Tag: cottolin

Check for Accuracy Now or Backtrack Later

Karen

It pays to check your work. I have reached a new level of experience in distributing patterns shafts. I know how to do it backwards and forwards now. Literally. Unfortunately, I moved almost all of the pattern shafts before noticing that the spacing between units is not quite right. Uh oh! So, one by one, I reversed the distribution of pattern shafts to get back to the point of error—the very beginning. The reverse move was …more complicated.

Distribution of pattern shafts is part of the setup for the drawloom. It is a multi-step process that moves the pattern shafts, one at a time, from the heddle bar at the back of the loom to the pattern shaft holders just behind the ground shafts at the front of the loom. Sound complicated? It’s not that hard, and is fun to do after you’ve done it a few times.

Lesson learned: Check my work. I am off by only one unit of threads. That small miss, however, is enough to sabotage the whole project if not corrected. The sooner I check my work against the master plan the better. Fortunately, everything at the loom is fixable. It’s never too late to start again.

First, I use an old inkle band to slip between heddles that I am separating to transfer to a pattern shaft. Because I am using a combination of pattern shafts AND single units, I separate the heddles on the “front” side. If I were usining only pattern shafts and no single units, I could separate the heddles from the back while standing behind the loom.
I insert a pattern shaft through the separated pattern heddles. Then I remove the inkle band and hang it around my neck, ready for the next transfer.
I slip the waiting heddle bar through the pattern shafts that have not been separated…
…and remove the first heddle bar. This releases the separated pattern heddles onto the pattern shaft, which is hanging in a pair of holding cords. From here, the pattern shaft is moved forward to the pattern shaft holders. (I also adjust the clip overhead that connects the thread unit to a single unit draw cord.)
After backtracking and starting over, I now diligently check the number and spacing of units on the heddle bar after every pattern shaft is moved into position. Success!
Twelve pattern shafts, plus one X shaft. This project uses pattern shafts for the borders only – top, bottom, and sides. The rest of the pattern areas will use single-unit designs.

The sooner I check my life against God’s master plan the better. Fortunately, everything is forgivable. It’s never too late to start again.

All set and ready to go! Everything works. After a bit more testing of weft colors and patterns, it’s critter time. Watch for Mr. Armadillo first!

May you check for accuracy sooner than later.

Be blessed,
Karen

Weave a Distinct Cutting Line

Karen

Four down, eight to go. It doesn’t take long to weave a placemat.

End of third placemat. Block pattern extends into the hem area.

I weave a two-pick stripe between placemats. The stripe is always in the red or orange family of colors (unless the item being woven is red or orange). The red stripe is my cutting line, and two picks helps me cut on the straight and narrow. I once got confused about where to separate two towels that I had woven, and I cut in the wrong place. Yikes! That’s when I instituted the red thread rule.

Orange linen thread is used for the cutting line. Two picks make a clear path for cutting placemats apart after all the placemats are off the loom.
Ending the fourth placemat. Eight placemats to go!

Our lifetime has a distinct red thread rule. A true beginning and end. Life is brief. It doesn’t take long to weave a placemat. But while it’s on the loom, it has the weaver’s full attention. And so also, the Grand Weaver is attentive to all the threads of your life.

May you pay attention to the cutting lines.

Happy Weaving,
Karen

Creative Handweavers Need Persistence

Karen

It’s good for a handweaver to flow in creativity. That’s where designs, colors, and out-of-the-box thinking thrive. Add the virtue of persistence, and those creative ideas become tangible articles of cloth. Making things takes more persistence than it does creativity.

Threading pattern heddles. 22/2 cottolin warp.

Threading pattern heddles is a repetitive task that I enjoy. I find greater joy, though, in the actual weaving phase of the project. That is when I get to sit at this marvelous instrument and challenge my hands and feet to work together to make the glorious sounds of a loom producing patterned cloth. It does take persistence to get to that point. Even when weaving, my focus is on the outcome – creative napkins for our family meals. The end purpose not only drives my persistence to the finish line, it brings enjoyment to each necessary task along the way.

Will be napkins with fun designs. Green, with gold borders, and various linen weft colors.
Near the halfway point of threading pattern heddles. Six ends per unit.

You and I are God’s creative work. He is persistent in the forming of our character, desiring to weave the image of Christ in us. His end purpose brings meaning to all the steps it takes to complete the fabric. Imagine his enjoyment every time we allow his hands to do each necessary task.

May your persistence out pace your creativity.

Blessings,
Karen

Linen Weft Colors Tell the Story

Karen

Two-block broken twill is a soothing pattern to weave because of its regular rhythm. Even though this is eight shafts, it is not complicated. Simple is good.

Four colors of weft are arranged in a repeated order. Warp is 22/2 cottolin. Weft is 8/1 tow linen. This is the second of twelve placemats on this warp on the Glimåkra Julia.

Instead of assigning a different solid color to each placemat, I am using all four weft colors in each one. The colors are arranged in an order that gives the appearance of gradated color. 8/1 tow linen: blue, then green, then teal, then black; repeat, repeat, repeat. There is no set number of picks for each color. Instead, I am changing from one color to the next in an irregular fashion, letting each color softly flow into the next. Regular two-block pattern; irregular color changes.

Keep it simple. The Lord’s pattern for our lives is not complicated. The Lord goes before us. As we follow him, all those irregular changes that happen in our lives turn into a lovely display of softly flowing gradated color. We can rest in that. From this color to the next…

May you find a soothing rhythm to life.

Keep weaving,
Karen

Handwoven Napkins for Real People

Karen

I have never woven napkins because napkins that are used get soiled. Why spend time weaving something you have to be so careful about? That is about to change. I am dressing the drawloom for napkins!

Drawloom 22/2 cottolin warp is beamed.

The napkins I have in mind are family-friendly napkins for all ages. They will get soiled, of course. They are made with grandchildren in mind–Cottolin warp and linen weft. I have a fun design for each napkin. And we’ll be ready to wipe any messy mouth. Napkins are made to get soiled.

Next step is to tie ends into threading groups to prepare for threading.

Wisdom is marked by a sense of calm. There is no dread of something ruining the day. If a little (or big) person soils a napkin, so be it. That will just serve to add a bit of history to the cloth. With a little wisdom, I’ll remain undisturbed.

May you listen to wisdom.

Happy weaving,
Karen