Tag: grand weaver

Keep this Picture in Mind

Karen

Have you thought of using the camera on your phone to help you recall details in your weaving design? I want the simplest way to remember this narrow blue and honey border stripe at the beginning of the towel so I can weave it exactly the same when I get to the other end. What better way than to take a detail snapshot with my iPhone? It’s handy, descriptive, and quick. There are some things that are best remembered with pictures.

Beginning of another towel on the loom.
After the red cutting line, a new towel begins with a honey-colored hem. The narrow blue and honey stripe will be repeated at the other end of the towel.

When our heavenly king walked the earth, he was a living picture of heavenly goodness. Compassion, kindness, humility, gentleness, patience. These threads of royalty stood out in humanity because of the contrast next to common threads of envy, selfishness, and prideful boasting. Considering this living snapshot of true royalty, we, too, can wear the clothes that are fit for a king (or queen)! Better than capturing a design element with our iPhones, is capturing the design for our lives from the heart of our grand weaver.

May you remember the details that matter.

Love,
Karen

Look Behind the Knee Beam

Karen

As the cloth cascades over the knee beam, let’s take a sneak peek at the other side. Crouching below the warp behind the shafts, we see the mechanics of weaving. When I sit on my loom bench at the front of the loom, throwing the shuttle, it feels like magic. Thread by thread, fabric just appears. Under the loom you can see it is not magic. It is heddles on shafts, shafts connected to lamms, lamms tied to treadles. It is a system that works behind the scenes while you sit in front and weave. Sometimes we put our trust in what we see out front, neglecting to consider what goes on behind the scenes.

Cotton handtowels on the loom. View from back of loom under the warp.
Red cutting line between towels is seen just to the left of the upper lamms. There are no floats on this back side of the cloth, though the front has warp floats as part of the pattern.
Cut ends of the heddles are in focus, viewed from back of loom under the warp.
Cut ends of the heddles are in focus. The heddles, carrying warp threads, hang on shafts that are just above the camera view.

When I finish a weaving project, I untie and disconnect everything so the loom is ready for the next project. The warp has a purpose while it is on the loom, but when it’s over, it’s over.

Beware of putting your trust in human heroes. Keep in mind that your human heroe’s plans will last only as long as their life. When it’s over, it’s over. Do not put your trust in a person, a leader, a superstar, a human hero, to save the world. Put your trust in the grand weaver who holds the system in his hands.

May you encounter trust-worthiness.

(To see the warp floats on the front of the cloth, click HERE.)

Yours Truly,
Karen

Cut It Off and Start Over

Karen

This is what starting over looks like. After weaving a couple inches, I had a bad feeling. Uh oh, there is a fatal mistake in the threading. Not just one or two wandering threads, but I mis-threaded all the way across the warp!

Threading error. Re-threading 866 heddles.
Sample with various weft color options. After cutting off the sample, the process of re-threading the 866 heddles begins.

Cut off the sample. Pull 866 threads back out of the reed and out of the heddles. Re-thread 866 threads. Re-sley. Redo the tie-up. Tie-on again! Breathe. Even so, I am thankful I get to begin again. The mistakes are completely removed and I have a fresh start.

I had to search to find the root of this error. I examined the threads in the fabric; and I compared the woven sample to the draft. Not until I studied my planning sheet did I see that I had written out the draft incorrectly. I had mistakenly exchanged shaft 4 for shaft 2 in the threading draft. Aha! and Ugh! My instructions to myself were faulty!

We cannot fix everything in our lives. Often, we cannot even find the root of the problem. Fortunately, our grand weaver, who searches hearts and minds, is able to reveal the source of our error. And then, in his grace, cuts away what was not working and gives us a brand new start. No old strings attached.

May a fresh start come your way.

Grace to you,
Karen

Threaded Heddles Set the Stage

Karen

I love threading the heddles! It allows me to touch every single thread with my fingers. I guide each thread through a heddle on one of four shafts. Threaded heddles set the stage for the motion of cloth-making. Each thread has its own path, yet groups of threads function together as a unit. Kind of like a friendship network.

Threading Texsolv heddles for cotton hand towels.
With 36 threads in each grouping, the Texsolv heddles are threaded one-by-one, using only hands and fingers as tools.

I double-check my threading as I go. As I finish each section, I immediately go back through the bundle thread-by-thread to verify that each thread is inserted accurately. This effort on the front end is worth it. With every warp thread in its proper place, the design in the fabric is assured, even before the weaving begins. A friendship network is like that. Each person has their own path, and when those paths are aligned and given common purpose, the individuals form connections that make a friendship fabric.

Connection with our grand weaver gives us a friendship network with each other–a skillfully woven fabric. The beauty of this created fabric is that it reflects the heart of the maker. Each individual thread, aligned with the others in interesting patterns, becomes an essential part of the finished cloth.

May you glow in the fabric of friendship.

With you,
Karen

Color Wrapping

Karen

What would you do with nine colors of 16/2 cotton thread? Play with color, I hope! I have hand towels in mind, in a subtle three-shaft twill weave. I challenged myself to create a pleasing arrangement of stripes for the warp. Hmm, should I use a Fibonacci number sequence…or evenly-spaced stripes? Random color order…or planned color order? I came up with several possible color arrangements; each one is unique. You and I are colorful and unique, too.

Color wrapping for stripe design. Some use Fibonacci.
Assorted colors of 16/2 cotton from my stash. Wrapping the threads on folded index cards is an easy way to try out different stripe patterns. Two of the patterns have evenly-spaced stripes. The other three use a Fibonacci number sequence to set the width of the stripes.

I love considering the options at the start of a project in order to have the best results in the end. Maybe our grand weaver is like that, too. “This person will be given a subtle arrangement of colors, evenly spaced; that person will have more intense colors, passionately vibrant. This other person will be given a large stroke of turquoise, because my world needs more turquoise.”

The grand weaver has designed you with certain colors as a gift to you–for you to enjoy life. The way to take full advantage of that gift is by using your colors to serve others. First, receive the gift with open hands. And then, whenever possible, give your gift away.

Which of the five arrangements of stripes in the picture appeals to you the most? I’d love to hear your opinion in the comments! I am curious to see if the one I decided on receives any votes.

May you unwrap your gift.

Joyfully,
Karen