ski shuttle – Page 3 – Warped for Good

Always Something to Weave

September 6, 2016September 5, 2016 Karen

One mat finished, and one to go. Time to take a short break to consider my next move. A few ideas are circling around–fabric strips, two short mats instead of one long one, treadling variations. In the meantime, the other loom has warp for more rosepath rag rugs waiting for me. It’s good I’m not in a hurry.

Keep weaving,
Karen

Never Say Never–Floating Selvedges

September 2, 2016August 31, 2016 Karen

I never use floating selvedges. Well,…almost never. For this block twill it does make sense to “float” the selvedges. The outermost warp ends are not threaded in the heddles–they “float” in the middle of the shed. The floating ends are wound on to the back beam with the rest of the warp. The floating selvedges provide a consistent woven edge, and prevent the skipped threads that would normally occur at the selvedge on an eight-shaft block twill. My ski shuttle enters the shed under the floating warp end, and exits the shed over the opposite floating warp end.

Floating selvedge for 8-shaft block twill mat. — Outermost warp ends are not threaded through heddles. When a treadle is pushed, the floating selvedge threads do not go up or down with the other warp ends.

Weaving with string yarn, and using floating selvedges. — Enter the shed under the floating selvedge. The curve of the ski shuttle easily slips under the floating selvedge.

Ski shuttle and floating selvedges. — Prepare to catch the shuttle by holding the floating selvedge down with your fingers.

It is not unusual for the Lord to wait until I’m quiet before he answers. I may gripe about the obstacles, and try to wish or pray them away. But the Lord gently moves the shuttle under or over the floating selvedge to accomplish his work. For him, it is not an obstacle, it is a necessary part of creating this kind of cloth. When I get quiet, I can see what he is doing. And it is good.

May you know when to be quiet.

Yours Truly,
Karen

Simple Eight-Shaft Twill?

August 30, 2016August 29, 2016 Karen

This eight-shaft twill, woven with string yarn weft, has a delightful raised-surface texture. The distinct pattern makes it interesting to weave. The treadling is /5.6.7.8./ /1.2.3.4.5.6.7.8./ /4.3.2.1./ /8.7.6.5.4.3.2.1./ This sequence completes one full diamond in the pattern. Simple enough, right?

Raised surface of eight-shaft twill, woven with string yarn weft. — Ski shuttle is able to hold a large amount of the string yarn weft. The string yarn produces a raised surface on this eight-shaft twill.

Simple, but not easy. The treadling reverses direction every twelve picks. I can’t tell you how many times I forget which direction I am going. When I make an error, I don’t see it until I’m two or three inches past. I’ve had to undo and do over several times. But when I get it right, for longer and longer stretches, it is a satisfying weaving experience. Everything on the loom is set up for my success. It’s the internal and external distractions that keep me from experiencing the best.

Midi stringyarn for weft in woven bathmat. — Midi stringyarn has about 26 fine strands of cotton thread grouped together.

Eight-shaft twill woven bath mat. Karen Isenhower — Terra cotta tiles come to mind…

We want life to be satisfying. My soul longs and searches for living water. Internal and external distractions keep me from getting a satisfying drink, but God has everything ready for me when I come. Our souls were made to long for God. Is he really there? Yes, the Grand Weaver is. There is no better way to explain the warp on the loom.

May your distractions disappear.

Happy weaving,
Karen

Quality Rag Rugs

August 12, 2016August 11, 2016 Karen

Does this color enhance or detract? Is there enough contrast between background and pattern? Is five centimeters of plain weave between pattern sections too long, or too short? I ask myself questions as I weave a new design. I consider all the technical aspects, as well. Warp tension, treadling finesse, and shuttle shuffling. Attention to detail matters.

Rosepath rag rug on the loom. Karen Isenhower — Design elements are planned before weaving, and then adjusted as weaving progresses on the loom.

Details begin in the planning stage with design, choice of materials, and colors. While weaving rosepath rag rugs, consistency counts. I aim for a consistently firm beat and good, tight selvedges. All of these elements contribute to quality. And as I grow in my weaving skills, overall quality improves.

Rosepath rag rugs require extra attention at the selvedges.

Rosepath rag rug on the loom. — Yellow dash is made with a single weft pick. The single fabric strip is cut long enough to securely tuck the ends back into the shed.

A person’s character is defined by their motivations. It’s not what you do, but why you do it. It is not enough to look good. I can buy a cheap rug that looks good. But if I could examine how it was made, I might find the shortcuts that diminished its quality. Our inward motivations are revealed in our outward behaviors. The cheap rug fades and comes apart all too quickly. By examining our own motives we build quality of character. The result is not only lovely, but durable, too.

May your quality control efforts succeed.

With you,
Karen

What Rag Rugs Should Be

July 19, 2016July 18, 2016 Karen

My goal for every rag rug I weave is to make a pleasant footpath that lasts through many, many seasons of wear. What makes an exceptional rag rug? Quality of workmanship and design. Tightly-packed weft, snug selvedges, and high quality materials produce a strong rug. And, great design includes an interplay of weave structure, color, detail elements, and functionality.

Tightly-packed weft in a double binding rag rug. — Tightly-packed weft in a double binding rag rug gives no hint of the opposite colors that show on the reverse side.

Double binding rag rug on the loom. — Double binding uses a two-block threading that determines where color changes can occur in the weft pattern.

Double binding rag rug being woven with two ski shuttles. — Two ski shuttles are used for weaving the two layers of a double binding rag rug. Consistent tight selvedges contribute to a long-lasting rug.

Strength is like a quality handcrafted rug that handles daily foot traffic. And joy is like the artist’s design, the colorful pattern, that is woven into the rug. Strength and joy go hand in hand. We see this in creation. And in our Creator, who gives of himself to those who come near. Be refreshed with strength and joy.

May you be refreshed.

With you,
Karen