Tapestry Making

This may be the most difficult thing I’ve woven so far. It has been compelling, rewarding, and especially difficult to weave this tapestry. I can’t tell you how many times in this process I have said to myself, “What was I thinking?!” Yet, at the same time, I can truthfully say it’s been a joy.

Cutting off a tapestry from the floor loom.
Cutting off Eye of the Beholder tapestry.

How does one weave a portrait of her mother? With many hours of reflective thinking — a play on words, since I probably reflect my mother’s attributes more than I know. At long last, as the maker of this portrait tapestry, I am cutting the warp ends to release the cloth from the loom. I still have finishing work to do, and then comes rest.

Finishing the ends of tapestry just cut from the loom.
Finishing the ends.

The Lord God is your Maker. We worship him by allowing his master-weaver hands to do the weaving, and we willingly conform to his ways. When he is finished, his hands finally rest. And then we hear the invitation we’ve been waiting for. Enter your Maker’s rest. And the Kingdom of Heaven welcomes another tapestry Master-piece.

May you allow yourself to be woven.

With reflection,
Karen

It Is Going to Be All White

I am getting ready for Christmas. When I was a little girl, my Aunt Helen made a Christmas tree skirt for our family. It was a simple white felt skirt, with added colorful felt silhouettes depicting Christ’s Nativity. I want to reproduce that Christmas tree skirt using handwoven fabric. This fabric on the Ideal loom will be the base of the skirt. I will use some of my myriad handwoven fabric remnants for the colorful Nativity appliqué.

Weaving wool fabric for a Christmas tree skirt.
Möbelåtta warp on the right, and Fårö weft on the left.
Fabric for Christmas tree skirt.
Temple in place for consistent beat and tidy selvedges.

The warp is unbleached 8/2 Möbelåtta wool. The weft is bleached 6/1 Fårö wool. The 6-shaft point twill fabric is delightful. Perfect for what I have in mind. It is peaceful, soothing, restful, and calm. You can see that everything is going to be all white.

Wool fabric for Christmas tree skirt.
Six-shaft point twill.
Fabric for Christmas tree skirt.
In anticipation of Christmas.

There is a time for color, action, and noise. But we also need a time for serenity, stillness, and quiet reflection. Going alone to sit in the Lord’s presence gives us just that. It is there that we can pour out our heart in prayer. The Lord meets us where we are when we pray. And He tells the trusting heart that everything is going to be all right.

May your heart be at rest.

With you,
Karen

PS Floating Selvedges. Last week I asked if you could tell which one of these four towels was woven without floating selvedges. (1 – 4, with the towel on top as #1.) See Process Review: Jubilation Hand Towels

Four new handwoven towels.
Three of the four towels were woven with floating selvedges.

The towel that was woven without floating selvedges is the same towel that received the most votes. Towel #2!

It seems counterintuitive that weaving twill structures without floating selvedges could produce a pleasing edge. But most of the time the small floats that appear at the edge are inconsequential, especially after wet finishing. (By the way, I am weaving the white point twill mentioned above without floating selvedges, as well.)

Thank you for your wonderful participation!

Tried and True: Something New from Something Old

My grandma made a pattern on brown paper for a neck pillow. I suppose she found the pattern in a magazine or newspaper decades ago. I am using my copy of her pattern to make my own neck pillow. Maybe someday my pillow will be as worn and wobbly as Grandma’s well-loved neck pillow that I remember.

My version of Grandma’s neck pillow.

Looking through my pile of handwoven scraps I find the piece of fabric that had been hanging as a Roman shade on the back door of our previous home. This two-block twill in cotton and linen was my first 8-shaft project on my floor loom. Good memories! The fabric, softened and slightly faded through daily use, is perfect for the comfy neck pillow I’m imagining. (Unlike Grandma’s pillow, I’m making this one with a removable cover so it can be easily laundered.)

Roman shade from my first 8-shaft weaving project.
Roman shade from my first 8-shaft weaving project. I wove the linen draw cord on my two-treadle band loom.

