If you take pictures, does that make you a photographer? I enjoy taking pictures at the loom. Besides the creative challenge of finding a good shot, I like the aspect of letting a picture tell a story. The Warped for Good Etsy shop is another avenue to expand my photo skills. My goal is to take photos that showcase finished handwoven articles, while keeping the process as simple as possible. Typically, I take fifteen to twenty pictures of an item, and then choose the best five shots to upload on Etsy. When I have new items to add to Etsy, I do a photo marathon on a good sunshiny day.
Single towel photo from photo marathon.
TOOLS:
iPhone 5
– I take all my photos with my phone. I know that is crazy! I never use my husband’s fancy digital SLR camera. My phone is always in my pocket, and there is nothing for me to figure out.
Tripod
– I do not actually attach the camera (iPhone) to the tripod. By leaning my hand on the tripod, I can get a steady shot; and I change the angle or height simply by moving my hand.
Natural light
– Colors are not true if I use any artificial lighting. Colors will vary on computer monitors and mobile screens, but natural light gives the best chance of capturing the colors as I see them.
Sunshine, not cloudy
– With the iPhone camera, I find it impossible to get true colors if the sky is overcast. Sometimes an overcast sky in the afternoon still seems bright, not dark. Even so, I find the colors are distorted. If the conditions are not favorable, it is worth waiting.
Long roll of white paper
– A white background appeals to me. I think it conveys simplicity and elegance.
Four walking weights
– There is no end to the usefulness of two-pound walking weights. These soft weights are perfect for holding the roll of paper out to size, without creasing. (You’ll find me using walking weights for just about everything …except walking.)
White poster board
– Sometimes a white poster board or two is needed to provide background for a shot from a lower angle.
Simple set up for photo shoot. Testing lighting with first shot.First few practice shots show me what adjustments to make with lighting, focus, and white paper and poster board background arrangement.Three of a kind. I like to photograph complimentary pieces together.
I keep wondering about the weft that I forgot to purchase for this blanket. The heddles are threaded and the reed is sleyed; everything is ready…except the weft. As it turns out, I am gladI Forgot the Weft, because now I can try different options on the actual warp before committing to one single color.
Ends are grouped into bundles of 32 threads each at the back beam. Pre-counting into groups helps prevent threading errors. Each heddle holds two threads. As a group of ends are threaded, I re-check the threading, and then tie the bundle into a slip knot.Two sets of lease sticks, secured at the back beam, keep the two double weave layers separate and in order. The reed is cradled in place horizontally in front of the shafts for easy sleying, four ends per dent.
I am testing eight of the eleven warp colors, plus one more that I had in my stash. Nine colors. Think of it as nine questions. This one? This one? This one?… I am looking for weft that compliments the warp all the way across, showing off the warp gradation that spans both layers of the double weave. When the weft is woven in, rather than just held up for comparison, I find the answer unfolding before my eyes.
Barely an inch of each color, but it is enough for a favorite to stand out for me.
Questions are good. Be ready to ask genuine questions about life. Genuine, like weaving the threads, rather than simply laying threads on the surface for consideration. The Lord specifically answers a seeking heart. In this journey of discovery, the answers unfold. Those looking for truth will find it.
Which weft color would you choose (last picture, options 1 – 9, left to right)? The weft is doubled, so you can choose one color, or two colors combined. (I will reveal my choice later. The yarn arrived today!) Leave your answer in the comments.
This is my first double width attempt, and it makes me nervous. Dressing the loom feels intimidating when you are trying something new. Each layer has its own warp chains and its own set of lease sticks. And eleven colors–will they end up in the correct order? My uncertainty makes me feel like a beginner again.
Colorful wool warp travels over the breast beam, under the foot beam, and over the crossbar of the warping trapeze while it is being beamed onto the warp beam. Each layer of the double weave warp has two bouts. Walking weights hang on the bouts to add resistance for beaming the warp with even tension. Afternoon sun plays along by creating changing designs on the hanging warp.
Stepping through uncertainty takes bravery, and a bit of “Oh well, it is what it is.” Even ordinary weaving is filled with uncertainty. You don’t know if you succeeded in dressing the loom properly until you start weaving. And you don’t totally see how your weaving looks until it comes off the loom. Even then, the fabric has more to reveal when it is wet finished. Weaving is not for cowards.
Beaming complete for wool double-width blanket. This view causes me to respect the process that brings me to this point of accomplishment.
Doing the next thing with courage does make a difference. It is like that with prayer. When I face a new difficulty, I struggle to know what to pray. I feel like a beginner again. But I keep coming back to this comforting thought: God always listens to the heart as much as to the words. God does not look for a “leader” who prays, he looks for an ordinary person who has faith to hear and obey. This is the person whose prayers reach God’s ears.
I arranged, added, and swapped until I had eleven different colors to blend into a courageous wool warp. I had more fun pulling out skeins of yarn in Vävstuga’s shop than a kid in a candy store! The yarn is for a double weave blanket that has been on my mind for a few weeks. Yesterday, I finally had a chance to wind this wild warp! Dressing the loom is next!
Yellow will be the center color of the double weave wool blanket. The symmetrical way the warp is wound on this warping reel might fool you, though. These are only a few of the eleven colors that will be blended across the warp.Second bout wound on the reel. I check and double-check my written notes to make sure I get the correct color order and numbers of ends.
Away from home, I can only think about weaving on my looms. As much as I enjoyed the experiences of Vävstuga (Vävstuga Autum, Vävstuga Autumn II) and New Mexico (Pointers for Exploring New Mexico Fiber Arts Trails), I have been eager to put my hands to the tasks of weaving here in my own little studio. Winding the warp, feeling and smelling the soft Tuna wool, getting over-excited about the blending colors on the warping reel, handling the fat warp chains… Ah, I am where I’m supposed to be!
