The contours of the face are more evident now that the lips are in place. Every cartoon line requires decisions. Shift the color at thiswarp end?…or, one over? Does this butterfly have too much pink?…maybe it needs more pink? The portrait image happens almost invisibly, thread by thread.
I step back often so I can see what I am weaving. Up close, the details are obscure. I step up on the loom bench (very carefully, holding on to the top of the loom) and look through the back end of my binoculars. A distant view of the tapestry comes into focus. It’s encouraging! I can clearly see that the details are working out.
We may be too close to our own circumstances to see the details clearly. We make decision after decision, and we hope against hope that things will turn out okay. How can we know what is right? Step away to pray. Slip away with the Lord Jesus to get His view on things. Only when we consult a higher view can we see the bigger tapestry that the Grand Weaver is creating. Prayer, as a conversation with the Lord, helps us see that the details are working out according to his purpose.
When you want a better photograph you snap another picture. When you want a better tapestry you take out what you’ve woven and weave it another way. I recently showed you my progress on the tapestry of my mother. (See Tapestry of the Heart.) As I viewed the tapestry in photographs I could see that the 6/1 tow linen that weaves between the rows of wool was too bright. The golden bleached linen is lovely on its own, and melts into the background on the sides of the portrait. But this bright linen draws undo attention to itself within the darker portions of the tapestry because of the stark contrast. The day after that post I undid everything back to the starting line.
Undoing a few weeks of tapestry weaving is not physically hard to do, but making the decision to undo it is hard, indeed. Since then, I have been weaving every day to get back to the point where I stopped everything. This time, I am using a different color tow linen that will make all the difference.
Now, instead of golden bleached, the linen thread is a golden beige that disappears into the fabric, while holding everything together. Come to think of it, that is an apt picture of a mother’s influence.
It is a daunting task to weave a tapestry of an important person. Do I have enough skill to give what this project deserves? I started with a photograph of a beautiful woman in her eventide years, and made a workable cartoon. The person in the picture is someone who has significantly influenced my appreciation of beauty all around. This is my mother.
In preparation for the tapestry, I have been weaving sample areas of the cartoon. The eyes, the chin and neck, the mouth, the edge of the ear. The biggest lessons I’ve learned are to exaggerate contrasts in value, and to dull the colors that are adjacent to colors that I want to appear bright. It’s time to step out and give myself to the task. This is where I aspire to show more than the unique features of my mother’s face. It’s where I show her heart.
A generous heart always has enough. Giving out of our surplus is not generosity. However, if I give you what I’d rather keep, I give you some of myself. Give time, resources, support. Share talents, fascinations, insights. Mom, thanks for giving me so much of yourself.
“With so many looms, how do you decide what to weave every day?,” I was asked. The answer lies in my Weaving Rhythm. I have five floor looms. I happily aspire to meet the challenge of keeping all of them active.
Weaving Rhythm ~ A pattern created across time, through a regular succession of weaving-related tasks.
Arrange individual tasks to keep each loom consistently moving forward in the weaving continuum.
Weaving Continuum ~ The cycle for each loom that is continually repeated.
When the first few centimeters are woven on a new project, begin planning the next project. When finishing is completed for the current project, wind a new warp and dress the loom for the next project.
First Things First ~ Prioritize daily tasks to maintain the Weaving Rhythm.
Do some finishing work first. Do some loom-dressing tasks next. The reward, then, is sitting at one of the dressed looms and freely weaving for the pleasure of it.
Give Thanks ~ Live with a thankful heart.
Every day I thank the Lord for granting me the joy of being in this handweaving journey. And I thank him for bringing friends like you along with me.
I am adding about thirty more skeins to my yarn supply to get the colors I need for a new tapestry. At this rate, maybe I will have every single color of Borgs 6/2 Tuna and 6/1 Fårö wool on my shelves some day. That’s wishful thinking… But I do have what I need for now to make the butterflies for this special pictorial tapestry.
All these new skeins of yarn need to be wound into balls using my Swedish umbrella swift and a ball winder. In the past, I have used a manual ball winder. That means a lot of handle turning, but eventually all the yarn is wound into balls.
This time is different. I found a new time-saving and arm-saving tool. It’s an electric ball winder, made by Fiber Artist Supply Company. I put the skein on the swift, cut the ties, secure the loose end of yarn to the ball winder, and then turn it on, gradually increasing the speed. In less than two minutes, I have another beautiful ball of yarn to use for making tapestry butterflies.