two shuttles – Page 5 – Warped for Good

Quality Rag Rugs

August 12, 2016August 11, 2016 Karen

Does this color enhance or detract? Is there enough contrast between background and pattern? Is five centimeters of plain weave between pattern sections too long, or too short? I ask myself questions as I weave a new design. I consider all the technical aspects, as well. Warp tension, treadling finesse, and shuttle shuffling. Attention to detail matters.

Rosepath rag rug on the loom. Karen Isenhower — Design elements are planned before weaving, and then adjusted as weaving progresses on the loom.

Details begin in the planning stage with design, choice of materials, and colors. While weaving rosepath rag rugs, consistency counts. I aim for a consistently firm beat and good, tight selvedges. All of these elements contribute to quality. And as I grow in my weaving skills, overall quality improves.

Rosepath rag rugs require extra attention at the selvedges.

Rosepath rag rug on the loom. — Yellow dash is made with a single weft pick. The single fabric strip is cut long enough to securely tuck the ends back into the shed.

A person’s character is defined by their motivations. It’s not what you do, but why you do it. It is not enough to look good. I can buy a cheap rug that looks good. But if I could examine how it was made, I might find the shortcuts that diminished its quality. Our inward motivations are revealed in our outward behaviors. The cheap rug fades and comes apart all too quickly. By examining our own motives we build quality of character. The result is not only lovely, but durable, too.

May your quality control efforts succeed.

With you,
Karen

Odds and Ends Rag Rug

August 2, 2016August 1, 2016 Karen

What can you do with odds and ends? Plenty. I do use new cotton fabric for my rag rugs. But I refrain from buying new fabric until I absolutely have to. It’s a good challenge to combine available colors from previous rag rug projects to make a new design. There are two piles of color for this double binding rag rug. The blue pile and the brown/black pile. The color blocks switch places in the rug about every seventeen centimeters, with a three-pick white chain pattern in between.

Double binding rag rug. Red warp shows up as little red spots. — Collection of blue fabric, and a collection of brown and black fabric form the basis of this double binding rag rug.

I enjoy combining multiple shades of a color, such as the blue in this rug, to add character. Every odd fabric strip finds a place to belong. It ends up looking cozy and friendly. All the mismatched pieces somehow fit together.

Double binding rag rug. — Chain motif draws a line where the colors switch. Three picks form the chain. Print, white, print (the center section shows the reverse.)

We belong to somebody. We belong to the one who made us–the Creator of everything. He weaves the fabric strips together to make his beautiful design. Scraps become useful, and colors are mixed and rearranged in interesting ways. Together, the woven mixture has a purpose. A rag rug, made from odds and ends like us, puts the creativity of our Maker on display.

May you know where you belong.

Love,
Karen

What Rag Rugs Should Be

July 19, 2016July 18, 2016 Karen

My goal for every rag rug I weave is to make a pleasant footpath that lasts through many, many seasons of wear. What makes an exceptional rag rug? Quality of workmanship and design. Tightly-packed weft, snug selvedges, and high quality materials produce a strong rug. And, great design includes an interplay of weave structure, color, detail elements, and functionality.

Tightly-packed weft in a double binding rag rug. — Tightly-packed weft in a double binding rag rug gives no hint of the opposite colors that show on the reverse side.

Double binding rag rug on the loom. — Double binding uses a two-block threading that determines where color changes can occur in the weft pattern.

Double binding rag rug being woven with two ski shuttles. — Two ski shuttles are used for weaving the two layers of a double binding rag rug. Consistent tight selvedges contribute to a long-lasting rug.

Strength is like a quality handcrafted rug that handles daily foot traffic. And joy is like the artist’s design, the colorful pattern, that is woven into the rug. Strength and joy go hand in hand. We see this in creation. And in our Creator, who gives of himself to those who come near. Be refreshed with strength and joy.

May you be refreshed.

With you,
Karen

Second Half of the Rug

July 15, 2016August 16, 2016 Karen

I have five yards of the blue fabric, and no more. I’m in a pickle if the blue runs out. The pile of blue is dwindling fast. No worries. Two simple habits resolve the issue. I don’t have to wonder if I will have enough blue to finish the rug.

Double binding rag rug on Glimakra Standard loom. — Almost out of blue fabric for the first half of the rug.

My secret?
1. Mark the halfway point on the measuring ribbon. This gives a point of reference.
2. When cutting fabric strips, divide the strips into two piles. Put one pile aside, reserving it for the second half of the rug.

Fabric strips ready for second half of rag rug. — Bottom drawer of the Elfa cart next to the loom holds the fabric strips that have been set aside.

This practice enables me to adjust the rug design, if needed, before it’s too late. On the current rug, the wide stripe across the middle just became a little wider.

Double binding rag rug. Karen Isenhower — Two shuttles carry the same fabric. This puts continuous weft color across the width of the warp.

Double binding rag rug in the making. — Marked measuring ribbon shows I have passed the halfway point of the weaving. The rest is all downhill!

What point of reference is there for leading a fulfilling life? Can we know if we have what’s needed to finish well? Our hearts search for truth. We know we need a reliable point of reference. Search for the Lord; seek him. He is the reference point of truth that brings coherence to our existence. We can trust our Grand Weaver to put aside for us everything we need to live a fulfilled life, all the way to the end.

May you have what you need when you need it.

Happy weaving,
Karen

Tools Day: Ski Shuttles

July 12, 2016July 11, 2016 Karen

Patterned rag rugs always use at least two shuttles. I often have four or five filled ski shuttles at the loom. A low profile ski shuttle is an excellent choice for weaving patterned rag rugs. Why?

It fits pleasantly in the hand.
It holds a large amount of fabric weft without being bulky.
The wide base glides smoothly across the warp.
The low profile fits easily through the narrower shed of a tight warp that is common for rug weaving. (Beware of ski shuttles that are taller, and may not fit as easily through a tight shed.)
It is slender enough to send it out of the shed to go over or under outer warp ends, when needed.

Basket of ski shuttles ready for the next rag rug! — Basket of ski shuttles that are ready for the next rosepath rag rug!

My ski shuttles are made by Glimåkra, except for the beautiful cherry wood ski shuttle my husband made for me.

Hand crafted cherry wood ski shuttle, and rosepath rag rug just off the loom. — Newly completed rosepath rag rug is ready to be hemmed. Cherry wood ski shuttle is hand crafted by Steve Isenhower.

Ski Shuttle Dimensions (Glimåkra Single Ski)
Height: 1 1/4″ (3 cm)
Width: 2″ (5 cm)
Length: 19 1/2″ (50 cm) and 25″ (64 cm)

Weaving width determines which ski shuttle length to use. The shorter shuttle works with any weaving width. The longer shuttle works only for wider weaving widths (30″ or more) and for spaces with plenty of clearance at the sides of the loom. The low profile of the shuttles is seen in relation to the height of the reed in the beater.

How to Wind a Ski Shuttle

1 — Hold ski shuttle vertically. Start with one tapered end of the fabric strip coming across the top of the ski shuttle. Hold the tapered end with your thumb while you start winding the fabric strip onto the shuttle with your other hand.

2 — Continue wrapping the fabric strip around the length of the shuttle, straightening the fabric as you go.

3 — Finish winding when you have a tail of fabric remaining.

May your shuttles be a good fit for your hands.

Happy Weaving,
Karen