tapestry – Page 12 – Warped for Good

Weaving La Perlita

October 19, 2018October 18, 2018 Karen

One reason I am making friends with this large Freja tapestry frame is Steve’s quickly advancing retirement date. The day after his final work day we are picking up La Perlita, our new Casita travel trailer. We are looking forward to some fun times. Steve will have his carving knives for whittling. And I’ll have my loom. And yarn. What more could we ask for?

Making a tapestry cartoon. — For the cartoon, I enlarged the picture from the Casita brochure, and then drew my own background around it.

Tapestry of our new Casita - "La Perlita." — Home again, after staying with and playing with my young grandsons. The weaving represents a week’s worth of naps.

Tapestry of our new Casita travel trailer! — Using technique similar to the four-shaft tapestry on my Glimakra Ideal loom. This gives me a chance to add more depth and texture to the tapestry image. With this technique, some warp does show.

May you have something to look forward to.

Happy weaving,
Karen

Weave Every Day

October 16, 2018October 14, 2018 Karen

I like to weave every day. At least a little bit.

This week, though, I have more important things to do, like playing outside and having pillow pallet parties with grandsons. Do you know how demanding full time motherhood is? I’ve done it, but that was eons ago. Diaper changes, giggles and tears, and squabbling. And forgetting.

But I did get my big Glimåkra Freja tapestry frame warped…And a header woven…And I wove the first few picks of the tapestry. That’s what nap times are good for.

Little children quickly forget the offense that started a squabble. After nap time, they’re off, giggling together again. Forgiveness forgets. Have you ever had a squabble with God? We’ve all been there. When God forgave us he smudged out the long list of all our offenses. And then he nailed it to the cross of Christ, our squabbles forever forgotten. And in the resulting quiet that’s like a restful nap time, our Lord weaves his image in us.

May your squabbles be few.

Forgiven,
Karen

Tools Day: Cartoon Trials

October 9, 2018October 8, 2018 Karen

Making a cartoon for a lizard tapestry this size is quite a process. First, I enlarge the photograph. Then, I trace the outlines of the details onto a sheet of clear acetate. Next, to make the cartoon, I trace the bold Sharpie lines of the acetate image onto interfacing material meant for pattern making. But next time, it will be different.

Tracing photograph to make a tapestry cartoon. — Tracing outlines from the enlarged photograph onto the sheet of acetate. Photo image on the iPad helps clarify which distinctive lines to draw.

I don’t plan to use this interfacing material again for a cartoon. It is not stiff enough. As the tapestry progresses it becomes more and more difficult to keep the cartoon from puckering and creasing in places. A better option would have been stiffer buckram, like I used for my transparencies. (See – Quiet Friday: Painting with Yarn and Animated Images.) But I am not able to find buckram in sufficient width.

Unwanted creases in the tapestry cartoon. — Interfacing material is susceptible to puckers and creases. Unevenness in the cartoon can result in a distorted woven image on the tapestry.

After I finished weaving the lizard portion of the tapestry, I decided to experiment. I removed the interfacing cartoon and switched to the acetate sheet instead. There’s no puckering with this one! It is much easier to line up the cartoon with the weaving. It has drawbacks, though. Noisy! When I beat in the weft it makes thunderstorm sound effects. (Not so great for our temporary apartment life.) It’s also harder to see the cartoon lines. And the magnets I use to hold the cartoon slip out of place too easily.

Using a sheet of acetate for a tapestry cartoon. — Slat holds the cartoon up to the warp. To beat the weft, I move the slat out of the way of the beater, just under the fell line. The sheet of plastic would be a good prop for making sounds effects for a film about a thunderstorm.

Next time... White paper, like the gorgeous tapestry cartoon I have seen in Joanne Hall’s studio. That’s what I’ll use. Next time…

Joanne Hall and her tapestry cartoon! — Joanne Hall in her Montana studio. This is the cartoon she made for her impressive Bluebonnets tapestry that hangs on display in a Dallas hospital.

May you learn from your experiments.

All the best,
Karen

Final Batch of Butterflies

October 2, 2018October 1, 2018 Karen

That last little bit of lizard toe? It’s long gone. This week I am making significant progress on the tapestry. My pace is picking up and the end is in view. What a joy ride this has been!

Last tip of a green lizard toe at the breast beam. — Last tip of a green lizard toe makes its way around the breast beam.

Coming to the end of this lizard tapestry! — End of the measure tape is in view.

I am closing in on the final ten centimeters. That means it’s time to evaluate the ten centimeters just passed. And to make a few more butterflies, enough to take me all the way to the end.

Four-shaft tapestry. Butterflies are prepared for each new section. — Butterflies are prepared in advance for each ten centimeters of weaving.

Forgiven people forgive. Think of forgiveness as the lavish supply of yarn that’s been given us through the name of Jesus. There is no shortage. And we make our butterflies from that supply. People fail us, disappoint, and even do damage. Being ready to forgive is like making butterflies in advance. Thankfully, our small wool butterflies are close at hand for us to weave grace in the moment it is needed.

May you have a lavish supply.

Love,
Karen

Weave Beyond Your Momentum

September 21, 2018September 20, 2018 Karen

Do you remember that I said the background is less interesting to weave? I take that back! Blending these colors and forming the shapes is no less interesting than weaving the lizard. The green anole is the featured subject, filled with detail and many minute color changes. Weaving that lizard was a skill stretcher! But as I continue, I am weaving details of a different kind. The background is a log, not easily recognizable. It’s like looking at wood grain patterns through a magnifying glass. I’m hopeful everything in the final image will fit together when we see it from a distance.

Four-shaft tapestry. Shading and texture. — Color, shading, and texture work together to make the surface appear uneven. Some areas look as if they are raised, and others, especially the dark places, look like they are indented.

Detail of lizard tapestry. — After about three more warp advancements, the lizard and his green toes will be nowhere to be seen.

Four-shaft tapestry. Glimakra Ideal. — Little by little…

View of the tapestry in the direction it will hang. — Standing on a chair, I get a view of the tapestry in the direction it will hang. This is only one slice of the tapestry image, but it helps me imagine what the finished piece will be like.

Continue. I don’t want to lose momentum just because I finally made it through the hardest part. Keep going, being faithful to what you know to do. Faithful to what you know is true. Don’t be fooled by compelling, convincing, and subtle messages that divert from the truth. Continue walking by faith, trusting the outline, the cartoon, that the Grand Weaver prepared for us. It will all fit together when we see it from heaven’s eternity. That’s real hope.

May you keep your momentum.

In faith,
Karen