Another Classic Swedish Weave

Monksbelt is up next, another classic Swedish weave. I’m thrilled! This time I am weaving yardage, without knowing exactly how the fabric will be used. I planned this project while the rya rag rug was still on the loom; and I’m eager to get started!

Winding warp on Glimåkra warping reel.
Glimåkra warping reel not only accelerates the warpwinding process, it makes it downright fun! This is the first of four bouts of unbleached 16/2 cotton. 760 warp ends in all.

Winding the warp is a rewarding part of the process. When I wind a warp, it goes directly to a ready-and-waiting loom. So, this is a declaration of a new beginning. It is also the anticipation of future rewards. The final reward is long-lasting–a useful length of colorful handwoven fabric.

Look for rewards that will last. We get side-tracked if we look only for immediate satisfaction, or short-term success. The long view brings perspective that cannot be seen in quick snapshots. I don’t have to know exactly how things will look in the future. I can enjoy the stage of the process I am in right now. Ultimately, though, I await the finished cloth. Keeping that reward in mind brings purpose to each step along the way. The eternal reward that heaven holds for us fills each season here with meaning.

May you enjoy many rewarding experiences.

On purpose,
Karen

Storm Troopers in a Rag Rug?

There are some crazy prints embedded in my rag rugs. I buy cotton fabric in five-yard lengths. When I scan the fabric bolts at the store, I look for specific colors and interesting patterns. More prints make it into my rugs than solid colors.

Fabric for another interesting rag rug!
Drawn to a bolt of fabric with a touch of blue on a mostly-white background, I was surprised to find the popular sci-fi vehicles in the print. Storm Troopers can hide in plain sight on this rug.

Unusual prints can add hidden surprises to a rug. Take Star Wars prints, for example. No one will know that the Millenium Falcon or Storm Troopers are in the finished rug. After all, the fabric has been sliced into strips, and is used only intermittently as weft and inlay. But the weavershe knows, and smiles about it. Am I a Star Wars fanatic? No, not by a long shot. I selected the fabric for its colors and effect. I wanted to make something new out of these popular movie prints.

Rag rug with rya knots and loops.
Where are the Storm Troopers? There are a few hiding among the rya strips, and some are in the weft rows that stand out as black and white.
Creating loops on a rag rug.
Loops are created on the rug, using a wooden dowel. And a five-yard strip of Millenium Falcon fabric waits on the ski shuttle, ready to be hidden in the weave.

This is what our Savior does for us. Jesus takes us as we are and makes us completely new. We each come marked with unusual prints, and wonder what can be made of us. Jesus is not patching and fixing things, leaving us in our original state. He is making something completely new. Our personality and individual features are still there, for our Grand Weaver finds a way to make them into something good. Perhaps he smiles at the thought.

May your unusual prints bring a smile to your Maker.

With you,
Karen

Choosing Rag Rug Fabric is Like Song Writing

Choosing fabric for a rag rug reminds me of song writing. I like to start with a pretty melody. Add some harmony. Write a good accompaniment to finish the song. Be sure to include a good balance of harmony and dissonance to make the music exciting. That’s a good description of my thought process for selecting fabric for a rag rug design.

  1. Start with a melody–a fabric in the color(s) that you want to use in your design.
  2. Add harmony–one other fabric that compliments the first one.
  3. Write the accompaniment–with the chosen pair of fabrics on the table (or in the shopping cart at the fabric store), lay other fabrics beside them, one at a time. Select compatible colors that enhance the “melody” and “harmony.” Eliminate fabrics that “sing a different tune;” but don’t be afraid of unusual combinations. Some dissonance can work in your favor to add interest and excitement to the mix.

Here are a few examples of fabric combinations I am playing around with as I plan my next double binding rag rug design.

Fabric combinations for rag rug planning. Simple tutorial.
Starting with the blue fabric at the top, I added the bold multi-color print as harmony. The black acts as contrast. The two remaining pieces could be used as accents.
Choosing fabric for double binding rag rug.
Bold multicolor print takes the melody line, and the red batik adds harmony. Two more selections bring out the yellow-green and the reds and oranges in the melody piece.
How to select fabrics for weaving rag rugs.
Dark print with green as the base color is complemented with the reddish brown. Other fabrics are included to add contrast and interest.
Process for choosing rag rug fabrics. Short tutorial.
Summer print is enhanced with the harmonizing light pink. Dark pink in small portions makes a good contrast. White serves as a unifying backdrop. Two more prints, used sparingly, could be added for interest.

You can view my double binding rag rugs on Etsy to examine some of the fabric choices I have made for previous rugs.

Classic Check; Autumn Clouds; Improvisation; Woodland Walk; Black and Red SquaresForest at Dawn; Opportunity in Disguise; Painting Sunsets.

May you find a good balance of harmony and dissonance.

With a song in my heart,
Karen