Little things add up, especially when they continue day after day. Nearing completion, the tapestry diary I started on January 1st only has a few days, and not a lot of warp, left. The things we do consistently, little by little, make the biggest difference overall. (You can see the start of this tapestry in Tapestry Diary: Day One.)
Small tapestry is an accumulation of little rectangular sections woven day by day. Photo credit Steve Isenhower
Tapestry diary means I weave a small section every day. It has become my habit to sit down with my loom and my little selection of yarn in the evening, after supper is cleaned up. This is becoming a treasured wind-down time for me, something I look forward to. And when I finish my little section, Steve says, “Let me see what you added today.” Ah, sweet encouragement becomes motivation.
You and I have the amazing ability to impact other people for the better. It’s the little by little that makes the biggest difference. Your friends need you. Your prayer and touch may be what they need to soar in life. We need each other. What a wonderful world we live in, where our Creator designed us to thrive through the kindness of others. Imagine the tapestry He is creating with our little caring efforts.
May you weave a tapestry of kindness.
If you have woven, or are weaving, a tapestry diary, I’d love to hear about it!
Do you know that New Mexico has a guide to rural fiber arts destinations across the state? Last week, Steve and I dusted off the New Mexico Fiber Arts Trails, driving 1,100 miles through mountainous deserts and lush Rio Grande River valleys. We reveled in views of God’s creation, like cottonwood trees in brilliant yellow, and the Sandia mountains turning purple and watermelon pink in the setting sun. We visited interesting studios and shops all along the way, and encountered weavers who are true artisans.
Cottonwood trees at their golden peak along the Rio Grande River.
Four Pointers for Your New Mexico Fiber Arts Trails Adventure:
1. Call ahead. Some of the stops are one-person studios, attached to a residence. Some places have changed their hours or days of the week that they are open. We drove two hours one day to visit a special shop, only to find a note on the door that said they were closed that day of the week. 2. Ask good questions. I like to ask a weaver a question that only another weaver would ask. Instead of introducing myself as a fellow handweaver, I like to let them figure it out by the questions I ask. 3. Wear something handwoven. My handwoven cap opened the door to conversation with other weavers. 4. Resist adding to your stash. I knew that I would have the opportunity to purchase beautiful yarn, but I decided in advance not to add to my stash. I gathered information instead; and now I have more resources to choose from when it is time to order yarn.
My Favorite Stops:
Albuquerque Sacramento Mountain Weavers (not listed on the Fiber Arts Trails), Kelly Stewart
Located in historic Old Town, this shop has a Glimåkra Standard loom (like mine). Among other things, Kelly has woven rag rugs from strips of soft leather.
Majestic mountains and colorful cottonwood trees set the scene for exploration along the New Mexico Fiber Arts Trails.
Edgewood Robin Pascal Fiber Artist
Robin’s studio is nestled in a scenic hillside covered with trees and wildlife. Her handspun yarn proved irresistible to me. This is where I broke my own rule of not adding to my stash.
Too pretty to pass up, I came home with some of Robin Pascal’s beautiful handspun wool/silk, and a little skein of her hand painted cotton flake yarn.
Arroyo Seco (just north of Taos) Weaving Southwest, Teresa Loveless
Amazing tapestry weavings on display! Teresa is the granddaughter of acclaimed tapestry weaver and author, Rachel Brown. Teresa carries her grandmother’s legacy by teaching tapestry techniques to interested students. There are Rio Grande walking looms in the teaching studio, where you do all the weaving standing up, not sitting. Who knows? You may see me taking a class from Teresa. Her passion for tapestry weaving is contagious.
Enjoying the cool air in Arroyo Seco, Steve and I stand outside one of our favorite stops on this adventure.
Ranchos de Taos Old Martina’s Hall Restaurant, Tapestry Exhibit (not listed on the Fiber Arts Trails) Art Through The Loom Weaving Guild Show, August 20th through February 28th, 2015
This outstanding tapestry exhibit is not to be missed if you are anywhere near the vicinity! Downstairs and upstairs, every room in this restored, old dance hall is adorned with exquisite pieces of traditional and contemporary woven tapestries by nineteen different artists.
Serene historic chapel, San Francisco de Asis, is across the street from the renovated old dance hall, Old Martina’s Hall. We enjoyed an impressive tapestry exhibit at Old Martina’s Hall.
Chimayó Trujillo’s Weaving Shop (not listed on the Fiber Arts Trails), Carlos Trujillo
The first thing we saw when we entered the shop was a huge, rustic Rio Grande walking loom. Carlos was at the loom, weaving. He clearly loves designing at the loom, using unique color combinations in traditional designs. His grandfather built this impressive loom. Two women in an adjacent room filled with looms allowed me to watch over their shoulders as they wove traditional Chimayó patterns. One of the women showed me the small, narrow loom they now use for weaving coasters, and told me, “This was the loom Carlos learned to weave on when he was a little boy. As he grew, blocks were added to raise the loom to fit him.”
