Two Looms at Once

Karen

I am happily dressing my two looms at the same time. First, wind one warp, and then the other. Beam a warp on the big loom (Glimåkra Standard); and then, on the baby loom (Glimåkra Ideal). Thread the big loom; thread the baby loom. Back and forth. Soon, two looms will be ready!

Threading the loom for an eight-shaft double binding rag rug.
Four shaft pairs are added to the four already on the loom. You can tell the shafts that have been used the most by the golden tone of the wood. 12/6 cotton is doubled in the heddles. Pumpkin and cinnamon colors combine to make a rich red warp.

Both looms are being dressed for rag rugs. Rag rug heaven! The big loom is threaded for double binding, using eight shafts. The baby loom has four-shaft rosepath threading. I am eager to get everything tied up so I can weave!

Glimakra Ideal is threaded for rosepath rag rugs.
Glimakra Ideal has rosepath, threaded on four shafts, for a series of rag rugs.

There’s an order to things in the universe, like there’s an order to dressing the looms. It matters how we live. It makes sense to live according to the way the Grand Weaver set things up. God knows who we are and what we need. And he provides the threads, like integrity, and other virtues, that are spun by his own hand. The individual pattern comes to life when the threads he has woven in our inner being become our outward expression. And we know the Weaver enjoys the work of his hands.

May threads of virtue be woven in your cloth.

Happy weaving,
Karen

Tools Day: Narrow Shelf

Karen

It’s not easy to keep a table top cleared off. Little things accumulate that intrude on the work space. The wonderful maple work table Steve made for my weaving room a couple years ago provides a needed surface for multiple uses. I do my project planning here; and I weigh out my yarns here; and I wind quills here. It’s time to create a space for the little things, to get them off the table. Steve to the rescue! He built a narrow shelf to go on the wall behind the work table. Pencils, snips, pins and needles, quills with a little bit of thread, and the like. Pegs below the shelf give me a convenient place to hang a few essentials–small scissors, Gingher thread clippers on a cord, a few choke ties, tape measure, and my Väv Calendar.

Hand-crafted maple shelf compliments the maple work table below.
Hand-crafted maple shelf compliments the maple work table below. Frequently used items are within arm’s reach.
Hand-crafted maple shelf above weaving work table.
Re-purposed vessels make colorful holders for small items.

Now, I am ready for anything!

May your creative space work in your favor.

All the best,
Karen

Now We See the Monksbelt

Karen

When you cut fabric from the loom, and see it, handle it, feel it… It takes your breath away. Every time. You, the weaver, know what went into it. All the effort, corrections, uncertainties, anticipations, and the many joyful hours of throwing shuttles, and designing at the loom to your heart’s content. You keep going, even when the going is long, because of the thrill of making something you can’t find anywhere in the world…except right here.

Monksbelt cutting off party!
Nothing matches the exhilaration of cutting handwoven fabric off the loom!
Monksbelt just off the loom! Karen Isenhower
Sense of wonder arises when you see what threads can make when they are interlaced in a purposeful way. Imagine that! It’s simply threads.

Wisdom points to truth. Truth is a picture of reality, like fabric just cut from the loom. When the fabric is unrolled from the cloth beam, you get a realistic view of what has been woven. You can see it. But wisdom leads you to that moment. That’s why you keep weaving, even when the going is longer than you thought it would be. The voice of wisdom compels you to reach the truth.

Classic Swedish monksbelt, with a colorful twist or two.
Fabric, in classic Swedish monksbelt, with a colorful twist or two.

May you make something that only you can make.

Yours truly,
Karen

Color Inspiration

Karen

The problem with having more than one loom is that you must divide your time between looms. Monksbelt has been on the big loom a little too long, since the baby loom has had most of my attention lately. That means little progress for this extra-slow weave.

Monksbelt on the Glimakra Standard loom.
Two shuttles take turns gliding across the warp.

Now that the baby loom is empty I am getting some good weaving time on the monksbelt. When I look at the loom, the whole task seems too big. But these colors are invigorating. When I pull out a few Fårö wool colors for the next treadling sequence, I forget my complaints about this taking too long. When I sit on the loom bench and start weaving with these colors I am inspired to keep going.

Colorful monksbelt. Karen Isenhower
Red ground weave gives a strong background for graded blues and violets.
Monksbelt on the loom. Progress!
Progress is seen as fabric rounds the cloth beam below.

Your words can be like these colors, giving someone the vitality they need to finish well. Your pleasant words are like honey to a weary soul. Pleasant words go deeper than you think. They bring needed inspiration when someone cannot see the end of a challenge. Your words may be the color palette that inspires your friend or loved one to keep going.

Monksbelt on the loom. Karen Isenhower
Many options for sets of color.

Pleasant words are a honeycomb, sweet to the soul and healing to the bones.
– Solomon

May your pleasant words reach the weary.

With love,
Karen

Make a Handwoven Something

Karen

There is less than a yard of this lovely fabric. I want to use it for something. After weaving the baby wrap, I wove off the remainder of the warp in twill, using multiple weft colors. The colors seem even more vibrant in this twill weave. The fabric feels great in hand, as well. Is there enough to make a handbag? Just barely; but, yes, there is enough!

Making a handbag from handwoven fabric.
After ironing interfacing to the back of the fabric, I work the puzzle of fitting the pattern pieces onto the fabric. Some piecing is necessary.
Making lining for a handbag.
Lining pieces have pockets added.
Making a handbag from handwoven fabric.
Topstitching goes all around the top perimeter of the handbag.

How do you feel about cutting into your handwoven fabric? Once you cut, there’s no turning back. You better be sure before you get out the scissors. Fear of ruining your precious fabric can keep you from ever making the first cut. You might be tempted to fold up your fabric and tuck it away in a drawer. “At least you didn’t ruin it,” your fear would tell you. However, if you know something good will come of it, and if you have a plan, you walk past the fear and do the cutting.

Finished handwoven handbag holds rolled baby wrap. Karen Isenhower
Finished handbag holds the rolled baby wrap.
Handwoven handbag. Karen Isenhower
Handbag front is mostly twill, with five different weft colors. The warp length is crosswise in this piece.
Handbag made from handwoven fabric.
Back of the handbag. The lining fabric is cut from a remnant left from an Easter dress I made my daughter umpteen years ago.

The peace of Christ takes the power out of fear. Instead of looking at the status quo as the only option, internal peace enables us to walk past the fear. His peace enables us to do things that require faith. Fear fades when you know that the one who is truly good does have a plan. After all, handwoven fabric is made for such a use as this.

May you do things that require faith.

Making things,
Karen