Tag: hand-built

Keep Advancing the Warp

Karen

This is a series of learning experiences—some easy, and some quite challenging. I am near the end of the first panel of the tapestry/inlay sampler. All along the way, I encounter obstacles. Like a broken warp end. Again. That broken warp end is discouraging. Surely, I should be able to keep that from happening by now.

Tapestry/inlay sampler. All linen weft.
Broken warp end on the right selvedge required taking out several rows of weaving so I could splice the warp.

Meanwhile, a simple line of soumak makes a pleasing border for this curve. It defines the shape with a slightly raised line. Over three, around one…all the way across. This part is nice and easy.

Soumak border on tapestry sampler.
Soumak technique, Step 1.
Soumak border line on tapestry sampler.
Soumak technique, Step 2.
Peaceful setting for the weaving loom!
Despite another broken warp end, the warp is advanced and the weaving continues. It helps to weave in a peaceful setting.

Daily life is not always easy. Put your eyes on God, not on the obstacles you face. And don’t worry about your own inability to navigate the circumstances. Trust God to carry you. He has carried you this far, and will continue to show himself strong on your behalf. Those broken warp ends are spliced, and the weaving continues. The selvedge may show some evidence of having had trouble, but the soumak outlines and other woven features will draw the eye. There is victory in advancing the warp to continue the sampler to the end.

May you advance through the obstacles you face.

With you,
Karen

Simply Weave Back and Forth

Karen

Am I seeing the hint of a ‘cello? No complicated pattern this time, just a relaxed back and forth, meet and separate, with yarn butterflies. The only planned pattern is a curved outline at the start and end of this section, with some simple hatching in between.

Linen tapestry/inlay sampler.
Section seven of the linen tapestry/inlay sampler. Hatching is used to visually blend the two color bundles.
All-linen tapestry/inlay sampler.
Curved line is inked on the warp as an outline to follow for the red and gold section.

The relaxed back-and-forth questions and ponderings that we all have are an indication that we want to know the truth. Search to find answers. The Lord is always calling us to seek him, to search him out, to find out what he’s about. Seeking the Lord means having a heart that wants and yearns to know God and his ways. Having questions is a part of what it means to be human. Peace comes, not in finding all the answers, but in finding the one who holds the answers. He knows what he is weaving.

May you ask good questions.

All the best,
Karen

Wild Linen Rya

Karen

Rya knots and loops of threads look chaotic at first. These linen rya knots will never be tame, but that’s to be expected. Linen butterflies have created a swath of wild rya “flowers” planted in a smooth linen “lawn.”

Making rya knots with a bundle of linen threads.
Continuous weft bundle forms loops between rya knots.
Linen rya knots.
Loops are clipped. Green butterfly is for the background plain weave weft.

Each section of rya starts with a butterfly made of several strands of linen in assorted weights and colors. I tie each rya knot on a pair of warp ends, leaving a loop between knots. There are two to three passes of plain weave between each row of knots. When I finish a butterfly, I go back and clip all the loops. After the loops are cut, I trim the tops of the threads to even out the rya “flower garden.”

Linen rya knots on a linen weft-faced background.
Tops of the rya threads are trimmed. I intentionally leave a few shorter and longer threads, for interest.
Linen rya knots on a weft-faced linen background. Tapestry/inlay sampler.
Linen rya knots on a weft-faced linen background. Wild linen “flowers” growing out of a smooth linen “lawn.”

When things around us look a mess and don’t make sense, full of knots and loops, there is one thing we must do. Keep holding on to faith. Fight to keep your faith strong. Faith in Christ Jesus will carry you through uncertainty and will reveal the first ray of hope. The loops will be clipped, the threads will be trimmed. A garden of color will emerge. Faith waits for that.

May your faith be strong.

All the best,
Karen

Rya for the Rest

Karen

This loom doesn’t get first priority. This sweet little loom is at our Texas hill country getaway. Usually there are several fixer-upper projects to be done around the place. But I’m glad the loom is there. It calls to me to come and sit down, to get absorbed in linen threads and colors. The loom is a resting place for me. A place where ideas take shape and new dreams begin.

Sweet little hand-made loom.
Sweet little loom sits in a corner of the living room beckoning me to come and rest for a while.
Rya knots and inlay. All linen.
Green weft butterfly weaves the background. A yellow bundle, not seen, hangs under the warp and is added here and there for the “dots” in the green. Rya butterflies are in assorted combinations of colors. All linen.

I’m at the rya section of this tapestry and inlay sampler. It is a fun exercise in creativity. The rya knots are tied using a continuous weft bundle. After a few rows are woven I clip the loops that are formed, and trim them down a little to shape the pile.

Linen rya knots!
Explosion of linen threads. Several sizes and types of linen are combined in the rya butterflies that are used to make the rya knots.
Weaving linen rya knots. Weaving from the front.
Weaving from the front means that all the loose inlay weft tails, and spliced wefts, are hanging down on the back.

Make time for rest. We need periods of rest built into the rhythm of our lives. Intentional rest acknowledges our human limitations and inadequacy, which leads us to put our trust in the Lord. And that is where the best hopes and dreams get their start.

May you enjoy sweet rest.

With you,
Karen

Tapestry and Inlay Sampler

Karen

It is satisfying to see this ambitious project take shape on the loom! When finished, this sampler of tapestry and inlay techniques will be a handy reference as well as a colorful hanging for the wall. It’s a much-anticipated project from The Big Book of Weaving, by Laila Lundell!

Tapestry and inlay sampler with linen weft.
Practicing parallelogram shapes.
Linen butterflies are usedf for twill inlay.
Linen butterflies are used for the twill inlay. Turns are made below the warp.

I don’t always understand the instructions, in which case I struggle, doing the best I can. But the more I progress, the more I understand. I am finding out what works. The text, Swedish translated to English, about unfamiliar techniques is helpful, but I often wish I had the author looking over my shoulder to guide me.

Loom with a view. Linen tapestry/inlay sampler.
Loom with a view. Time flies, even with slow weaving, at this Texas hill country loom.
Threads on the underside. Tapestry / inlay sampler in linen.
Weaving from the front. Weft tails are taken to the back of the weaving.

Where do we get instructions for living? We may consider entering the kingdom of God for that. But Jesus also spoke of the kingdom of God entering us. Invite the King in. That’s when His ways become our ways. Instead of struggling through instructions, we find ourselves learning His will by doing what we know to do. Life is a sampler, with occasions to learn, to struggle, and to soar. Let’s weave our living sampler in the shadow of the Grand Weaver, Himself.

May your sampler show what you’ve learned.

Happy weaving,
Karen