Chimayó weaving, a skilled craft, is passed on from one generation to the next.
Chimayó Centinela Traditional Arts, Irvin Trujillo
Irvin allowed me to watch and ask questions as he wove in the massive weaving room in the far end of the shop. It was inspiring to watch this master weaver at work. I found Irvin to be unpretentious, even though his expertise is astounding. You should see his intricate tapestries that hang in the showroom of the shop! Weaving is second nature to Irvin, who has been creating with wool on a loom since he was a young boy.
Rio Grande River in New Mexico is the subject of many woven tapestries. Artisans often find creative ways to interpret this beauty.
Magdalena Cat Brysch Creations Studio
Cat’s nine looms are clothed in colors that describe the terrain and sky of this beautiful mountainous desert. She took the time to explain each loom’s fabric to me, as I marveled at her skill of blending colors in the warp.
Surrounded by mountains, the little sleepy town of Magdalena is home of an active weaving studio. The scenic views that Cat enjoys every day influence her selection of colors and textures in her weaving.
Pie Town
If you go as far as Magdalena, you might as well go another 56 miles to Pie-o-neer in Pie Town, New Mexico. The green chile stew is fantastic, but if I had known how good the hot-from-the-oven double cherry (tart and sweet) pie would be, I would have skipped the stew and ordered two slices of pie! Steve said the same about his slice of warmed peach pie. It was a great way to end our Fiber Arts Trails adventure.
Nothing like a really good slice of homemade pie!Scenic desert after dessert.
I am ridiculously in favor of color. Bright or pastel, rich or muted, vibrant or subtle. Just give me hue, value, and intensity to work with and I’ll be happy. I dutifully wove the first four towels in nice neutrals (see one of them in this post, Goose Eyes); now, let’s see what otherweft colors can do on the remainder of this ten-meter / eleven-yard warp. Look around in nature to see outrageous color combos, some of which would never pass standard color theory practices.
Afternoon sunlight plays with the unwoven warp, while wide green-blue blocks of color and narrow royal blue stripes bring the brown and golden warp to life.
I cannot imagine a universe without color. What would we miss, for example, if everything were in gray scale? Our world began in color. That thought gives us a marvelous glimpse into the outlandish creativity of our maker. Who knows, he may be holding back a whole realm of undiscovered color that we won’t see outside of heaven.
God meets us with an open hand, giving us a feast. Yes, a feast for the eyes, to be sure, yet more than that. He gives what is needed from an open hand at the right time, satisfying true desires. The gift of color is merely a fragment of our creator’s vast generosity spilled out on creation.
You might think this looks like a mess. Maybe there is a vague sense of pattern and color, but doesn’t it look like the assortment of rya knots are in a random arrangement? Guess again. Let me give you another view.
Each colored wool strand is knotted by hand around doubled warpends. Mora wool is doubled on the quill in the shuttle for the background weft, woven in a rosepath pattern.
Change the perspective of the camera, and you will see the simple, but distinct, pattern and order that is woven into this design.
A simple stripe arrangement enhances the layered look of rya knots. The row of reds and violets is repeated to give prominence to that color family.
We think we are able to know all there is to know, but that’s just not true. We see from a human perspective. Is it possible that there is more than science, education, and philosophy can explain? God is greater than we think. His view of his creation is from a higher angle. He knows what he made and how he designed things to operate. We study and discover how it all works, but we didn’t make it. Our grand weaver is great. No one knows how great he is. But when things look like a pretty mess, we can trust he has a plan that will weave the assorted threads into a beautiful work of art.
May you see beauty even when things seem to be a mess.
In a pretty mess with wedding plans (only two weeks to go!), Karen
Five towels down, three to go. Or maybe only two to go. Because of my initial threading error, I had to start over. Now, I am not positive if there is enough warp left for three more towels. (Remember the threading error? I wrote about it HERE.) Mistakes cost us. If the warp runs short before the weaving is done, I will have to blame it on my own mistake.
Thin black lines separate rows of color to give this cotton towel a stained glass effect. The thin red line will be the cutting line between towels.
Errors have consequences. Even when the mistake can be fixed, we regret the mistake. “I should’ve-would’ve-could’ve” kind of thinking. The good thing about weaving is, you can usually fix your way out of a mistake. And I can make something out of a smaller woven piece at the end. When someone you love makes a mistake, surely you offer kind help and patient assistance to lead them to a workable solution.
What if you were on the receiving end of that kind of loving attention? Good news. You are on the receiving end of kindness and patience. You do have someone treating you like that. Our creator is rich in kindness and patience toward us, even when we keep making mistakes. Even when we think we may have wasted too much of the warp, he lets us start again and get the best out of what remains.
May seeds of kindness and patience be planted into your life.
