you,
Karen

12 Comments

  • Beth Mullins says:

    Re-weaving and cutting away in life – what a great analogy.

    I am fascinated by your snips (scissors). Are they surgical snips? Those curved blades! I’d love a pair of my own.

    Here’s to a day full of joy!

    • Karen says:

      Hi Beth, Finding those personal flaws can be a little painful for me, but putting in a better thread is worth it.

      These snips with curved tips work great! I found them at a vendor at the quilt festival in Houston a few years ago. I picked up another similar pair at a needlework shop a couple years ago.

      Joy to you!
      Karen

  • Annie Lancaster says:

    Good morning, Karen! I loved your analogy! The lazy part of me would think no one might notice because change is difficult. But then the good Catholic guilt takes over and I must do something about myself!

    The same with corrections in my weaving. My first thought is will anyone really see that? But I can’t unsee it, so it must get fixed!

    One thing I never knew though, was that the loopy selvedges could be corrected. Thank you for sharing this technique, Karen. I am always eager to learn how to improve and correct, though I sometimes have to do a bit of self talk first!

    Enjoy the sun today.

    • Karen says:

      Hi Annie, The wonderful thing about grace is that someone greater than us does the fixing. He can see clearly what needs to be done.

      You are right about not being able to unsee a flaw. If there is something I can do about it, I will. If it can’t be fixed, then, I will chalk it up to the reality of being handmade.

      The loop I showed here would probably correct itself in the wash, but it wasn’t hard to ease in the thread, so I did.

      Happy to have another day with sunlight!
      Karen

  • Mary Still says:

    Beautiful piece and I like what you say at the end! Bless You!
    Mary

  • Linda Cornell says:

    You are a gifted writer as well as weaver. Thank you for sharing both!

  • Marion Darlington says:

    Life is but a Weaving” (the Tapestry Poem)

    “My life is but a weaving
    Between my God and me.
    I cannot choose the colors
    He weaveth steadily.

    Oft’ times He weaveth sorrow;
    And I in foolish pride
    Forget He sees the upper
    And I the underside.

    Not ’til the loom is silent
    And the shuttles cease to fly
    Will God unroll the canvas
    And reveal the reason why.

    The dark threads are as needful
    In the weaver’s skillful hand
    As the threads of gold and silver
    In the pattern He has planned

    He knows, He loves, He cares;
    Nothing this truth can dim.
    He gives the very best to those
    Who leave the choice to Him.

    … as quoted by Corrie ten Boom

  • Virginia says:

    Thanks! Very helpful and encouraging.

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Treadle Adjustments on a Countermarch Loom

The countermarch loom is known for having a clean shed, so that is my goal. Is that possible for ten shafts and ten treadles? The first treadle I step on reveals that treadle cord adjustments are definitely needed!

How to evaluate the shed and adjust on countermarch looms.

Before making any adjustments, a few of the sheds look impassable, like this one.

I learned the basics of making adjustments to treadle cords from Learning to Warp Your Loom, by Joanne Hall, and The Big Book of Weaving, by Laila Lundell. I also gained valuable experience from Vävstuga Basics, with Becky Ashenden.

Here’s how the process looks for me, with this ten-shaft, ten-treadle project as an example.

I keep the following note on my iPhone. It helps me remember how things work.
I fill in the blanks for each treadle, noting which shafts are too high or too low. Then, using my iPhone note for reference, I make the needed adjustments.

Note on iPhone for making countermarch treadle adjustments.

  • The first time through, I am primarily interested in the bottom of the shed. I make adjustments to clear the shed enough to be able to weave a little bit.
  • Weave an inch or two. It is surprising how the shed cleans up with a little bit of weaving.
Adjusting treadles on countermarch loom.

Bottom of the shed has threads on one or two shafts that need to be lowered. After making those adjustments, this treadle will have a clean shed for weaving.

  • After weaving that first inch or so, I go through a second, and a third time, if needed, to get a clean shed on each treadle. Adjustments for the top of the shed are only needed if there are threads that will interfere with the shuttle.
Clean shed of a countermarch loom. Tutorial.

No hindrance for the shuttle here. This is the kind of shed I hope to see on every treadle.

When I first see a messy shed, I think, “How will I ever get my shuttle through that?” But it turns out to be little adjustments here and there. It’s not too difficult if you understand the loom.

Five-shaft satin dräll in linen. How to adjust countermarch treadles.

After all treadle adjustments have been made, the shuttle glides freely through the shed. And pick by pick, linen threads become cloth.

Nothing is too difficult for the one who made heaven and earth. Our Creator knows how to help us. He hears our prayers for help, and little by little, we see what He is doing as the shed clears and the shuttle glides through, unhindered.

May little adjustments clear the way for you.

With you,
Karen

16 Comments

  • Cathy M. says:

    Thank you! I’m bookmarking this. I was recently gifted an old Toika countermarch and I’ve only worked with jack-style looms. This will be invaluable to me as I begin learning!

    • Karen says:

      Hi Cathy, I am excited for you! I hope you enjoy your new countermarch loom as I do mine. Let me know if you have any questions along the way as you get going.

      Happy Weaving,
      Karen

  • Thanks Karen! If you don’t mind, I think I will copy your notes to keep handy in my studio. I am hoping the same type adjustments will work with my ten shaft counterbalance loom. Getting under my loom is the hardest part for me. It’s like playing in a jungle gym! Hopefully your notes will simplify the tie-up process. I have a six shaft weave to tie up today and will try your procedure.

    • Karen says:

      Hi Jenny, The process should work for you with your counterbalance loom. You’ll just have fewer tie-ups. It’s always exciting to start a new project!

