Tag: grand weaver

You Can Start Over

Karen

New beginnings. Same warp, but a new rosepath rag rug. This one may be better than the last. We won’t know until the rugs are all unrolled from the cloth beam at the end. I varied the colors, the treadling, and the hems for the rugs on this warp. I wanted to start over with each new rug. A fresh start means a chance to make fewer mistakes, and it’s an opportunity to do something different.

Rosepath rag rug on the loom. Karen Isenhower
Fourth rosepath rug on this warp. The stripes are created by alternating two weft colors in plain weave. The rosepath strip is created by alternating two weft colors in a rosepath treadling pattern.

Are you getting a fresh start for this new year? A new start gives us the courage to break out of a rut, or to walk away from bad habits. Who doesn’t have unstoppable optimism with new resolutions? As we are pressed by time and real life, though, our hope and enthusiasm wear away much too soon. A successful new beginning requires a new outlook; otherwise, the discouragement is even greater when we find ourselves on the old familiar path that was leading nowhere.

Our grand weaver’s perspective transcends human time. He sees the end as clearly as the beginning. Thankfully, the new beginning that he offers brings us a hope-filled outlook that makes corrective change possible. He opens our eyes to see the threads he is faithfully weaving that bring our new beginnings into his story.

(Thank you for coming into my *virtual* weaving studio for a friendly chat. Warped for Good still feels like a new endeavor to me after these nine months of getting started. I deeply appreciate all the encouragement you have given me!)

Here are the three posts that were the most popular in 2013: Quiet Friday: Rag Rugs, Conversation with Becky Ashenden, and Quiet Friday (Rosepath Band)

May your best accomplishments outlast you!

Happy Weaving,
Karen

You May Be Looking at the Under Side

Karen

This is not reversible cloth. The colors on the back look pretty, but the design is only on the top. Sometimes we judge our circumstances from the underneath side, not realizing there is a dazzling scene being formed above us.

Bound Rosepath, the pattern is being designed at the loom.
Each row of the design takes four picks, producing a weft-faced cloth. Each shuttle carries a different color; so, at times, there are five shuttles going across for one row. Instead of following a diagram, this time I am designing the pattern as I weave.

The bound rosepath (rosengång) cloth develops slowly. My pace is about 35 millimeters (1.4 inches) per hour. I pay attention to every detail. Five shuttles, many color changes, careful turns at the selvedges. I get up to wind quills, to advance the warp, to repair broken linen warp ends, and to stand back for an overview. You cannot know all of the weaver’s work by looking at the reverse side. It is messy underneath.

We may not have a clear view of what our master weaver is doing, but we can see his consistency. And we have seen his masterful work in the past. Are you in a season that feels confusing? That is precisely when it makes sense to trust someone greater. Be one of the few in our day who sees the goodness of God with the eyes of trust. The finished cloth, the underside of which we see now, will one day be displayed by the maker, and all will be amazed!

May your fears fall away and your trust increase when you face uncertain times.

Believing is seeing,
Karen

When Things Are Unraveling

Karen

I love weaving rag rugs, especially Swedish-style rugs. Even though I have a design in mind when I start, I often work out details at the loom. Each rug needs a header–a few inches of weaving that secures the wefts so the rug will stay together when it comes off the loom. The header is woven right before and after the rug, and is removed during rug finishing. It was in the header for this rug that I worked out the treadling and color sequence for the rosepath (rosengång).

Rosepath Rug edge finishing. Ends tied, then trimmed, then hem is folded and stitched.
Ends are pulled from the header and tied, two and two, into square knots to secure the end of the two-inch (5 cm) hem. After all the ends are tied into knots, the threads will be trimmed to 1/2 inch (1 1/2 cm), and the hem will be folded under and stitched.

What do you do when life unravels? Hold what you have and try to fix what is failing? If we could see the whole picture, we might see that the part we want to hold onto is the header before the rug. That header may be where the design of the weaver is formed in us, to be repeated in another setting. The header was necessary, but now it is time to let it go.

When things are falling apart, we must look to the master weaver. Yes, the trouble is immense and we don’t know how to fix it. So, we speak to the one who holds the design. We do not know what to do; but, master weaver, our eyes are on you.

May your eyes see hope on the horizon.

Being woven,
Karen

Is Wet Finishing Really Necessary?

Karen

Oh, how I wish you could feel these hand towels! They are soft. When I take a run of towels off the loom, I first cut them apart and serge the ends; and then I throw them in the washer and dryer for wet finishing. This cottolin and linen fabric went in stiff and scratchy… (Click HERE to see how it looked before wet finishing.) But after the rigor of agitation, spinning, and heat, the towels are perfectly soft and absorbent! Our own hearts can be stiff and scratchy, and not very soft, can’t they?

Handwoven towels in classic M's and O's weave structure. Soft and durable. Tabs are linen, woven on band loom.
Cottolin warp and weft, with some 6/1 tow linen weft stripes. These durable hand towels will stand the test of time, getting softer and softer with use. I wove the hanging tabs, 100% linen, on my band loom.

It’s hard to admit I need help sometimes, because I would rather think I am good enough to make it on my own. Admitting need is a first step toward a softened heart. Maybe a little turmoil in life is like being thrown in the washer and dryer–we come out softer because we realize how needy we are.

Classic towels almost too pretty to be used; but oh, they must be used!
Soft and pliable towels, neatly folded. Almost too pretty to use; but oh, they must be used to be truly appreciated.

My purpose for these towels is to use them as towels (or, more specifically, for gift recipients to use them). The towels became useful when they became soft and pliable. That’s how I want to be in the master weaver’s hands. How about you?

May you receive delightful gifts that are soft to the touch.

Softly and tenderly,
Karen

Choose Your Lining

Karen

In choosing a fabric to line these linen bags I am making, I find that the color of the lining makes a difference in the outcome. Different lining colors change how the linen looks. I decided on a blue satin lining that is similar in shade to the blue of the linen warp. Other colors seem to compete with the iridescence of the handwoven cloth. Once again, what is on the inside matters, and influences what is seen on the outside. The same can be said for people, right?

Creating bags with handwoven linen, with beads woven in.
Linen fabric with beads woven in, ready to be made into satin-lined bags. Small striped sample from the end of the warp will be made into a small clutch purse.

Faith in the master weaver is the lining that shows through the fabric of one’s life. A stance of faith creates an inner calm that carries you through every storm and every celebration. It is the color that shines through.

May you calmly face your next challenge.

Peace to you,
Karen