Stained Glass Scarf Surprise!

A pleasant surprise arrived in the mail this week—the November/December 2018 issue of Handwoven magazine. Guess what?! My Stained Glass Scarf made it to the front cover!

Stained Glass scarf warp - brilliant blue!
Four shades of blue are carefully arranged to make a brilliant blue 8/2 cotton warp.
Stained Glass scarf - on the cover of Handwoven Nov/Dec 2018.
Two scarves. I wove one to keep, and one to send to the Handwoven editorial team.
Stained Glass scarf/wrap in Handwoven Nov/Dec 2018
Swedish lace adapted from a draft by Else Regensteiner in The Art of Weaving. Her draft was for a tablecloth. I made it into a scarf/wrap instead.
Stained Glass scarf from Handwoven Nov/Dec 2018
Twisting the fringe. This cotton scarf/wrap calls for fringe that is a little bit chunky. I feel like I’m dressed and ready for fun when I wear it!
Handwoven Nov/Dec 2018 - Stained Glass scarf on the cover!
Credit: Cover Photograph by George Boe from Handwoven November/December 2018 magazine. Copyright © F+W Media 2018. Photograph of magazine by Eddie Fernandez.

May your day be filled with pleasant surprises.

Happy Weaving,
Karen

Final Batch of Butterflies

That last little bit of lizard toe? It’s long gone. This week I am making significant progress on the tapestry. My pace is picking up and the end is in view. What a joy ride this has been!

Last tip of a green lizard toe at the breast beam.
Last tip of a green lizard toe makes its way around the breast beam.
Coming to the end of this lizard tapestry!
End of the measure tape is in view.

I am closing in on the final ten centimeters. That means it’s time to evaluate the ten centimeters just passed. And to make a few more butterflies, enough to take me all the way to the end.

Four-shaft tapestry. Butterflies are prepared for each new section.
Butterflies are prepared in advance for each ten centimeters of weaving.

Forgiven people forgive. Think of forgiveness as the lavish supply of yarn that’s been given us through the name of Jesus. There is no shortage. And we make our butterflies from that supply. People fail us, disappoint, and even do damage. Being ready to forgive is like making butterflies in advance. Thankfully, our small wool butterflies are close at hand for us to weave grace in the moment it is needed.

May you have a lavish supply.

Love,
Karen

Weave Beyond Your Momentum

Do you remember that I said the background is less interesting to weave? I take that back! Blending these colors and forming the shapes is no less interesting than weaving the lizard. The green anole is the featured subject, filled with detail and many minute color changes. Weaving that lizard was a skill stretcher! But as I continue, I am weaving details of a different kind. The background is a log, not easily recognizable. It’s like looking at wood grain patterns through a magnifying glass. I’m hopeful everything in the final image will fit together when we see it from a distance.

Four-shaft tapestry. Shading and texture.
Color, shading, and texture work together to make the surface appear uneven. Some areas look as if they are raised, and others, especially the dark places, look like they are indented.
Detail of lizard tapestry.
After about three more warp advancements, the lizard and his green toes will be nowhere to be seen.
Four-shaft tapestry. Glimakra Ideal.
Little by little…
View of the tapestry in the direction it will hang.
Standing on a chair, I get a view of the tapestry in the direction it will hang. This is only one slice of the tapestry image, but it helps me imagine what the finished piece will be like.

Continue. I don’t want to lose momentum just because I finally made it through the hardest part. Keep going, being faithful to what you know to do. Faithful to what you know is true. Don’t be fooled by compelling, convincing, and subtle messages that divert from the truth. Continue walking by faith, trusting the outline, the cartoon, that the Grand Weaver prepared for us. It will all fit together when we see it from heaven’s eternity. That’s real hope.

May you keep your momentum.

In faith,
Karen

Tapestry at Full Snail Speed

I am determined to have this off the loom before it’s time to move again. I know exactly how many “weaving days” I have left in this apartment. Steve’s retirement is just around the corner. His last day at work will be our last day here. And I know exactly how many centimeters I have left to weave on this piece. We already moved the loom once in the middle of this tapestry. Once is enough! I intend to make significant weaving progress every single day.

Measure tape shows progress on the tapestry weaving.
My measure tape shows that I have woven 80 centimeters. I will cross the finish line when I reach 125 centimeters.

Now that the image of the lizard is finished all the way to his toes, no more pretty green, blue, or red butterflies. I am removing anything that clutters my focus. Full (snail) speed ahead!

Weaving a lizard in four-shaft tapestry.
Lizard’s foot tries to grip the breast beam. There is no longer a need for butterflies in the lizard’s colors. Only the background log remains.
Weaving four-shaft tapestry on a Glimakra Ideal loom.
All the green, blue, and red butterflies have been removed. A simple color palette remains–white, yellow, tan, gray, brown, and black.

Faith is that kind of determination. Faith is more than thinking you believe something or someone. It’s pouring yourself into pure-hearted focus to trust fully in God. Faith is being so convinced that Jesus is the answer that you will stop at nothing to reach him. Where there’s that kind of will, there’s a way.

May you reach your most-pressing goal.

Your speedy snail,
Karen

Last of the Lizard Toes

Every time I advance the warp, more of the lizard disappears. After I finish the tips of these toes, the rest of the weaving will be background—the log on which the green anole is perched. The lizard is more interesting to weave than the log. But without the background, the lizard itself would be incomplete. It’s all part of the journey. Every bit of the picture is needed to tell the full story.

Lizard tapestry. Only the tips of the toes are left.
More than half of the tapestry is complete. Most of the lizard image is under the breast beam out of view.
Lizard tapestry. Four-shaft tapestry on a Glimakra Ideal.
More of the lizard disappears every time I advance the warp.
Four-shaft tapestry Lizard. Glimakra Ideal.
Only the tips of the lizard’s toes remain. After this, it is all background.
Tapestry detail. Texture and shading.
Log detail. I am enjoying the many opportunities for color blending and shading in the background portion of the picture.

Journey. We are on a journey. We see the scenery changing as we move from one point to another in our seasons of life. There’s the main focus, plus the background. All of which tells our story. Knowing that we never see the whole tapestry while it’s on the loom, let’s ask God to watch over our journey. As a request, not a demand. And then, express gratitude with joy as we see that we’ve indeed been granted safe passage.

May your journey be joyful.

Happy weaving,
Karen