Tag: beauty

Zebra Warp

Karen

I changed my mind. A long zebra warp (formerly known as black and white) will not be boring. When I come to the end I’m certain I will wish I had an even longer warp. The first few picks are already amazing. Design possibilities are flying through my mind!

Zebra warp on Glimakra Ideal loom.
Zebra warp has taken over my Glimåkra Ideal loom. There are 10 1/2 meters (11 1/2 yards) of thick and thin threads.

This is plain weave. But here, the plain weave is transformed with thick and thin threads–in warp and weft. Combining thick (doubled 22/2 cottolin) and thin (30/2 cotton) gives me two blocks to work with. I am using two shuttles, one of which is a double bobbin shuttle. As always, weaving feels like magic. All I do is dress the loom and throw the shuttles, and exquisite cloth magically appears!

Black and white towels on the loom.
First few picks reveal interesting design options. Leveling string across the beginning of the warp eliminates the need to weave scrap yarn to spread the warp.
Black and white towels on the loom. Karen Isenhower
First towel has a border design–one element that sets a handwoven towel apart.

God’s faithfulness is like a long zebra warp. It doesn’t seem elaborate or noticeably fancy. It’s been there forever. His faithfulness is known among the angels and all of heaven. God’s faithful love is as constant as day and night. We take notice when we see beauty appear, like kindness from a stranger, or love from a friend, or inner peace from doing the right thing. As the shuttles of life traverse the threads, the evidence of God’s faithful love is revealed. Always and forever.

May you enjoy endless design possibilities.

Happy weaving,
Karen

Plain Weave in a Fancy Mess

Karen

Plain weave has never been this interesting! I am painting and stamping the warp on the loom. Imagine applying colors onto the warp between the shafts and the beater! Weaving on the printed warp produces lovely subdued woven images. And, I had forgotten how fast two treadles and one shuttle can be. After having slowly woven many rag rugs, plain weave feels like a speedboat ride now.

Stamped warp between shafts and beater.
Stamped warp between shafts and the beater, waiting to dry.

The only problem is, I don’t like the mess. Paint is messy, and I am not fond of getting my hands dirty. Yes, I wear gloves when painting, but there’s the sink, the carpet, and the loom to think about, too. No, I don’t like the mess.

Painting and stamping warp on the loom.
Tarps and drop cloths cover the carpet and some of the loom in case of paint spills. Paper towels stand ready for emergencies.
Stamped warp being woven.
When dry, the printed area comes through the beater as the warp is advanced.
Weaving a warp that is painted on the loom.
Stamped shapes become subdued as the weft goes across.

Have you ever been in a mess in life? I have. Others see the pretty fabric you produce, but never see the mess behind the scenes. Appeal to the one who can help. There is one who sees the mess, but loves us anyway. When we appeal to God as Shepherd, we acknowledge our need, and that we want him to lead us–even through the mess. Then, the fabric that is produced has beauty that is truly woven in.

May you enjoy creating beauty, despite the mess.

In process,
Karen

Quiet Friday: Five Rosepath Rag Rugs

Karen

My mother taught me to notice and enjoy beauty. I think that is why I find so much enjoyment at the weaving loom. The interplay of colors and materials never ceases to amaze me. I am often delighted as I see the woven material forming under my shuttle, feeling more like an observer than a performer. So, it was with great pleasure that I got to show my mom my weaving looms when she came to Texas for Melody’s wedding. I put this rug warp on the loom with that special visit in mind. Thanks for everything, Mom!

