Tag: rag rug

How Is Your Stash?

Karen

My rag rugs start with leftovers. It is a great place to begin. By leftovers, I mean fabric strips that are left from previous projects. Unlike many traditional rag rugs that are made from recycled fabrics, I use all new cotton yardage for my rag rugs. I only buy more fabric when my supply starts to run low, or when I need a specific color that I don’t have in my supply. That’s the difference between a stash and a supply. A stash is for keeping and admiring. A supply is for using up with a purpose. A stash grows without limits. A supply is replenished in relation to the need.

Planning a rosepath rag rug.
Planning session for a new rosepath rag rug. After gathering a selection of fabrics, I snip fragments to tape to my working chart.
Rosepath rag rug on the loom.
After several plain weave stripes, the rosepath pattern is taking shape on the loom.

I have to be careful about treating my things, my time, and my ideas as my stash. For me to keep and admire. It’s better to be a giver. The generous have an endless supply. They never wonder about having “enough.” Generosity is a virtue. Those who are enriched by God can always be generous, since he is faithful to replenish the supply.

May you always have enough.

For you,
Karen

Quality Rag Rugs

Karen

Does this color enhance or detract? Is there enough contrast between background and pattern? Is five centimeters of plain weave between pattern sections too long, or too short? I ask myself questions as I weave a new design. I consider all the technical aspects, as well. Warp tension, treadling finesse, and shuttle shuffling. Attention to detail matters.

Rosepath rag rug on the loom. Karen Isenhower
Design elements are planned before weaving, and then adjusted as weaving progresses on the loom.

Details begin in the planning stage with design, choice of materials, and colors. While weaving rosepath rag rugs, consistency counts. I aim for a consistently firm beat and good, tight selvedges. All of these elements contribute to quality. And as I grow in my weaving skills, overall quality improves.

Rosepath rag rugs require extra attention at the selvedges.
Rosepath rag rugs require extra attention at the selvedges.
Rosepath rag rug on the loom.
Yellow dash is made with a single weft pick. The single fabric strip is cut long enough to securely tuck the ends back into the shed.

A person’s character is defined by their motivations. It’s not what you do, but why you do it. It is not enough to look good. I can buy a cheap rug that looks good. But if I could examine how it was made, I might find the shortcuts that diminished its quality. Our inward motivations are revealed in our outward behaviors. The cheap rug fades and comes apart all too quickly. By examining our own motives we build quality of character. The result is not only lovely, but durable, too.

May your quality control efforts succeed.

With you,
Karen

Tools Day: Warping Slat Spacers

Karen

Rag rugs are not finished when you cut them from the loom. In fact, they can fall apart if you are not careful. A rag rug is not secure until warp ends are tied into knots. You need to leave space on the warp between rag rugs to make room for the eventual knots.

One way to leave space on the warp is by using warping slats as spacers. Simply weave about two inches of scrap header after the end of a rug. Then, insert warping slats in alternating plain weave sheds. And then, weave another scrap header. Now, you’re ready to start the next rug.

Warping slats as spacers between rag rugs.
Weaving is finished. It is time to cut these rugs from the loom. Four warping slats are seen between two rag rugs as the rugs are being pulled off the loom.

I leave about eight inches (20 cm) of warp between rugs. This gives me enough length for tying the needed square knots. If you are leaving fringe, add enough to include the desired fringe length. When you insert the warping slats, keep them centered so that they can go around the breast beam and cloth beam without catching on the sides of the loom.

Warping slats are used as spacers between rag rugs.
Full-width warping slats are placed carefully so that they do not extend beyond the weaving width on the right or on the left. This view is looking down on the end of the breast beam.

It is easy to separate the rugs after they are off the loom. Cut between slats using a rotary cutter, with a cutting mat underneath.

Warping slats are used as spacers between two rag rugs on the loom.
Double binding rag rugs are ready to be removed from the loom. The two rugs will be cut apart by slicing the warp between the middle two warping slats.

May you make the best use of your time and tools.

All the best,
Karen

Young Weaver

Karen

I had a visitor this week. You might be surprised to see what a seven-year-old can do. Young Jamie picked out her colors, wound fabric strips on the ski shuttle, and wove a small rag rug. Almost all by herself! She helped me advance the warp, and remove warping slats as they came off the back beam.

Young weaver at the loom making her first rag rug.
After twisting the weft at the selvedge, Jamie angles the weft in the shed before beating. And this seven-year-old has plenty of strength to pack the weft in tightly with the beater.

It was rewarding to see my little friend catch on so quickly. She believed me when I told her she could weave a rag rug; and she trusted me to show her what to do. Weaving was a success because Jamie listened well, and followed my instructions. After she left, I wove the warp thread header, cut the rug from the loom, and tied the knots, leaving fringe. Now Jamie has her own little handwoven rag rug!

First rag rug by a seven-year-old weaver. Glimakra Ideal floor loom.
Warp ends are secured with overhand knots. The fringe adds a playful touch to Jamie’s first rag rug.

Trust in God is a bold thing; it is confidence in God through all of life’s challenges. Beware of anything that tempts you to question your trust in God. He comes beside us and faithfully guides as we walk through life. God is someone we can trust. When we listen well and follow instructions, he weaves something good through our hands.

May you listen well.

Trusting,
Karen

Odds and Ends Rag Rug

Karen

What can you do with odds and ends? Plenty. I do use new cotton fabric for my rag rugs. But I refrain from buying new fabric until I absolutely have to. It’s a good challenge to combine available colors from previous rag rug projects to make a new design. There are two piles of color for this double binding rag rug. The blue pile and the brown/black pile. The color blocks switch places in the rug about every seventeen centimeters, with a three-pick white chain pattern in between.

Double binding rag rug. Red warp shows up as little red spots.
Collection of blue fabric, and a collection of brown and black fabric form the basis of this double binding rag rug.

I enjoy combining multiple shades of a color, such as the blue in this rug, to add character. Every odd fabric strip finds a place to belong. It ends up looking cozy and friendly. All the mismatched pieces somehow fit together.

Double binding rag rug.
Chain motif draws a line where the colors switch. Three picks form the chain. Print, white, print (the center section shows the reverse.)

We belong to somebody. We belong to the one who made us–the Creator of everything. He weaves the fabric strips together to make his beautiful design. Scraps become useful, and colors are mixed and rearranged in interesting ways. Together, the woven mixture has a purpose. A rag rug, made from odds and ends like us, puts the creativity of our Maker on display.

May you know where you belong.

Love,
Karen