Short-Lived Weft Idea

Now is my chance. I’d like to try one more weft idea on this double weave warp. I ended the colorful throw, and have about fifty centimeters left for a lap blanket. After the red cutting line, I am testing some black cottolin weft. It isn’t in my original plan, nor in my sample, but I want to see how it looks.

Small test sample between double weave pieces.
Deep plum alternates with black weft in a small test sample. Pairs of red picks mark the cutting lines between pieces.

The black weft does brighten the warp colors. But that’s not the look I’m after. I would miss the mixed shades that occur as the warp stripe colors are repeated in the weft. So I am weaving the smaller piece with the same weft sequence as the larger throw. When I see the weft choices clearly, it’s not hard for me to decide which weft option to use.

Double weave throw wrapping around the cloth beam.
Following the fabric under the breast beam, behind the knee beam, and around the cloth beam. The four warp stripe colors are repeated in the weft, making slight variations of color in the squares.

Wisdom is a treasure. It comes from seeing things through heaven’s perspective. Beware of human ideas masquerading as wisdom, leading us in the wrong direction. The treasure of wisdom that is found in Christ leads to understanding. Looking through heaven’s wisdom, my choices become clear. And it’s not hard for me to decide to stay true to the Grand Weaver’s design.

May you walk in wisdom.

With you,
Karen

Ten Centimeters of Tapestry

Slow weaving is even slower when a full week goes by since you last touched the loom. If only I could sit here and do this every day, hours at a time. But other responsibilities…and other looms call for my attention.

Four-shaft tapestry in progress on the loom.
First ten centimeters of the tapestry is complete. Plastic baskets hold the wool yarn beside the loom, sorted by color and value.
Color blending by combining various colors and weights of wool yarn.
Color blending is achieved by combining various colors and weights of wool yarn.

We don’t see much of the main subject yet. I am intensely eager to see a distinguishable image. I suspect you may be eager to see it, as well. But I know it’s coming, so I gladly pursue this adventure, one row at a time.

Four-shaft tapestry beginning.
Elements of shading and texture in the beginning background of the four-shaft tapestry.
Tapestry, woven from the side.
Tapestry is being woven from the side. So, this is the direction the tapestry will hang.

Gladly. We need strength beyond ourselves to endure and be patient—with gladness. Endurance and patience with a glad attitude is an indicator of maturity. Strength for endurance is one of the treasures that God supplies when we ask. And he reminds us that he sees the completed picture. And that it’s worth the pursuit. Aren’t you glad?

May you find patience for waiting.

Gladly weaving,
Karen

Quiet Friday: Linen Chair Seats

This week I crossed something off my Weaving Bucket List: Use handwoven fabric to upholster chairs. Remember the color-and-weave linen fabric? It’s part of my collection of fabrics designed specifically for our Texas hill country home. I covered four barstool seats with this linen upholstery fabric!

Handwoven linen upholstery fabric.

Weaving the fabric is the easy part. But I’m a newbie at upholstering. As such, using my “precious” handwoven cloth is unnerving. But I was fortunate enough to receive terrific advice and encouragement from friends, including one who conferred on my behalf with professional upholsterers she knows. And another friend generously loaned her power staple gun to me. I also referred to a book (Matthew Haly’s Book of Upholstery, by Matthew Haly) that I picked up a few years ago in hopes that I might someday reach this item on my bucket list.

Testing handwoven fabric for chair seats.

Trying out handwoven fabric for chair seats.

Removing staples, to re-cover the seat.

Covering seats with batting and muslin.

Reupholstering chair seats. Muslin first.

Handwoven linen upholstery fabric. Covering chair seats.

Handwoven linen upholstery for chair seats.

Backing the upholstered chair seats. Handwoven upholstery.

Upholstery backing in place. Handwoven upholstery project.

Finished handwoven linen chair seat! Ta da!

Underside of re-covered chair seats.

Four newly upholstered chair seats. Handwoven Upholstery.

Handwoven linen upholstery. Newly covered chair seats.

Newly covered chair seats. Handwoven Linen!

I count this as practice and a first step of experience. Eventually, I may work up the courage to reupholster our eight dining room chairs. Hmm… the thought of getting to design the fabric makes that challenge rather appealing.

May you cross something off your bucket list.

Your amateur upholsterer,
Karen

Weave Past the Mid Mark

“Mid” marks the halfway point on every pre-measured tape I make. I like to know when I’m starting the second half of something. It’s a target before I reach it, and a passing milestone after I cross that line.

Middle line marks the halfway point in the weaving.
Pre-measured twill tape has a line at the halfway point, marked “Mid.” Tail from a spliced warp end will be trimmed in the finishing process.

As I’m weaving this throw, my thoughts jump ahead. I will have a few skipped threads to fix, and spliced warp ends to clip. I think about how I will hem the piece, and wash and dry it. In what special manner shall I present the finished throw to my beloved daughter-in-law? And, my mind goes to the twelve-shaft double weave towels for my daughter that are up next, with the flowery threads beckoning me from the shelves.

Cotton double weave on the loom.
Double weave with eight shafts. 8/2 cotton.
Shelves of weaving thread!
Do you see the aqua, poppy, marigold, and orchid cottolin threads that are ready to jump off the shelves and be woven into hand towels?

I’d like to know where I am in the span of my life. There is no “Mid” mark, though, is there? I’m not in charge of that measured tape. Faith in Christ, love, and perseverance—these form a foundation. A solid foundation is security for life. In this security, I think about what I need to repair and resolve and finish. And how to leave intangible gifts that outlive me. And I think about the glory that awaits. Imagine fabric of unbridled creativity in colors only heaven knows!

May your second half be better than your first.

With you,
Karen

Tapestry Territory

Here we go on this adventure! The yarn is plentiful, and sorted into color groups by value. I have tweaked and updated the cartoon, putting measurement marks along the edges and adding shading to places where I want texture. I wove a header after the sample, but it drew in too much. I pulled it out and redid it, making sure to use adequate weft this time. I am now ready! I’m walking into four-shaft tapestry territory!

Beginning of a four-shaft tapestry.
Background begins with wool butterflies in shades of black.
Wool butterflies for a four-shaft tapestry on the Glimakra Ideal.
Several butterflies are introduced across the beginning section of the four-shaft tapestry.
Four-shaft tapestry just beginning.
Linen weft is used between some of the wool picks.

Walking. It’s how we live our life. Step by step into an unknown future. To walk in a manner worthy of the Lord, we follow the Grand Weaver’s cartoon, which he reveals to us, sometimes row by row. And he supplies us with the yarn butterflies in the right colors and values to create the tapestry of his design. We may never see his whole cartoon, but we have the sure hope of seeing the finished tapestry in all its glory!

May you be ready for an adventure.

Happy weaving,
Karen