Instructions for Constructing a Handwoven Neck Pillow

Supplies:

  • Cotton muslin, pre-washed
  • Handwoven fabric, pre-washed
  • Cluster Fluff, or other cluster fill or polyester fiberfill
  • 7” invisible zipper
  • Sewing machine
  • Invisible zipper foot
  • Sewing thread
  • Hand-sewing needle
  • Iron
  • Sleeve board for pressing, optional

Steps:

  1. Cut four pillow pattern pieces from the muslin.
  2. Sew two of the muslin pieces together, right sides together. Press seams open.
  3. Sew the other two muslin pieces together, right sides together. Press seams open.
  4. Sew the two parts together, right sides together, leaving a 4-inch opening for turning and stuffing. Press seams open using a sleeve board.
  5. Turn the pillow right side out.
  6. Stuff with Cluster Fluff, starting at the furthest end from the opening. Fill to desired fullness.
  7. Hand stitch the opening closed.
  8. Cut four pillow pattern pieces from the handwoven fabric.
  9. Serge or zigzag the fabric edges. Press flat.
  10. Insert invisible zipper between two of the pieces.
Making a handwoven neck pillow.
Invisible zipper is sewn into place between two of the panels.
  1. Complete the seams at both ends of the zipper. Press seams open.
  2. Sew the two other pieces together, right sides together. Press seams open.
  3. Open zipper, and sew the two parts together, right sides together. Press seams open using a sleeve board.
  4. Turn the pillow case right side out.
  5. Push the muslin pillow into the pillow case. Close the zipper.
Handwoven neck pillow cover.
Inner pillow and outer cover are made from the same pattern to make it a snug fit.
Handwoven neck pillow. How to with construction steps.
Fabric is 16/2 cotton warp and 16/1 linen weft.
  1. Take a nap in your favorite chair with the pillow behind your neck.
Handwoven neck pillow.

If you would like a pdf copy of my grandma’s neck pillow pattern, please click HERE to send me an email request. I will be happy to send the pattern to you.

May you see old treasures in new ways.

Rest and Be Well,
Karen

Rosepath Whispers

This fifth rag rug on the warp has the same classic rosepath design as the others. This rug, however, has rosepath as a whispered hint instead of the usual bold statement. Colorful beauty? Yes. Yet, it’s quiet. Restful.

*Rosepath Whispers* rag rug.
Hints of rosepath pattern.
Rosepath Whispers rag rug.
Design plan sits nearby for reference as I weave.

The rosepath pattern is fully present, but soft-spoken. In the pattern areas, there is only slight contrast between the pattern weft and ground weave weft. The print fabric that is used for some of the pattern weft leaves spots of color, which also helps to blend the pattern into the background. The hint of a pattern makes you take a second look to see what is really there.

Winnie the Pooh is going into this rag rug.
Winnie the Pooh fabric is used for some of the ground weave weft.
Texture from rosepath pattern.
Texture of the raised rosepath pattern is clearly seen from the edge.

A restful person is like that, making us want to take a second look to see what’s behind that demeanor. Rest is a form of trust. Trusting God’s grace means believing that God will give us what we need. And that brings rest, the kind that is on the inside. Deep inside, where the pattern of grace is fully present, our being is transformed. And whatever is on the inside will show on the outside. Colorful beauty? Yes; and quiet, too. Restful.

May you be restful on the inside.

Happy Weaving,
Karen

Tapestry Promise

You will see the front of the Siblings tapestry. I promise. When I cut a tapestry from the loom the weaving is finished. But the tapestry is not complete until the finishing is finished. And I have substantial handwork yet to do before this tapestry is ready for display.

Cutting off a new tapestry!
Cutting off the tapestry.
Back of the Siblings tapestry.
View of the back of the tapestry. Non-distinct imagery.

I am securing the ends in a woven edging. Then, I will trim weft tails, stitch things down around the perimeter, and put on a backing. Additional hand-stitching work will stabilize the whole piece. When you see the Siblings tapestry again, you will see it in full view on the wall right behind my loom.

Woven edging on the new tapestry.
Warp ends are woven together along the edge, and will end with a short braid.
Tapestry just off the loom. Finishing process.
Edge will be folded under and stitched down before the backing is added.

Hope is built on promise. Do not forget God’s promise. Come to Me, all of you who are weary and burdened, and I will give you rest. And, Jesus expresses the promise to His followers, I will be with you always. We see the tapestry of life from the human side, the unfinished side. Hope, paired with patience, takes us through the uncertain future. We have assurance of the Lord’s grace, His meticulous handwork, bringing His work to completion. In the meantime, we give Him our burdens and He gives us rest. As promised.

May your hope be strong.

With you,
Karen