Odds and Ends Rag Rug

What can you do with odds and ends? Plenty. I do use new cotton fabric for my rag rugs. But I refrain from buying new fabric until I absolutely have to. It’s a good challenge to combine available colors from previous rag rug projects to make a new design. There are two piles of color for this double binding rag rug. The blue pile and the brown/black pile. The color blocks switch places in the rug about every seventeen centimeters, with a three-pick white chain pattern in between.

Double binding rag rug. Red warp shows up as little red spots.
Collection of blue fabric, and a collection of brown and black fabric form the basis of this double binding rag rug.

I enjoy combining multiple shades of a color, such as the blue in this rug, to add character. Every odd fabric strip finds a place to belong. It ends up looking cozy and friendly. All the mismatched pieces somehow fit together.

Double binding rag rug.
Chain motif draws a line where the colors switch. Three picks form the chain. Print, white, print (the center section shows the reverse.)

We belong to somebody. We belong to the one who made us–the Creator of everything. He weaves the fabric strips together to make his beautiful design. Scraps become useful, and colors are mixed and rearranged in interesting ways. Together, the woven mixture has a purpose. A rag rug, made from odds and ends like us, puts the creativity of our Maker on display.

May you know where you belong.

Love,
Karen

What Rag Rugs Should Be

My goal for every rag rug I weave is to make a pleasant footpath that lasts through many, many seasons of wear. What makes an exceptional rag rug? Quality of workmanship and design. Tightly-packed weft, snug selvedges, and high quality materials produce a strong rug. And, great design includes an interplay of weave structure, color, detail elements, and functionality.

Tightly-packed weft in a double binding rag rug.
Tightly-packed weft in a double binding rag rug gives no hint of the opposite colors that show on the reverse side.
Double binding rag rug on the loom.
Double binding uses a two-block threading that determines where color changes can occur in the weft pattern.
Double binding rag rug being woven with two ski shuttles.
Two ski shuttles are used for weaving the two layers of a double binding rag rug. Consistent tight selvedges contribute to a long-lasting rug.

Strength is like a quality handcrafted rug that handles daily foot traffic. And joy is like the artist’s design, the colorful pattern, that is woven into the rug. Strength and joy go hand in hand. We see this in creation. And in our Creator, who gives of himself to those who come near. Be refreshed with strength and joy.

May you be refreshed.

With you,
Karen

Ability Is Not Enough

I love a challenging project! It is marvelous to have something on the loom that takes effort, concentration, and problem-solving skills (as long as there aren’t too many problems to solve). This inlay rag rug project includes all of the above, and it’s on the big loom–my favorite. This is handweaving at its best!

Rya rag rug on the loom. Karen Isenhower
Rya knots slow the weaving process. Fabric strips are cut to a specific length and the cut pieces are hand-tied around pairs of warp ends.

I am constantly evaluating the pattern, and making needed adjustments with color in the background and with the rya, and spacing the rya knots. Is this working? Or not? Take out a few rows, try putting something different in, step back for a better overall view. Moving and thinking, and beating it in hard, like it should be for a rug. The momentum of the hanging beater makes the hard work easy. And fun.

Rug rug with rya knots on the loom.
Weft is firmly beaten in. The momentum of the hanging beater provides the strength I need to be able to tightly pack in the weft.

Ability by itself is not enough. Wisdom works with ability to produce craftsmanship of highest quality. Our Creator gives us insight that enhances our natural talents and learned skills. When wisdom partners with ability, creativity flourishes. And what a joy it is to be in the middle of that process.

May you excel in joyful creativity.

Very happy weaving,
Karen

These Sensational Towels!

What can compare to the thrill of unrolling freshly-woven cloth? Pulling, and pulling, and pulling until you get to the very beginning of the warp. As every towel unwinds, I do a micro evaluation, knowing that complete scrutiny comes later. I could not be happier with these towels! They are every bit as sensational off the loom as they were to weave. What a joy to be a weaver!

Towels galore just coming off the loom!
Back to the beginning! Cottolin thick and thin handtowels are coming off the loom.

It wasn’t that long ago that I was winding lopsided quills, dropping the shuttle more than occasionally, and struggling to understand weaving drafts. Desire and a willingness to learn have pushed me through these and other barriers.

Handwoven towels ready to be hemmed.
Ready for hemming.
Black and white and a little red. Handwoven towels.
Black and white and a little red, ready for hemming.
Photo shoot for new handwoven towels. Karen Isenhower
Getting set up for a photo shoot. Photos are used in Etsy listings.

Willingness is more important than capability. Being willing sets the stage for learning. We all start incapable. God doesn’t expect us to be capable. He does expect us to be willing. God weaves His purposes on earth, not through the capable people, but through the willing. In weaving, and in life overall, I want to embrace and preserve the willingness factor that keeps me learning.

Thick and thin structure is a handweaver's playground. Karen Isenhower
Thick and thin structure is a playground for a handweaver to imagine and develop designs. Cottolin handtowels and table runner. Designer kitchen, anyone?

And as we yield our will to our Creator, what joy is ours as we learn how to truly live!

May you never stop learning.

(You can see a few of these items now in the Warped for Good Etsy Shop.)

Happy Weaving,
Karen

Look Again

Black and white and a little red all over. Black and white just became classier. Thin red stripes appear to tunnel under long white ridges. Surely there is a designer kitchen for this towel. Right?

Black and white and a little red all over. Towels.
Fringe at the end of one cut weft thread peeks out, revealing the spot where weft threads overlap.

Since the slender red stripes are made with only two picks, I do not have to start and stop the color at the selvedge. The first pick goes all the way across, and the second pick has cut ends that are overlapped in the shed. If you are looking, you can see where the red threads overlap. If you are not looking, you would never notice it. And after the towels are washed, the join will be virtually invisible…unless you know where to look.

We find what we are looking for. If we want to see where a weaver spliced the weft, we study and examine the fabric as much as needed until we find that detail. When we look for signs of our Creator, we find that, too. His wonders are not hidden from us, they are hidden for us. What a delight when our search leads us to the Grand Weaver, Himself.

May your search lead to hidden treasures.

With you,
Karen