Miles and Miles to Weave

I just reached the quarter-of-the-way mark. After completing a long border at the beginning of this runner, I have been weaving the same two blocks over and over. And over. Really? I’m only a fourth of the way there? This long table runner is a marathon, not a sprint.

M's and O's on the loom.
Unbleached cotton warp and half-bleached linen weft. The checkerboard appearance of this sålldräll (M’s and O’s) will become rounded when taken off the loom, and, even more so when wet-finished.
Reached the quarter-of-the-way mark!
Weaving reaches the “1/4” mark on the pre-measured tape. Only 3/4 of the way to go! 🙂

I am already thinking about the rag rug project that’s up next. The plans are written out. The rug warp is waiting on my shelf. And it has been too long since I’ve had rag rugs on the loom. As you know, rag rugs are my favorite. If I’m not careful, impatience creeps in.

M's and O's table runner on the loom.
Keep weaving, winding more quills, and making fabric.
M's and O's on the loom.
Beginning border of the table runner is going around the cloth beam.

Look up to heaven. When you pray, it’s a signal that you want the Lord of heaven to get involved. It’s a way of saying you don’t have everything you need on your own. Like patience. And gratitude. He brings you back to remember how much you enjoy the mechanics of weaving–throwing the shuttle back and forth, gliding your feet across the treadles, making threads turn into cloth. Living a dream come true. Miles and miles of Sålldräll (M’s and O’s)? Yes, please. I’m happy with that.

May you live your dream.

Gratefully,
Karen

Skeins of Colors

New yarn arrived this week! Seeing the skeins of colors makes me excited about starting the next project. I am preparing to weave another transparency. This time, the hanging will have a pictorial design. But there are several things to tend to before the weaving begins. First, I will wind the skeins into balls, and wind the linen warp. And then, I will finalize the cartoon. Stay tuned…

Collection of colors in Mora wool for a transparency.
Collection of colors in 20/2 Mora wool for a planned transparency. 16/2 linen for warp and background weft.

Meanwhile, this week I am at the Contemporary Handweavers of Texas Biennial Conference, learning new things and making connections with handweavers across the state.

Happy Weaving,
Karen

If a Warp End Is Frayed…

I noticed that a warp end was starting to fray, but I kept on weaving. I thought I could make it past the weak spot. Well, I was wrong. The warp end broke. So much for happy weaving! A broken warp end at the selvedge is no fun, especially on a weft-faced piece like this. Looking back, I wish I had taken time to splice in a new length of thread when I first noticed the weakness. But at the time, I didn’t want to be bothered with that. I just wanted to weave.

Tapestry / inlay sampler on small countermarch loom.
Weaving right along. I start to notice some abrasion on the warp end at the right selvedge. I’ll be extra careful. I can keep weaving and enjoy myself, right???
Broken selvedge end on the right. Ugh.
Warp end on the right selvedge frayed to the breaking point. Gone! The weaving must be removed far enough back to reach at least 1/2″ of the warp end in front of the break. That reaches back into the red portion–the first section of the sampler.
Tapestry / inlay sampler on small countermarch loom.
Pin is inserted to secure a new selvedge warp end. The fourth end from the right showed some fraying, so I am splicing in a new piece of 12/9 cotton warp. Learned my lesson.
Original selvedge warp end is now being spliced back in (green flathead pin). Second splice is complete, with thread tail hanging out, to be trimmed after this is off the loom.
Tapestry and inlay sampler. Spliced warp ends fix frayed threads.
Two sections of the tapestry and inlay sampler are complete.

We tell ourselves if we do what we want, we will be happy. That’s a delusion. Happiness will fail you. It doesn’t last. I was only happy weaving until the thread broke. There is something better than happiness. Faithfulness. It’s better to be faithful in the moment, even if it puts a delay on being happy. Faithfulness lasts. Next time, I hope to choose the long satisfaction of faithfulness over the short-lived gain of happiness.

May your broken selvedge ends be few.

Faithful weaving,
Karen

Quiet Friday: Kuvikas to Taqueté and video

The color is rich, the drape is fluid, and the pattern in the lustrous cloth is eye-catching. “Kuvikas to taqueté” was not an easy project. Eight shafts, double treadling, and double-bobbin shuttles with slick 8/2 Tencel weft. But the fabric is incredible!

Warp chain of 8/2 cotton.
Warp chain of 8/2 cotton hanging from warping reel.

Thanks to a unusual tie-up, two treadles are pressed simultaneously, something I had not thought possible for a countermarch loom. I started with kuvikas (summer and winter), which has tabby picks between the pattern picks. The dark teal 8/2 cotton tabby weft and the bright teal Tencel pattern weft produce a tone-on-tone effect for the square and stripe patterns. These two pieces will become the front and back of a throw pillow.

Kuvikas on the loom. (Summer and Winter)
Kuvikas panel 1 complete. I always use red thread for a cutting line between pieces, so there is no accidental cutting in the wrong place.

I then changed the treadle tie-up to switch from kuvikas to taqueté. The taqueté has no tabby weft. The teal and cream Tencel weft threads lay back-to-back, producing a double-faced fabric. This piece is being used as a table runner.

Kuvikas to taqueté, change in treadle tie-up.
Stripes in kuvikas, and then square pattern in taqueté after changing the treadle tie-up.
Finished Tencel kuvikas (summer and winter) glistens!
Finished kuvikas glistens in the sunlight.

Enjoy the little slideshow video I made for you that follows the process from three lovely aquamarine warp chains to fabric glistening in the sun on a Texas hill country table.

May you finish something that is not easy.

Happy Weaving,
Karen

Do you remember my Handwoven Thick and Thin Towels (that appeared on the cover of Handwoven), and my Black and White Towels (These Sensational Towels)? I will be teaching a workshop on that thick and thin technique at Shoppes at Fleece ‘N Flax in beautiful Eureka Springs, Arkansas August 24 – 26, 2017. You’re welcome to join us! I’d love to see you there! Contact the shop at the number below if you are interested.

https://www.facebook.com/1509042016009851/photos/a.1519556898291696.1073741829.1509042016009851/1933085693605479/?type=3&theater

What a Cellist Weaves

I approach weaving like a musician. The looms are instruments, and everything is practice. When I was twelve years old I fell in love with the ‘cello and began learning to play the instrument. Over time, I discovered the value of mindful practice, the need for which is ongoing. It’s not perfection I’m after, but intent to apply all I’ve learned.

Glimakra band loom.
Finished woven band. 12/6 cotton for warp and 16/1 linen for weft.
Band loom woven cord for cello endpin stop.
Small slider is added to make the cord’s length adjustable.

This once, my weaving and ‘cello playing overlap. My husband designed this cello endpin stop for me! I got to weave a cord on my band loom that connects the pieces together. (I showed you the beginning steps in Finer Weft for a Stronger Cord.)

Hand-crafted cello endpin stop, with handwoven band.
Hand-crafted ‘cello endpin stop.
Hand-crafted cello endpin stop.
‘Cello and me.

What if our interactions with people are opportunities to practice real love? It’s no big deal if I love those who love me. Or, do good when I know someone will return the favor. Or, lend to someone who will pay me back. Real love is loving those who don’t love you back. That takes practice. When we love, do good, and give, expecting nothing in return, we start to resemble God’s character. No, we won’t attain His perfection, but when we apply all He’s taught us, we begin to look like His children. For He loved us long before we loved Him back.

May you practice real love.

Love,
Karen