How to Begin a Rag Rug

It is not enough to be pretty; a good rag rug must also be sturdy. Four crucial steps give a rag rug the solid foundation it needs to get off to a great start, and to be ready for the strong beat required to make a rug that lasts.

How to Begin a Rag Rug

1 Space

  • leave enough warp to tie and finish ends after the rug is cut from the loom

Assuming there is a sample at the beginning of the warp, leave space after the sample. Leave about 4″ (10 cm) of empty warp. Then, using two warping slats, place one slat in each plain weave shed. The slats act as a spacer, and as a firm backstop for beating in the waste rags. (Leave about 8″ / 20 cm of space between each rug, from header to header.)

How to begin a rag rug. Four crucial steps.
Empty warp is followed by a pair of warping slats, scrap weft, warp yarn header, and beginning of hem. Measurements are marked on twill tape for reference while weaving.

2 Waste rags

  • a place to attach the temple
  • prevent the header from unraveling when the rug is cut from the loom

Weave with scrap fabric strips, 1 – 2″ (2.5 – 5 cm) wide, for 2″ (5 cm). Attach the temple as soon as possible.

3 Header

  • secures the rug weft
  • gives the rug a firm edge

Use warp yarn to weave a 3/8″ (1 cm) weft-faced header. Arrange the weft in small arcs across the width of the shed. Treadle the next shed and beat in the weft.

Weaving header for rag rug. How to.
With temple in place, the header is woven with 12/6 cotton, the warp yarn. Forming small waves in the weft places more weft in the shed, which helps prevent draw-in.

4 Hem

  • thinner rag weave, to be turned under and stitched

Cut fabric into narrow strips, 1/4″ (.5 cm) wide. Weave hem to desired length, with enough to fold under itself for finishing.

–Repeat the four steps in reverse order at the end of the rug.–

How to begin a good, sturdy rag rug!
Ready for the body of the rug! A good, strong beat will not disturb this layered foundation.

It takes courage to live by faith. Courage is the backbone against which life circumstances can push. Faith is knowing God has a higher purpose for the circumstances we find ourselves in. A rag rug with this firm starting point will not only look good, but be ready for a purpose. And so will we.

May you live courageously.

With faith,
Karen

Three on the Loom Bench

My son accepted my invitation to “try a little bit of weaving” while he was here for a recent visit. After a few instructions, Daniel was weaving the double binding rag rug like a pro. When his two little ones find him at the loom, they climb up to sit by him. They want to get a closer look. The children don’t understand what Daddy is doing, but they love being with him and watching him.

Double binding rag rug on the Glimakra Standard. Karen Isenhower
Three different cotton batik fabrics make up the body of the rug.
Learning to weave a rag rug. Glimakra Standard
Daniel tries his hand at weaving a double binding rag rug. He learns how to use two ski shuttles, turn the weft at the selvedge, step on four treadles in sequence, and move the temple. Whew, it’s a lot to remember!
Three on the loom bench. The children want to see what daddy is doing.
Up on the loom bench with their Daddy.

As children naturally love to be right next to their loving Daddy, so it is for us with our heavenly Father. Praise is the heart’s song. Praise to the Lord rises from the core of our being as we consider who he is and what he has done. There’s no better place to be than right by our Father’s side.

May your heart sing.

With wonder,
Karen

My Favorite Thing to Weave

Double binding on one and rosepath on the other. Both looms are weaving rag rugs. Detailed plans, multiple shuttles, fancy footwork. Piles of cotton fabric, and miles of cut fabric strips. I know what to expect when all these elements combine, but it still fascinates me to see the “roses” bloom on the rosepath and the two layers synchronize in the double binding!

Rosepath rag rug on the Glimakra Ideal loom. Karen Isenhower
Blue and pink “roses” emerge as the result of a planned treadling sequence.
Piles of fabric for making patterned rag rugs.
Piles of fabric on the cutting table. A picture of rag rugs being imagined.

Rosepath has demanding requirements–for threading, treadling, shuttle shuffling, and selvedges. Double binding on eight shafts has its own challenges–which shuttle goes first? But when I am at the loom weaving rag rugs I feel like singing. All of the efforts seem like bonuses to me. Everything comes together in a wonderful fashion. There, perched on my loom bench, I am doing what I love to do!

Double binding rag rug on the Glimakra Standard loom, with 8 shafts, 6 treadles.
Double binding rag rug has two layers woven at the same time. The bottom side of the weaving has reversed colors, with the blue batik fabric on the side borders, and the green and red batik fabric in the center panel.

Wisdom is closer than we think. It’s within reach. Hidden for us, not from us, our heavenly Father offers this gift and challenge called wisdom. The delight of rosepath only happens through the threading and treadling demands. Within the challenge of two-shuttle weaving lies the secret to double binding’s appeal. The thoughtful, truth-seeking approach to life may feel like work. But it’s those very efforts that bring us to the delight and surprise of wisdom’s jewels.

May you find roses blooming on your path.

Happy Weaving,
Karen

Bright Blue Batik Rag Rug

I had planned on a dark brown hem, but when I wove my sample, the brown print by itself didn’t “say” anything. I considered a blue hem. The blue batik is beautiful, but by itself is too “loud.” By alternating the bright blue and the dark brown I get the results I want for the plain weave hem of this double binding rag rug.

Beginning of rag rug using beautiful blue batik fabric.
Header at the beginning of the rag rug is woven with warp yarn. The white prints on the dark brown fabric strips happen to line up with each other, giving an ikat-like effect in the weft.

The blue batik fabric plays a major part in this rug. When I start the double binding, you will see the blue in all its splendor. The hem is a border, though. The hem is an introduction and closing to the body of the rug, like a greeting and farewell of a conversation. The quiet brown enhances the bright blue by giving it the subtlety it needs for the hem.

Wisdom is strong and beautiful like this bright blue batik. And quietness, like the dark brown print, compliments the wisdom. Silence is wisdom’s friend. Restraint in speaking gives you the advantage of knowing someone else’s view. Staying cool-headed helps you to understand another person’s position. It’s in the quietness that wisdom has the most to say.

May your silence give meaning to your words.

Quietly,
Karen

Quiet Friday: Small Tapestry Bridge

The unfinished small tapestry went in my travel bag this week. Travel tapestry is perfect for those waiting times at the airport; and gives me something interesting to do in flight. Best of all, while visiting my mom, she and I sat side-by-side one afternoon “doing art.” Mom used Staedtler coloring pencils to color detailed flower designs in a fancy coloring book; and I used Fårö wool to weave colors in the tapestry. What a sweet setting in which to finish this tapestry bridge!

Planning small tapestry.

Under the cartoon of small tapestry.

Beginning of small tapestry.

Tapestry while traveling.

Bridge takes shape in small tapestry.

Small tapestry - weaving from the back.

Weaving from the back. Small Tapestry.

Progress on small tapestry Bridge scene.

Small tapestry - Bridge scene, nearing completion.

Building a bridge. Small tapestry.

Small tapestry - bridge nearing completion.

Small tapestry Bridge, finishing touches.

Bridge small tapestry.

May all your travels be pleasant.

Happy weaving,
Karen