One layer of colors for the double weave blanket.Basket holds what is left of the eleven skeins of Tuna wool. These two warp chains will be the other layer of the double weave blanket.
Come home. Do you ever hear that? …as if you have been away too long? The nudge is to return to your faith roots. Enjoy the refreshing that comes in the presence of the Lord. It’s good to be where you know you belong.
Do you know that New Mexico has a guide to rural fiber arts destinations across the state? Last week, Steve and I dusted off the New Mexico Fiber Arts Trails, driving 1,100 miles through mountainous deserts and lush Rio Grande River valleys. We reveled in views of God’s creation, like cottonwood trees in brilliant yellow, and the Sandia mountains turning purple and watermelon pink in the setting sun. We visited interesting studios and shops all along the way, and encountered weavers who are true artisans.
Cottonwood trees at their golden peak along the Rio Grande River.
Four Pointers for Your New Mexico Fiber Arts Trails Adventure:
1. Call ahead. Some of the stops are one-person studios, attached to a residence. Some places have changed their hours or days of the week that they are open. We drove two hours one day to visit a special shop, only to find a note on the door that said they were closed that day of the week. 2. Ask good questions. I like to ask a weaver a question that only another weaver would ask. Instead of introducing myself as a fellow handweaver, I like to let them figure it out by the questions I ask. 3. Wear something handwoven. My handwoven cap opened the door to conversation with other weavers. 4. Resist adding to your stash. I knew that I would have the opportunity to purchase beautiful yarn, but I decided in advance not to add to my stash. I gathered information instead; and now I have more resources to choose from when it is time to order yarn.
My Favorite Stops:
Albuquerque Sacramento Mountain Weavers (not listed on the Fiber Arts Trails), Kelly Stewart
Located in historic Old Town, this shop has a Glimåkra Standard loom (like mine). Among other things, Kelly has woven rag rugs from strips of soft leather.
Majestic mountains and colorful cottonwood trees set the scene for exploration along the New Mexico Fiber Arts Trails.
Edgewood Robin Pascal Fiber Artist
Robin’s studio is nestled in a scenic hillside covered with trees and wildlife. Her handspun yarn proved irresistible to me. This is where I broke my own rule of not adding to my stash.
Too pretty to pass up, I came home with some of Robin Pascal’s beautiful handspun wool/silk, and a little skein of her hand painted cotton flake yarn.
Arroyo Seco (just north of Taos) Weaving Southwest, Teresa Loveless
Amazing tapestry weavings on display! Teresa is the granddaughter of acclaimed tapestry weaver and author, Rachel Brown. Teresa carries her grandmother’s legacy by teaching tapestry techniques to interested students. There are Rio Grande walking looms in the teaching studio, where you do all the weaving standing up, not sitting. Who knows? You may see me taking a class from Teresa. Her passion for tapestry weaving is contagious.
Enjoying the cool air in Arroyo Seco, Steve and I stand outside one of our favorite stops on this adventure.
Ranchos de Taos Old Martina’s Hall Restaurant, Tapestry Exhibit (not listed on the Fiber Arts Trails) Art Through The Loom Weaving Guild Show, August 20th through February 28th, 2015
This outstanding tapestry exhibit is not to be missed if you are anywhere near the vicinity! Downstairs and upstairs, every room in this restored, old dance hall is adorned with exquisite pieces of traditional and contemporary woven tapestries by nineteen different artists.
Serene historic chapel, San Francisco de Asis, is across the street from the renovated old dance hall, Old Martina’s Hall. We enjoyed an impressive tapestry exhibit at Old Martina’s Hall.
Chimayó Trujillo’s Weaving Shop (not listed on the Fiber Arts Trails), Carlos Trujillo
The first thing we saw when we entered the shop was a huge, rustic Rio Grande walking loom. Carlos was at the loom, weaving. He clearly loves designing at the loom, using unique color combinations in traditional designs. His grandfather built this impressive loom. Two women in an adjacent room filled with looms allowed me to watch over their shoulders as they wove traditional Chimayó patterns. One of the women showed me the small, narrow loom they now use for weaving coasters, and told me, “This was the loom Carlos learned to weave on when he was a little boy. As he grew, blocks were added to raise the loom to fit him.”
Chimayó weaving, a skilled craft, is passed on from one generation to the next.
Chimayó Centinela Traditional Arts, Irvin Trujillo
Irvin allowed me to watch and ask questions as he wove in the massive weaving room in the far end of the shop. It was inspiring to watch this master weaver at work. I found Irvin to be unpretentious, even though his expertise is astounding. You should see his intricate tapestries that hang in the showroom of the shop! Weaving is second nature to Irvin, who has been creating with wool on a loom since he was a young boy.
Rio Grande River in New Mexico is the subject of many woven tapestries. Artisans often find creative ways to interpret this beauty.
Magdalena Cat Brysch Creations Studio
Cat’s nine looms are clothed in colors that describe the terrain and sky of this beautiful mountainous desert. She took the time to explain each loom’s fabric to me, as I marveled at her skill of blending colors in the warp.
Surrounded by mountains, the little sleepy town of Magdalena is home of an active weaving studio. The scenic views that Cat enjoys every day influence her selection of colors and textures in her weaving.
Pie Town
If you go as far as Magdalena, you might as well go another 56 miles to Pie-o-neer in Pie Town, New Mexico. The green chile stew is fantastic, but if I had known how good the hot-from-the-oven double cherry (tart and sweet) pie would be, I would have skipped the stew and ordered two slices of pie! Steve said the same about his slice of warmed peach pie. It was a great way to end our Fiber Arts Trails adventure.
Nothing like a really good slice of homemade pie!Scenic desert after dessert.
