Making a cartoon for a lizard tapestry this size is quite a process. First, I enlarge the photograph. Then, I trace the outlines of the details onto a sheet of clear acetate. Next, to make the cartoon, I trace the bold Sharpie lines of the acetate image onto interfacing material meant for pattern making. But next time, it will be different.
I don’t plan to use this interfacing material again for a cartoon. It is not stiff enough. As the tapestry progresses it becomes more and more difficult to keep the cartoon from puckering and creasing in places. A better option would have been stiffer buckram, like I used for my transparencies. (See – Quiet Friday: Painting with Yarn and Animated Images.) But I am not able to find buckram in sufficient width.
After I finished weaving the lizard portion of the tapestry, I decided to experiment. I removed the interfacing cartoon and switched to the acetate sheet instead. There’s no puckering with this one! It is much easier to line up the cartoon with the weaving. It has drawbacks, though. Noisy! When I beat in the weft it makes thunderstorm sound effects. (Not so great for our temporary apartment life.) It’s also harder to see the cartoon lines. And the magnets I use to hold the cartoon slip out of place too easily.
Next time... White paper, like the gorgeous tapestry cartoon I have seen in Joanne Hall’s studio. That’s what I’ll use. Next time…
I am determined to have this off the loom before it’s time to move again. I know exactly how many “weaving days” I have left in this apartment. Steve’s retirement is just around the corner. His last day at work will be our last day here. And I know exactly how many centimeters I have left to weave on this piece. We already moved the loom once in the middle of this tapestry. Once is enough! I intend to make significant weaving progress every single day.
Now that the image of the lizard is finished all the way to his toes, no more pretty green, blue, or red butterflies. I am removing anything that clutters my focus. Full (snail) speed ahead!
Faith is that kind of determination. Faith is more than thinking you believe something or someone. It’s pouring yourself into pure-hearted focus to trust fully in God. Faith is being so convinced that Jesus is the answer that you will stop at nothing to reach him. Where there’s that kind of will, there’s a way.
It is almost effortless to make a short warp for the band loom. All you need is a peg at the beginning and a peg at the end. You can use a spoke of the warp beam wheel, for instance, at one end, and the leg of an upside-down stool at the other. I normally use my warping reel, though, for even a simple warp, because the reel is so handy. However, I don’t have my warping reel here at the apartment, so I am turning my band loom into a handy warping board for this band loom project.
There are no growth spurts with this lizard. He is certainly growing, but at a slow and steady rate. If I can keep this pace of about ten centimeters a week, I will be able to finish this tapestry before we move from the apartment—our temporary residence. The timeline is set. Will this slow-going, slow-growing lizard cross the finish line before I must dismantle the loom again? Time will tell. I have woven fifty centimeters. I have seventy-five centimeters to go.
Grow. We are woven together by loving each other. Each of us, like strands of wool yarn, with our own degree of hue, saturation, and value, not to mention twist and plies, are united with each other when we hold fast to Jesus Christ, the designer and weaver. His tapestry grows, not in spurts, but slow and steady, year after year, century after century. Always teaching us to love his way—sacrificially. And we know he has just enough time to finish the tapestry masterpiece that he has envisioned from the very beginning.
May you see slow and steady progress in things that matter.
The tapestry is now at forty centimeters, and the lizard is slowly crawling his way around the breast beam. I treat every ten centimeters as a milestone. It’s a good time to examine the work and make additional butterflies. I see that I need forty-four new butterflies to make it through the next ten centimeters! No two butterflies are identical. I vary the combination of yarns for each color set. These subtle color and textural variations add interest and depth to the piece.
Me. It’s all about me. That’s exactly what the tempter wants me to think. Everything should revolve around me. Wait a minute. There’s a tapestry being woven that is much bigger than me. I may be a single wool butterfly. I’m unique. And my colors and textures contribute to the tapestry in important ways. But I mustn’t forget the Grand Weaver. He carefully and deliberately wound these strands of yarn over his loving fingers to create the color he wanted to see in his tapestry. It’s not about me. It’s about the One who holds me in his hands.
May your unique colors contribute to the tapestry.