Tag: design

Weaving a Few Critters

Karen

I am imagining Texas hill country critters (and birds) that will make their way onto the family napkins I’m getting ready to weave. I am thinking of an armadillo, a jack rabbit, a gray fox, a roadrunner, a Texas longhorn, a Texas spiny lizard, a black-chinned hummingbird, and a few more. Designing each image for the drawloom is fun. Just wait till you see the armadillo!

All the pattern heddles have been threaded.

Preparation makes way for imaginative creativity. This is why I enjoy all the drawloom prep.

Six ground shafts hang in front of the pattern heddles for threading. Heddles on the ground shafts are long-eye heddles, which make threading a breeze.
Threading ground shafts is almost complete. I will move the six shafts to the front of the loom to hang from the countermarch. After that, I can start positioning the pattern shafts. And then…weaving those critters!

Everything we do today is preparing for something tomorrow. Enjoy today. Look forward to tomorrow.

What critters (or birds) would you include if you were designing these napkins? Tell us in the comments!

May your creativity soar in relation to your diligent preparations.

Happy weaving,
Karen

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Advancing the Warp – Sunset and Sunrise

Karen

The Glimåkra Standard makes this project a weaver’s dream. The time-tested loom operates without a glitch, doing everything I direct it to do. These Swedish looms are magnificently designed.

Start of another rug. Multiple rows of stripes for the hem and border.
Weft fabric strips in green, blue, and red.
Pattern develops on the loom.
Central motif of the pattern.
Red stands out in the pattern.
Advancing the warp makes me think of a setting sun. When the sun sets here, it is rising somewhere else.

The sun rises every day. And it sets. Who designed the magnificent operation of the rising and setting of the sun? It’s like the rhythmic opening of the shed for passage of the shuttle. At the Grand Weaver’s direction, the fabric of life advances with every new day. Trust in him.

May you pay attention to the rising sun.

Weave into the sunset,
Karen

What a Little Yellow Can Do

Karen

It’s an ordinary double-binding rag rag in many ways. Standard draft, normal 12/6 cotton rug warp, weaving with two shuttles. Honestly, though, I’m thinking of it as art for the floor. With that in mind, I have a yellow stripe going across the rug. It’s a line of contrast to draw the eye. As the brief glimpse of yellow weaves under the intermittent blocks of red I am satisfied. My plans on paper have revealed themselves on the loom. Something unexpected draws the eye. And I get excited all over again!

Design element at the 1/3 mark.
Yellow stripe makes its way across the rug “under” the red blocks.
Double binding lets me play with design. By changing the color of weft on the shuttles at strategic times, I can create an eye-catching element in the rug. Art for the floor.

Expect the unexpected.

May you find satisfying ways to express creativity.

Happy Weaving,
Karen

Snowflakes Made of Thread

Karen

This is the fourth and final towel in my Snowflake series. Right now in Texas hill country it is extremely hot and dry, so these few gentle snowflakes are a welcome sight, even if only made of thread. We look forward to cooler days and moisture from the heavens.

Concluding the lower border of the towel. Warp is 16/2 cotton. Weft is half-bleached 16/1 line linen, except for the wide blue border, which is 16/2 line linen, and narrow 16/1 linen red stripe.

This Myrehed combination drawloom attachment functions as a thread lifter. When I pull a draw handle for a pattern shaft, a series of thread units are raised. When I pull a draw cord for a single unit, one unit of threads is raised. I am using 45 pattern shafts for the repeated snowflake border designs on these towels. The center area of each towel has small and large snowflake designs at varying intervals. These irregular designs are created using 148 single units. It’s because of all those lifted warp ends that we can create woven snowflakes.

Temple in position. Three pulled draw handles lift thread units at the side borders. Several pulled single-unit draw cords (black cords and white cords) lift single units for an off-center large snowflake design.
Lifted warp ends.

We expect to have worries in this life. Daily needs come as repeated patterns. Other disturbances come at irregular intervals. Worry is eliminated in God’s kingdom. God’s kingdom has a worry lifter–Jesus. He invites us to give him our worries and trust him to care for us. Imagine the one-of-a-kind design that emerges when worries are lifted!

May your worries fade away.

In living hope,
Karen,

Rag Rug in Spaced Rep Splendor

Karen

Spaced rep rag rugs have a graphic vibrancy that grabs my attention. Like regular rep weave, spaced rep is warp dominant. Unlike regular rep weave, the warp in spaced rep doesn’t completely cover the weft. That’s where rag weaving comes in, because the fabric-strip weft shows between the warps. The rag weft provides just enough color variation to satisfy a rag rug weaver like me.

Warp (12/6 cotton) is beamed and threaded. Ready to tie on.
Oh, the exhilaration of a new warp on the loom!

The pattern for this rug comes from Älskade Trasmattor, by Hallgren and Hallén, p. 87. The threading has dark and light ends that alternate, with four distinct blocks (five, if you count the plain weave block). And thick weft (fabric strips) alternates with thin weft (12/6 cotton rug warp), with four different treadling sequences. All of these factors work together to make the geometric pattern in the rug. It sounds complicated. Truly, though, it is merely a collection of simple systems that all work together. And the possibilities are endless.

Spaced rep rag rug. Pattern from Älskade Trasmattor, by Hallgren and Hallén, is modified for the floor space I have in mind.
Geometric pattern is primarily seen in the warp threads. The dark fabric strips for weft highlight the pattern even more.
Cherry wood ski shuttle by Steve for the fabric weft, and an open-bottom boat shuttle for the warp thread weft.

You are intricately and wonderfully made. To people who know you, no doubt, you look complicated. Your maker, however, knows your simple systems that all work together. The Lord knows you by name. His plan for you follows a masterful design. In the grand weaver’s hands, the possibilities are endless!

May the pattern of your life set you apart.

Happy Weaving, and welcome back to my studio,
Karen