Some things are better seen without color. Hence, an enlarged version of my lizard in black and white. Variances in value are not as easily discerned in the full-color print. These subtle value distinctions bring realism to the lizard tapestry. For this reason, I sort all the yarn into small groups of color and value, which clarifies my choices for each wool butterfly.
Yarn Sorting Process:
1. Select yarn colors for the tapestry.
2. Group like colors together.
For each color group (I have seven color groups):
1. Arrange yarn on a white background in value order, from light to dark. Take a picture.
2. Take another picture using the smart phone black and white setting (“Noir” in the filters on my iPhone).
3. Adjust yarn to make value order corrections.
4. Divide the yarn into three value sections. 1. light, 2. medium, 3. dark.
5. Label baskets to hold each yarn section; i.e., “G 3” for green, dark.
The preparation for a project like this is immense. And tedious. But this is a weaving adventure. Indeed, the results may very well be astounding. That’s my hope.
Life itself is a full color project. Immense and tedious. Rise above these earthly things. Our Grand Weaver sees the value distinctions that we miss with our natural eye. What hope this gives! Trusting him through this real life adventure brings assurance of astounding results. Setting my mind on these “above” things turns troubles into treasures whose values will be evident in the final real tapestry.
Most of my preparation for this project has been separate from the loom itself. The loom is dressed and ready. That’s the easy part. The lion’s share of the work is in developing the cartoon. This project is my first four-shafttapestry. My usual tapestry work is on a small portable tapestry frame. This is BIG in comparison. 93 centimeters (36 1/2 inches) in the reed.
After finding a subject for the tapestry, I have been drawing the cartoon and a cartoon key. And I have the yarn. Now, I am determining colors, distinguishing values, and arranging my yarn into a workable order. To tell the truth, the cartoon scares me. It shows me how grand a task I’ve signed up for. But there’s no turning back. I’m committed. (I will show you the cartoon when I’m further along…)
The cartoon shows the intent of the tapestry designer. Likewise, heaven shows the Grand Weaver’s perfect plan. Heaven holds the true picture. Heaven and earth, two parallel realms. Jesus came to earth to bring us into that heavenly version of the tapestry. When we put our trust in him, our colorful threads in various hues and values are woven together in the grandest tapestry ever.
The weft makes or breaks a weaving project. 16/1 linen weft requires careful weaving, but the quality of Swedish Bockens linen won’t disappoint. If you use superior quality warp thread, like this Swedish Bockens Nialin (cottolin), it makes perfect sense to choose a weft that equals that degree of excellence.
When I weave useful items on my loom, I want them to stand the test of time. I want these plattväv towels and table runner to outlive me. So, no skimping on quality. Time and patience are woven into the cloth, with artisan details and carefully applied skills. Perfection? No, not this side of heaven. But making the most of what I’ve been given is one way I show gratitude to my Maker.
We have much to be grateful for. The Lord’s enduring love is of measureless worth and quality. It’s the basis for our unwavering hope, which sustains us through every adversity. This isn’t a knowledge of the love of God. This is the actual love of God, poured into willing hearts. Love changes everything. This love is the weft that makes perfect sense for the completion of something as valued as you or me. What if every fiber of our being reflected the love of God? How beautiful!
May your finest qualities be seen and cherished.
PS Plattväv towel kit is in development. The kit includes a pre-wound warp and sufficient weft to weave four hand towels, and one companion short table runner/table square. PLUS, special access to one or two short instructional videos.
I was ready to hem the plattväv towels. But then, I thought of one more thing–I need a woven band for the hanging tabs! Since the towels have black borders, I decided to weave a simple band in black cottolin, with a single white dotted line down the center. I measured the little warp, put it on the band loom, and quickly wove it up.
I love the classy black band with the white dotted line. However, I don’t love it with these towels… Too wide, and too… black. It’s going into my band stash box. Someday, when I least expect it, I’ll find this band in the box; and it will be exactly what I need at the time. So, I started over at the band loom this morning, and wove a new band.
Joy is ignited by giving thanks. Gratitude changes your outlook. Instead of seeing the black band as a setback, it’s a gift for the future. The gray band is a reminder to be thankful for second chances. To whom will we give our thanks? To our looms? No. To each other? Yes. And to our Maker who gave himself for us? A resounding, joyful yes.
How far will you travel? How will you know when you have arrived? Do you wish you could know when you are halfway there? Applied to weaving, I like to have the answers to these questions before I begin the “journey.” A pre-measured tape gives me consistency, especially important for multiple pieces in a set. The tape also acts as my “trip odometer.” I can see how far I’ve gone, and exactly how much is left to weave. It satisfies my insatiable need to know how close I am to the end. Are you like that, too?
How to Make and Use a Pre-Measured Tape
Roll of 3/4″ or wider twill tape (or any cloth tape or ribbon that does not stretch, and that pins easily)
Tape measure with inches and/or centimeters
Fine tip permanent marker
Flat head pins
Use the permanent marker to place markings on the twill tape, as measured with the tape measure. Mark the start line 1/2″ from the end of the twill tape, so that the tape can be pinned in front of the mark.
After drawing a line for the starting point and ending point, draw a line at the midway point, labeled MID.
Include dotted lines for hem measurements, if applicable. Write the hem measurement on the twill tape; i.,e., 3/4″ or 2 cm.
Write the weaving length measurement on the twill tape. Include calculation for takeup, if desired; i.,e., 25″ + 3″.
Write the project or item description on the twill tape, if desired, for ease of repeat use; i.e., handtowel.
Add other lines or marks, as needed, for borders, placement of weft colors, or other design elements.
1/2″ after the final marking, cut pre-measured twill tape from the roll of tape.
With the warp under tension, pin the pre-measured twill tape near the right or left selvedge with two flat-head pins. Match the start line of the tape with the beginning of the weaving.
Before each advancement of the warp, move the pin closest to the breast beam to a point near the fell line. In this way, have the pins leapfrog each other, moving only one pin each time. Always keep the warp under tension when moving the pins.