Category: four-shaft tapestry

Last of the Lizard Toes

Karen

Every time I advance the warp, more of the lizard disappears. After I finish the tips of these toes, the rest of the weaving will be background—the log on which the green anole is perched. The lizard is more interesting to weave than the log. But without the background, the lizard itself would be incomplete. It’s all part of the journey. Every bit of the picture is needed to tell the full story.

Lizard tapestry. Only the tips of the toes are left.
More than half of the tapestry is complete. Most of the lizard image is under the breast beam out of view.
Lizard tapestry. Four-shaft tapestry on a Glimakra Ideal.
More of the lizard disappears every time I advance the warp.
Four-shaft tapestry Lizard. Glimakra Ideal.
Only the tips of the lizard’s toes remain. After this, it is all background.
Tapestry detail. Texture and shading.
Log detail. I am enjoying the many opportunities for color blending and shading in the background portion of the picture.

Journey. We are on a journey. We see the scenery changing as we move from one point to another in our seasons of life. There’s the main focus, plus the background. All of which tells our story. Knowing that we never see the whole tapestry while it’s on the loom, let’s ask God to watch over our journey. As a request, not a demand. And then, express gratitude with joy as we see that we’ve indeed been granted safe passage.

May your journey be joyful.

Happy weaving,
Karen

Quiet Friday: Tapestry in Transition

Karen

There is no room for timidity at the loom. It takes courage to dismantle a loom that has a tapestry on it. Dismantling and reassembling a loom doesn’t scare me. But taking a loom apart in the middle of a cherished project? That’s another question altogether. The hardest part was the waiting in between. You can imagine my mix of emotions through the tapestry transition—up, down, and every which way! And then, the moment of truth…Finally…When the warp is evenly tensioned, and the butterfly wefts make their first pass through. The lizard has been awakened. Hallelujah!

This slideshow video takes you through the steps of taking the loom down…And putting it up again.

Weaving continues now as if there had been no interruption.

Almost at the halfway mark on this tapestry.
Five more centimeters will be halfway! The “6” is sixty centimeters.
Lizard tapestry. Top of the head almost finished.
Finishing up the top of the head.
Lizard tapestry. Progress!
Lizard is making himself at home.

May you see the rewards of your courage.

Happy Weaving,
Karen

When the Tapestry Gets Confusing

Karen

I work across the tapestry a row at a time, starting and stopping many wool butterflies. It gets confusing. It’s not always easy to see how the particular colors in my butterflies relate to the details of this lizard. I closely follow the cartoon and the pattern key by my loom. I have to trust the cartoon more than what I see at the moment.

Lizard tapestry on four shafts. Eye detail.
Lizard eye detail. There are many color changes in the rows that go right through the center of the eye.

Every now and then, I climb up on a step stool as far as I dare. The view from this distance gives me a realistic perspective of the weaving. And raises my hopes that the lizard in this tapestry will indeed resemble the green anole that had posed for my camera. I am unable to see that same progress when I’m sitting at the loom with the lizard’s face right in front of me.

Four-shaft Lizard tapestry. Karen Isenhower
Pattern key at the left of the loom provides constant direction for weaving the details in the tapestry. View from standing on the top step of the step stool.
Lizard tapestry in progress. Glimakra Ideal loom.
Enlarged photograph of the original green anole hangs on the cart next to the loom.

When life gets confusing, it’s time to step up. Treasures are hidden in plain sight. Wisdom and knowledge are hidden like that. The treasure storehouse is in Christ. In him we have a heavenly view that gives us a realistic perspective of what we see in front of us. Trust his pattern key, and proceed with confidence. It’s not so confusing, after all.

May you see hidden treasures.

With heart,
Karen

Grow Lizard Grow

Karen

There are no growth spurts with this lizard. He is certainly growing, but at a slow and steady rate. If I can keep this pace of about ten centimeters a week, I will be able to finish this tapestry before we move from the apartment—our temporary residence. The timeline is set. Will this slow-going, slow-growing lizard cross the finish line before I must dismantle the loom again? Time will tell. I have woven fifty centimeters. I have seventy-five centimeters to go.

Weaving a tapestry of a lizard.
Lizard’s foot and leg are starting to disappear around the breast beam on the right-hand side of the loom.
Many wool butterflies in action for this detailed tapestry.
Head of the lizard is visible on the cartoon under the warp. Many wool butterflies crowd each other, due to frequent color changes in the details.
Weaving the lizard's mouth and eye. Tapestry fun!
Lizard is visibly growing. Currently working on the red mouth and blue eye.

Grow. We are woven together by loving each other. Each of us, like strands of wool yarn, with our own degree of hue, saturation, and value, not to mention twist and plies, are united with each other when we hold fast to Jesus Christ, the designer and weaver. His tapestry grows, not in spurts, but slow and steady, year after year, century after century. Always teaching us to love his way—sacrificially. And we know he has just enough time to finish the tapestry masterpiece that he has envisioned from the very beginning.

May you see slow and steady progress in things that matter.

Happy Weaving,
Karen

Forty-Four New Butterflies

Karen

The tapestry is now at forty centimeters, and the lizard is slowly crawling his way around the breast beam. I treat every ten centimeters as a milestone. It’s a good time to examine the work and make additional butterflies. I see that I need forty-four new butterflies to make it through the next ten centimeters! No two butterflies are identical. I vary the combination of yarns for each color set. These subtle color and textural variations add interest and depth to the piece.

Making butterflies for tapestry.
Various wool yarns, light green and white. I combine strands to make a bundle that is approximately equivalent in size to four strands of 6/2 Tuna wool.
Wool butterflies for tapestry of a lizard.
Green and white wool butterflies are each a little bit different.
Butterflies for weaving a tapestry.
Butterflies hang in order on a length of seine twine within easy reach of weaving.
Lizard tapestry in progress.
Color blending and color gradation is possible through the careful selection of prepared butterflies for each section.

Me. It’s all about me. That’s exactly what the tempter wants me to think. Everything should revolve around me. Wait a minute. There’s a tapestry being woven that is much bigger than me. I may be a single wool butterfly. I’m unique. And my colors and textures contribute to the tapestry in important ways. But I mustn’t forget the Grand Weaver. He carefully and deliberately wound these strands of yarn over his loving fingers to create the color he wanted to see in his tapestry. It’s not about me. It’s about the One who holds me in his hands.

May your unique colors contribute to the tapestry.

Happy Weaving,
Karen