      Here are the notes. You should be able to copy and paste from here. Let me know if this doesn’t work for you.

      Treadle adjustments:

      Bottom of shed—
      Thread is high – move shaft down – shorten treadle cord
      Thread is low – move shaft up – lengthen treadle cord

      1- 3 is high
      2-
      3- 4 is high
      4- 8 is low
      5-
      6-
      7- 4, 5 are high
      8-
      9- 2 is high
      10- 3, 5 are high

      Top of shed—
      Thread is high – move shaft up – lengthen cord
      Thread is low – move shaft down – shorten cord

      1-
      2- 5 is low
      3-
      4-
      5-
      6-
      7- 2 is low
      8- 1 is low
      9-
      10-

      Happy weaving,
      Karen

  • Marjorie says:

    I agree with Cathy M — for a beginner like me, this post will help me get those wonderful sheds the countermarch is known for. My first warp looked like the picture you showed, and I was overwhelmed. Thanks also for including the references: I have both books and will look at them again.

    • Karen says:

      Hi Marjorie, I’m so happy you are persevering through the learning stages! It’s all downhill from here. 🙂 I know that overwhelming feeling. Those two books have been steady references and friends for me to help solve all sorts of problems.

      I’d love to hear about your clean sheds the next time you put on a new warp!

      Happy weaving,
      Karen

  • Karen, I hate to bother you, but I tried saving your form, but is is like a photo, so I can’t edit it would you mind e-mailing a copy to me? Thanks!

  • Annie Lancaster says:

    As I was reading this post, I thought that living life is very much like adjusting the shed/treadles. When things aren’t going well, sometimes we just need to patiently figure out which area is where the problem actually lies and then start with small adjustments in that area only to solve the problem.

    I often need to be reminded of this as I tend to want to scrap the entire project!

    Have a blessed weekend, Karen. And I am also keeping the notes you created for my future loom. Thank you for sharing!

    Annie

    • Karen says:

      Annie, Yes, that’s a great reminder to me, too. Those small adjustments can make a world of difference!

      I appreciate hearing your thoughts.

      All the best,
      Karen

  • Susie Redman says:

    Hello Karen
    Thank you for your clearly written help. I was given a beautiful Glimåkra Countermarch loom a couple of years ago and I’m learning something new every time I weave another project.I have noticed a horrible shed where pressing one treadle – on my current 4 shaft project. I didn’t know where to begin with making adjustments -from the top or at the treadles. I shall follow your advice and try to make some small adjustments with the treadle cords.
    Susie

    • Karen says:

      Hi Susie,
      It doesn’t hurt to start from the top. A while back, after adding some shafts, I had a terrible time getting a good shed. I was pulling my hair out until I finally looked closely at every cord, starting at the top. I found two cords from the jacks that were crossed and connected to the wrong shafts. That solved everything! 🙂 Also, sometimes a poor shed is actually an indicator of crossed warp ends somewhere. What I have learned is that there is always a solution! But often, it takes a little bit of detective work.

      I’d love to hear how your shed dilemma works out!

      All the best,
      Karen

  • Karen, your post comes at the most opportune time for me as I’ve just spend the better part of today pretending to be a pretzel under the new loom trying to make sense of a million cords and lamms only to find a shed looking very much like your top picture as my results . I have read and reread the books you mentioned and was just going to begin the process of finding where I needed to make adjustments when I read your process here and it all clicked! I’ve added your process to my phone as well and will attempt to work through each step as you noted in the morning. Thank you again!!
    Charlynn

    • Karen says:

      Hi Charlynn, It does take some time to learn how it all works. It gets easier the more you do it. I’m glad this post came at a good time for you! Hopefully, you are very close to smooth sailing.

      All the best,
      Karen

  • Nettie Cross says:

    Thank you! I have been weaving for 20 years, but every time I go to tie up my Glimakra Ideal, I pause. I sadly think I have gotten good sheds by sheer angelic intervention more than wrapping my head around it. Your notes are going into the studio tomorrow!

    • Karen says:

      Hi Nettie, Hopefully this takes some of the mystery out of the tie-ups for you. I’m so glad you found this information helpful!

      Happy weaving,
      Karen

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Quiet Friday: Painting with Yarn and Animated Images

I have often wished I had the skill of artistic drawing. How wonderful it would be to portray a slice of creation using pencil lines, or pastels, or with watercolors and a paintbrush. Instead, though, I’ve been delighted to find that I can “draw” and “paint” with threads and yarn. By capturing a slice of creation through my iPhone camera lens, the hard part has already been done. All I have to do is translate the photo into a woven image. And what a joy that is!

Here is a glimpse of my process of weaving the Texas hill country Cactus and Bluebonnets transparencies.

(Don’t miss the amazing animated images at the end of this post that my son, Daniel, made of these woven transparency projects!)

Yarn for a woven transparency.

Planning a woven transparency.

Beginning cactus woven transparency.

Weaving a transparency. Cactus.

Weaving a transparency. Cactus.

Weaving a transparency. Cactus.

Weaving a transparency. Cactus.

Weaving a transparency. Cactus.

Cactus woven transparency just off the loom!

Woven transparency cactus. Karen Isenhower

Planning a woven transparency.

Beginning bluebonnets in a woven transparency.

Woven transparency. Bluebonnets

Woven transparency. Bluebonnets

Woven transparency. Bluebonnets

Bluebonnets woven transparency just off the loom!

Woven transparency bluebonnets. Karen Isenhower

Bluebonnets photo morph to woven transparency.

May you find joy in what you’ve been given to do.

Happy Weaving,
Karen

16 Comments

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