Every Color Imaginable

Can you imagine weaving in a place where you have access to fully-stocked shelves of colors and fibers? Or, imagine someone with excellent color sense setting up a warp-faced project for you to weave, giving you the freedom to simply focus on pattern. This is what it was like at Vävstuga Weaving School for More Swedish Classics.

Pick-up Band woven on floor loom at Vavstuga
Set up on a four-shaft loom, band weaving with pick-up is simplified (or complicated, depending on how you see it). Five treadles are used to raise and lower threads. A pick-up stick is used to lift pattern threads, and a band shuttle stick is used to beat in the weft. Being a warp-faced weave, all the color is in the warp, and the weft is mostly hidden.
Rep weave on the loom at Vavstuga
Becky’s Rep Weave in Four Blocks on Eight Shafts. I took this opportunity to experiment with patterns. You might call this “playing with blocks.” Again, being a warp-faced weave, the color is pre-determined by the arrangement of the warp ends. The thin 16/2 cotton weft alternates with a thick weft of mini string yarn, giving the characteristic ribbed surface.

Worry happens when I don’t think I have what it takes to do the job, or when I think I won’t have enough of what I need. When Becky Ashenden prepares the warp, I certainly have no worries about choosing colors. And, with an abundant supply of 16/1 linen, I can combine three shades to produce a gorgeous, rich red, with no fear that the color supply will run out before I finish.

Beautiful Smålandsväv in linen on the loom at Vavstuga!
Deep red, burgundy, and coral 16/1 linen are wound together for the pattern weft in Smålandsväv. The warp is 16/2 line linen. This is the project in “More Swedish Classics” that gave me the most pleasure AND the most angst. …but that’s a story for another day.

We have a Father in heaven who knows all the things we need. All he asks is that we get to know him so we can learn to do things his way. It is much like weaving within the guidelines of the studio where we’ve been given the privilege to weave. Is that too much to ask? For his part, then, he sees to it that we have everything we need, giving us access, through his Son, to his great supply closet.

May your needs be amply supplied.

In case you missed, here is what I posted last week while I was at Vävstuga in beautiful New England: Vävstuga Autumn and Vävstuga Autumn II

Once again, Becky graciously allowed me to sit down with her to ask a few key questions. I am excited to share that conversation with you soon! Stay tuned… (Remember last year?)

Love,
Karen

Vävstuga Autumn II

Five days of weaving, learning many new things. It’s a wonderland of sights and sounds, colors, textures, fabric, looms, tools. The people I get to enjoy this with are as much a treasure as the skills I develop. Becky Ashenden’s cheerful teaching style makes the experience fun, and she stretches us to our limits so that we leave knowing more than when we came.

Here is a small sampling of my week. I’ll show you more after I get home.

Autumn at Vavstuga, view from student quarters

 

Swedish curtains on the loom at Vavstuga

 

Rep rug on the loom at Vavstuga

 

Weaving 3-Shaft Ticking at Vavstuga. On the porch.

 

Jämtlands Drall (Crackle in the US) at Vavstuga, 133cm wide.

 

Autumn in Shelburne Falls, MA, Bridge of Flowers at dawn

May your stretching be enjoyable.

Vävglädje (Happy Weaving),
Karen

Vävstuga Autumn

It is the little things that make the biggest difference. The how-to’s and simple solutions. And it’s the big things that make a difference, too. New skills and new friends.

I am having a delightful time at Vävstuga Weaving School this week, learning and practicing. It’s a bonus that I get to be here in Shelburne Falls, Massachusetts at such a beautiful time of year.

Vavstuga Weaving School, next to the Bridge of Flowers in Shelburne Falls, MA

 

Autumn in Shelburne Falls, MA, Bridge of Flowers

 

Projects laid out for a preview at Vavstuga's More Swedish Classics

 

Becky Ashenden Demonstrating at the Loom

 

Bridge of Flowers in Shelburne, MA. Autumn glory.

May you witness beauty all around you.

Vävglädje (Happy Weaving),
Karen

Quiet Friday: Unroll the Cloth Beam

If you are a weaver, you know this thrill. I weave the very last pick, and then I hold my breath as the finished cloth is unrolled from the cloth beam. All ten meters / eleven yards of it! I don’t usually have an audience for the unrolling, but this time I want to share the experience with you, my friends.

If you stay to the end, you will see the cap I made from the sample pieces at the beginning and end of the warp.

And, one more thing, I added a little 3 1/2-minute time-lapse video at the very end. I hope it makes you smile.

Just finished weaving 10 meter warp.
Final pick in place.
Release warp tension before cutting off the warp.
Release ratchets on cloth and warp beams to loosen warp tension.
Cutting off the finished cloth.
Get out the big Gingher shears and start cutting.
Cutting the fabric from the loom.
First good view of the last towel on the warp. The last shall be first…
Unrolling the towels...
The Nine Color Towel.
Unrolling more towels...
Keep unrolling.
More towels...
Still more to come..
Red striped towel coming off the loom.
Each one is different.
Now for the brown towels...
Seeing brown now, so we know we are getting near the end/beginning.
Now we see the beginning of the warp!
Finally, we made it to the tie-on bar!
Slats on the floor after unrolling the cloth beam.
I love the final sound–warping slats falling to the floor as the last round of cloth is pulled from the cloth beam.
Empty cloth beam. Love it!
There it is. Now I want to get something else on the loom so I can do this all over again!
Goose eye towels just off the loom. Karen Isenhower
Ta da!

Cap made from handwoven pieces of goose eye twill.

 

And now I invite you to join me as I weave the Nine Color Towel. Remember that this is time lapse–I really do not weave this fast.

May you be filled with joy.

Very Happy Weaving,
Karen

This Rug Paints a Picture

Pretend this rug is a painting. Can you guess what the picture is? I have an image in my mind as I weave this rag rug. Sunset over land and sea. I saw a beautiful sunset last night that used these very colors! It was spectacular! And when the sun is setting in one place, it is seen rising somewhere else. (Do you remember when I wove another rag rug similar to this one? You can see it HERE.)

Weaving sunsets into a rag rug on the loom.
Moving the temple out of the way gives full view of the rug in progress. Blocks of color in this double binding weave hint at quilt blocks.

We count on the sun rising and setting every day. So, why do we worry? We tell ourselves there is not enough time, the day is too short. We can’t seem to make ends meet (did a weaver make up that phrase?). The one who positioned the sun knows how time works. And, surely, our Maker knows how to make our ends meet.

Most people worry. But you do not have to worry. Your heavenly Father knows precisely what you need. He is glad to provide for you from his kingdom resources. When I weave an imagined sunset into a handcrafted rug, it is a simple replica. When we see the actual display of sunset colors in the sky, let it be a reminder to put our trust in the One who is weaving our story.

May your ends meet.

Happy weaving,
Karen