Rosepath rag rugs just off the loom. Karen Isenhower
Seeing the underneath side of the rugs first, just after the rugs are cut from the loom.
Winding rug warp on warping reel.
First step is winding the warp on the warping reel. 219 warp ends in two similar shades of grey, 8.5 yards / 7.75 meters long.
Weaving narrow strips for rag rug hem.
After weaving some waste fabric strips, I weave the hem, using 1/4 inch- / 1/2 cm- wide strips. I mark the green ribbon to show the weaving length of the hem, and the overall length of the rug. I also mark the midway point on the ribbon.
Rosepath rag rug on the loom. 1 of 5. ki
This is the rug my mother got to see on the loom. She liked it!
Rosepath rag rug on the loom. 2 of 5. ki
Turquoise paisley fabric pairs with a solid blue to outline the brown rosepath design.
Rosepath rag rug on the loom. 3 of 5. ki
Three ski shuttles create gradient color changes in the blue and teal (out of view) background, while maintaining the white rosepath pattern. It was a little insane to manage three ski shuttles! But I have to admit I enjoyed it.
Rosepath rag rug on the loom. 4 of 5. ki
This is my version of Radiant Orchid, the Pantone Color of the Year 2014.
Rosepath rag rug on the loom. 5 of 5. Karen Isenhower
Two-toned rosepath, with dotted outlines. Subtle turquoise waves almost hide in the dark earth tones at each end of the rug.
End of the rag rug warp. Too close for comfort.
This is not how to plan a rug. The end of the warp is right behind the shafts. Or, maybe this shows how well I planned the warp, right down to the very last inch…
Five New Rosepath Rugs. Karen Isenhower
Not yet cut apart, ready for finishing the ends and hemming.

May you make fond memories with those you love.

(While I’m busy hemming these rugs, please visit my Etsy Shop to see more rosepath rag rugs.)

Happy Weaving,
Karen

Creative Expression at its Best

Karen

Many variables are possible on this rosepath threading, but I find creative freedom by imposing certain limitations for the design of the rag rugs. The overall design concept gives me direction for arranging colors and setting a treadling pattern for each rug.

Rosepath rag rug on the loom. Karen Isenhower
Overall rosepath is featured on this rag rug, appearing as a diagonal white grid on the top side, with subtle color changes in the background weft. Previous rug is seen wrapping around the cloth beam below.

How many times have I gone off track, only to realize that I didn’t really get on a track in the first place? When I start without clear intentions, I set myself up for inconsistent results (HERE is one example). This is true for weaving rugs and for dealing with people. If I determine to live by a standard of kindness, those clear intentions will shape how I speak and act.

We can protect relationships with kindness, which is at the heart of love. The greatest enemies to love are biting words, a sharp wit at someone else’s expense, and shading of the truth. Who wants to be on the receiving end of that? Self-imposed limitations on our words open up creative expressions of kindness. The beauty that is formed by these sincere expressions is a beauty that stands out, being different from the norm; and it’s a beauty that endures.

May you experience someone else’s kindness today.

Come check out my new Etsy! Just click on the Etsy Shop page above. Let me know what you think.

With you,
Karen

 

Are You in a Pretty Mess?

Karen

You might think this looks like a mess. Maybe there is a vague sense of pattern and color, but doesn’t it look like the assortment of rya knots are in a random arrangement? Guess again. Let me give you another view.

Rya knots, an assortment of colors in wool yarn.
Each colored wool strand is knotted by hand around doubled warp ends. Mora wool is doubled on the quill in the shuttle for the background weft, woven in a rosepath pattern.

Change the perspective of the camera, and you will see the simple, but distinct, pattern and order that is woven into this design.

Layered rya knots on the Glimakra Standard loom.
A simple stripe arrangement enhances the layered look of rya knots. The row of reds and violets is repeated to give prominence to that color family.

We think we are able to know all there is to know, but that’s just not true. We see from a human perspective. Is it possible that there is more than science, education, and philosophy can explain? God is greater than we think. His view of his creation is from a higher angle. He knows what he made and how he designed things to operate. We study and discover how it all works, but we didn’t make it. Our grand weaver is great. No one knows how great he is. But when things look like a pretty mess, we can trust he has a plan that will weave the assorted threads into a beautiful work of art.

May you see beauty even when things seem to be a mess.

In a pretty mess with wedding plans (only two weeks to go!),
Karen