Tag: cottolin

Look at that Cloth Beam!

Karen

There is nothing quite as satisfying as seeing a cloth beam filled up with cloth. There are eleven placemats rolled up on there, plus one more stretching from the breast beam on down. All that’s left to do is cut them off, wash, hem, and press. We’ll have new placemats on our dining room table in no time. Yippee!

Twelve placemats are woven. Now it’s time for some pattern play at the end of the warp.
Empty quills at the end of a weaving project are such a happy sight! This is another reason I enjoy playtime at the end of every warp–I can use up thread on the quills.
Look at that cloth beam! Woo Hoo, cutting off will be fun. And hemming all those placemats…I don’t mind.

May your efforts bring satisfying results.

Happy Weaving,

Karen

Drawloom Porcupine in Four Hours

Karen

After only four hours at the drawloom I have a porcupine! That’s an hour a day, four days in a row.
I enjoy the design-making process. It is rewarding to work out the details on the computer. The next reward is to see the printed version ready to take to the drawloom. When I first see the feet of the critter woven on the loom, I do a happy dance. And now that the porcupine is moving on around the breast beam, this feeling of accomplishment is the greatest reward. Nine more critter napkins to go, with many more rewards. Jackrabbit is next!

Day 1: Teal hem, gold border, black background, and porcupine feet! Happy Dance!
Day 2: Porcupine snout and tail reach into border areas. I use single units in irregular border areas like these, instead of the simpler pattern shafts that I use for the rest of the border areas.
Day 3: Second half of the porcupine is mostly the quills on its back. This is easy single-unit draw cords in combination with simple pattern shaft draw handles for the side borders. (Only 2 draw handles are needed for the side borders.)
Day 4: Finish up the top of the porcupine, the black background, the gold border, and then a blue hem area (not shown). Now I’m hopping off to design the jackrabbit.

Look for daily rewards. What rewards are you seeing lately?

May you be richly rewarded every day.

Happy weaving,
Karen

Eleventh Broken Twill Placemat

Karen

It’s a temptation to hurry up when I am this close to the end of the warp. There is only one more placemat to weave, plus a little extra warp after that. I remind myself that there is no reason to rush. A steady pace helps me avoid careless errors that I’m prone to when I’m in a hurry. I’ll have all twelve placemats soon enough.

Broken twill in two blocks.
Green 22/2 Cottolin warp, and 8/1 tow linen weft in dark blue, green, teal, and black. Orange “cutting line” between placemats.
Glimåkra Julia, using eight shafts and eight treadles. Cloth beam is filling up nicely.
Eleventh placemat out of twelve. One more to go, plus a little bit of extra warp.

The Lord shows us how to live. He directs us in a way that sets a steady pace for life. No need to hurry. Enjoy each moment as a gift from his hand.

May your days be free from hurry.

Happy weaving,
Karen

Check for Accuracy Now or Backtrack Later

Karen

It pays to check your work. I have reached a new level of experience in distributing patterns shafts. I know how to do it backwards and forwards now. Literally. Unfortunately, I moved almost all of the pattern shafts before noticing that the spacing between units is not quite right. Uh oh! So, one by one, I reversed the distribution of pattern shafts to get back to the point of error—the very beginning. The reverse move was …more complicated.

Distribution of pattern shafts is part of the setup for the drawloom. It is a multi-step process that moves the pattern shafts, one at a time, from the heddle bar at the back of the loom to the pattern shaft holders just behind the ground shafts at the front of the loom. Sound complicated? It’s not that hard, and is fun to do after you’ve done it a few times.

Lesson learned: Check my work. I am off by only one unit of threads. That small miss, however, is enough to sabotage the whole project if not corrected. The sooner I check my work against the master plan the better. Fortunately, everything at the loom is fixable. It’s never too late to start again.

First, I use an old inkle band to slip between heddles that I am separating to transfer to a pattern shaft. Because I am using a combination of pattern shafts AND single units, I separate the heddles on the “front” side. If I were usining only pattern shafts and no single units, I could separate the heddles from the back while standing behind the loom.
I insert a pattern shaft through the separated pattern heddles. Then I remove the inkle band and hang it around my neck, ready for the next transfer.
I slip the waiting heddle bar through the pattern shafts that have not been separated…
…and remove the first heddle bar. This releases the separated pattern heddles onto the pattern shaft, which is hanging in a pair of holding cords. From here, the pattern shaft is moved forward to the pattern shaft holders. (I also adjust the clip overhead that connects the thread unit to a single unit draw cord.)
After backtracking and starting over, I now diligently check the number and spacing of units on the heddle bar after every pattern shaft is moved into position. Success!
Twelve pattern shafts, plus one X shaft. This project uses pattern shafts for the borders only – top, bottom, and sides. The rest of the pattern areas will use single-unit designs.

The sooner I check my life against God’s master plan the better. Fortunately, everything is forgivable. It’s never too late to start again.

All set and ready to go! Everything works. After a bit more testing of weft colors and patterns, it’s critter time. Watch for Mr. Armadillo first!

May you check for accuracy sooner than later.

Be blessed,
Karen