Cut It Off and Start Over

Karen

This is what starting over looks like. After weaving a couple inches, I had a bad feeling. Uh oh, there is a fatal mistake in the threading. Not just one or two wandering threads, but I mis-threaded all the way across the warp!

Threading error. Re-threading 866 heddles.
Sample with various weft color options. After cutting off the sample, the process of re-threading the 866 heddles begins.

Cut off the sample. Pull 866 threads back out of the reed and out of the heddles. Re-thread 866 threads. Re-sley. Redo the tie-up. Tie-on again! Breathe. Even so, I am thankful I get to begin again. The mistakes are completely removed and I have a fresh start.

I had to search to find the root of this error. I examined the threads in the fabric; and I compared the woven sample to the draft. Not until I studied my planning sheet did I see that I had written out the draft incorrectly. I had mistakenly exchanged shaft 4 for shaft 2 in the threading draft. Aha! and Ugh! My instructions to myself were faulty!

We cannot fix everything in our lives. Often, we cannot even find the root of the problem. Fortunately, our grand weaver, who searches hearts and minds, is able to reveal the source of our error. And then, in his grace, cuts away what was not working and gives us a brand new start. No old strings attached.

May a fresh start come your way.

Grace to you,
Karen

Bound Rosepath – More Yarn and Time, Please!

Karen

I still had patterns I wanted to try in bound rosepath; but, alas, there is no more Brage wool yarn in my hands. I ran out of weft before I ran out of warp! With five colors of this wool weft, it seemed like the variations on this rosepath threading were limitless. Imagine how it would be if you had two or three times that many colors to work with! You might never find an end to all the design options!

Bound rosepath just off the loom. Karen Isenhower
Brage wool in five colors covers the surface in this weft-faced weave structure, bound rosepath.

I was not ready to stop playing with this interesting weave structure, exploring the possibilites. Indeed, I had several more ideas lined up. If I had all the yarn in the world, I would need all the time in the world, too, because the discovery process is so intriguing. But eventually, I would run out of ideas.

We have heard that God is worthy of unceasing praise. Perhaps that is because there is no end to his love and goodness; and the riches of his mercy and grace are infinite. Maybe there are so many exquisite facets to learn about our creator that it will take eternity to discover them all. We might as well start now.

May you enjoy the intrigue of exploration and discovery.

Weaving onward,
Karen

Band Loom Gets Dressed

Karen

My band loom has been sitting idle for a few weeks. Instead of continuing to walk wistfully by, I decided to do something about it. On a whim, I pulled colors of cottolin thread off the shelf. Within an hour the band loom was dressed and I was happily weaving. Finally! Why did I wait so long to put a warp on this loom? Do you ever avoid something, and then later realize the task is easier than you thought it would be?

Glimakra two-treadle band loom with cottolin warp. Hand-carved shuttle. Karen Isenhower
Two-treadle Glimakra band loom with cottolin (cotton/linen) warp. Green thread on the hand-carved shuttle makes little green weft dots on the brown selvedge threads.

I used my warping reel to wind the five-yard warp. After tying the lease cross, and adding a few choke ties to secure the warp, I took it to the band loom and wound it on. Easy! Sitting at the band loom, sending the little shuttle back and forth, beating with the band knife to the rhythm of the treadles… it’s music; and it’s serene. Voicing our needs to our maker is something we think we do not have time for. We avoid this one simple connection that makes a difference.

Heartfelt prayer is our vital connection with God. He hears our prayer of need. Let us not fool ourselves to think it takes too much time or effort for this connection. The reward is too great to miss.

May your needs be heard.

With serenity,
Karen

If you are interested in band loom weaving, here are three posts you might enjoy:
A Different Kind of Band Music; How to Fix a Listening Problem; More than Meets the Eye.

Threaded Heddles Set the Stage

Karen

I love threading the heddles! It allows me to touch every single thread with my fingers. I guide each thread through a heddle on one of four shafts. Threaded heddles set the stage for the motion of cloth-making. Each thread has its own path, yet groups of threads function together as a unit. Kind of like a friendship network.

Threading Texsolv heddles for cotton hand towels.
With 36 threads in each grouping, the Texsolv heddles are threaded one-by-one, using only hands and fingers as tools.

I double-check my threading as I go. As I finish each section, I immediately go back through the bundle thread-by-thread to verify that each thread is inserted accurately. This effort on the front end is worth it. With every warp thread in its proper place, the design in the fabric is assured, even before the weaving begins. A friendship network is like that. Each person has their own path, and when those paths are aligned and given common purpose, the individuals form connections that make a friendship fabric.

Connection with our grand weaver gives us a friendship network with each other–a skillfully woven fabric. The beauty of this created fabric is that it reflects the heart of the maker. Each individual thread, aligned with the others in interesting patterns, becomes an essential part of the finished cloth.

May you glow in the fabric of friendship.

With you,
Karen

Quiet Friday: Rag Rug Finishing

Karen

How many people get to have a handmade article right under their feet? You come in from the world, with your feet dusty and weary; you look down, and the rug says, “Welcome home.”

After the weaving is complete, the only thing left is finishing. For rags rugs, that means securing the warp ends, and finishing the ends with fringe or stitched hems. I prefer the look of hems over fringe, so my rugs usually have turned-under hems (occasionally, I do a bound hem, but I’ll save that for another time). The hem area is woven with narrower strips (about 1/4 in. or 1/2 cm) than the rest of the rag rug, to make it less bulky for turning under, and it lays nice and flat on the floor. Ah, rosepath rag rugs, I shall truly miss seeing you on the loom!

Rosepath Rag Rugs rolled up on cloth beam. Karen Isenhower
The end is the beginning. The end of the warp means the rugs are ready to be unrolled from the cloth beam.
Rosepath rag rugs unfurled from the loom.
Rosepath rag rugs being unrolled and cut from the loom. This always feels like the moment of truth: I ask myself, “How do they look?” (Note, this view is the underside of the rugs.)
Upholstery needle helps separate warp ends from header to secure ends of rag rug.
Step 1. An upholstery needle helps separate warp ends from the header. A clothespin keeps finished ends out of the way.
Securing rag rug hem with square knots.
Step 2. Secure the hem with square knots. Four ends at a time, pulled out of the header, are firmly tied into knots.
Finishing rag rug with square knots, and trimming warp ends.
Step 3. Trim the warp ends about 3/4 in / 2 cm from the knots.
Steps for finishing rag rug hems. How-to pics.
Step 4. Fold hem edge to the back side of the rug, keeping the knotted ends inside the fold. Press. Fold again to complete the turned hem. Press.
Stitching rag rug hem. Steps for finishing rag rugs.
Step 5. Stitch close to the fold of the hem. Stitch the side edges of the hem closed. Be sure to use sewing thread in the needle that matches the underside of the rug, and bobbin thread that matches the top of the rug.
Rosepath rag rug. Karen Isenhower
Rosepath rag rug, hemmed and ready, with the look of a breath of fresh air.
Rosepath Rag Rug. Welcome home! Karen Isenhower
Let’s call this one the “Welcome Home” rug. We’d love to have you stay a while.

May weary feet find your home to be a welcoming place.

Still being finished,
Karen