Tag: rag rug

Cutting Off and Tying Back On

Karen

Efficiency isn’t always faster. I cut these two rugs off even though there is still warp on the loom, because an empty cloth beam enables me to get optimum warp tension for the next rug. It does take additional time and effort to tie back on, but I get better results in the long run. So I call it efficient.

Two double binding twill rag rugs just off the loom. Karen Isenhower
Just off the loom, two double binding twill rag rugs. Next step is finishing the ends, and then hemming.

Listening is like that. Most of us think we are too busy to learn new things. But listening well increases our learning capacity. It does take effort, but it is the kind of effort that brings rewards. Good listening habits increase learning efficiency.

How do you hear? Since listening is key to learning and growing, consider these four ways of listening.

  1. Casual listening. In one ear and out the other.
  2. Convenient listening. Interested only as long as it is easy.
  3. Distracted listening. Divided attention.
  4. “Receiving” listening. Fully engaged attention, with fertile soil for seeds of learning to grow.

“Receiving” listening takes effort and attentiveness, but is the most efficient kind of listening because it produces the best results. None of the effort is wasted, and little by little you see the seeds of learning begin to grow into fruit to share with others.

I would love to have you join me in Eureka Springs, Arkansas, August 27-29, 2015. I will be at Red Scottie Fibers at the Shoppes at Fleece ‘N Flax to teach a Double Binding (Dubbelbindning) Rag Rug Workshop. I will take you through the steps to design and weave one of these beautiful rag rugs of your own. Small class size; few openings left. Contact me if you would like more information.

May you hear and be heard.

Listening,
Karen

One Treadle Short

Karen

I faced a dead end with this six-shaft weave. The draft requires seven treadles in order to include true plain weave. And I do want plain weave for the hems. That is a problem. This loom has only six treadles. So these double binding twill rag rugs were put on hold while I thought about it.

And then I had an idea. What if… I tie the sixth treadle as if it were the seventh treadle, enabling me to weave the plain weave hem. And then, undo the treadle and re-tie it as the sixth treadle for weaving the body of the rug? It works! Essentially, I created seven treadles out of six. What seemed like a dead end became the point of discovering something new.

Changing treadle tie-up to make six treadles into seven.
With this tie-up, the fifth and sixth treadles (counting right to left) are able to weave an even plain weave. The sixth treadle is actually tied up as the seventh treadle, which is only needed for the plain weave hems at the beginning and end of the rug, paired with treadle five. To change the treadle tie-up, the upper and lower lamms for the first and second shafts (counting back to front) need to be switched. That’s all.
Changing treadle tie-up to make six treadles into seven.
Treadle tie-up now follows the draft as written for the first six treadles to produce the twill weave for the body of the rug.
Underneath view of Vavstuga treadle tie-up system. Makes changing tie-ups a breeze.
Under-the-treadle view of the Vävstuga treadle tie-up system. This tie-up system with beads and pointed dowels (or knitting needles) makes changing the tie-up a breeze.

Can you imagine the dead end the friends and family of Jesus felt when they saw his body go limp on the cross? ……………………………………………………………………………………

Easter is about the excitement of knowing Someone who died and came back to life. In the Easter story, the angel tells the women who arrive at the tomb, “I know you seek Jesus, the Crucified. He is now Jesus, the Risen.” For these women, this moment changed everything. What had seemed like a dreadful dead end became the point of discovering new life. Indeed, even now, a dead end is often the starting point of finding new life in the Risen one.

May you discover something new.

Blessings,
Karen

Which Side Is Up?

Karen

Two shuttles required! With double binding rag rugs, each weft pick is double. The two wefts fall into place above and under each other, creating a two-sided fabric. The solid green that is visible on the top of this rug forms a different shape underneath. On the top side it looks like a cross from this angle. Underneath, it looks like a capital “I.” As in, “Me, myself, and I.”

Double binding twill rag rug on the loom. Karen Isenhower
Rug design is formed two rag picks at a time. Ski shuttles are an efficient way to carry the weft picks across the warp.

One interesting thing about designing double binding rag rugs is that I end up with two rugs in one. Simply turn the rug over for a different look. When the cross is up, the “I” is not seen. Flip the rug over, and the “I” is seen, but the cross remains hidden.

Pride can ruin people. The essence of pride is comparing yourself to others, and putting yourself above. Like most people, I find it hard to deny my own flattery. But being humble means refusing an inflated view of yourself. During this week when the cross of Christ is remembered around the world, I want to make sure my “I” is under the cross. The one who humbled Himself more than we can imagine leads the way. Woven in, behind the cross, my “I” finds its true identity–no more, no less.

May you show your humble side.

Isenhower with an “I,”
Karen

This Rug in Particular

Karen

No improvising this time. Creating a rug to fit a particular space means staying true to the plan. In my measured design, each graph square represents two inches (5 cm) of woven length. So, I am not playing around with shortened or lengthened blocks. And no surprise colors, either. Every element has been determined in advance. I am paying close attention, being sure to measure accurately as I go. I keep thinking of my sister’s entryway, hopeful that this rug will be just right. (Sometimes I do play around with the design as I weave, like I described in Tools Day: Graph Paper)

Cotton yardage ready to cut for weaving rag rugs.
New cotton yardage is ready for cutting into strips for weaving double binding twill rag rugs. I am choosing four out of these six fabrics for this rug design.
Design graph for weaving a patterned rag rug.
Design graph sits on the cart next to my loom. A sliver of each selected fabric is scotch-taped to its color block on the graph for reference.

If I only consider the fun of weaving another rag rug, and fail to keep in mind the intended destination, I may create an interesting rug, but it won’t end up inside my sister’s doorway. The “fun” will be short-lived, and will produce disappointment or regret instead of finished satisfaction. That reminds me of something C.S. Lewis once said:

Aim at Heaven and you will get earth ‘thrown in’: aim at earth and you will get neither.

Double-binding twill rag rug on the loom.
Double-binding twill rag rug on the loom.

Dream of heaven. It’s the place where God Himself removes every cause of tears. No death, no mourning, or crying, or pain. Every thread and every color will be in place, as it should be. Just imagine the Grand Weaver, making preparations for our home coming, as He places the final handwoven rug on the floor. Perfect fit.

May you dream big.

To the Finish,
Karen

Tools Day: Temples

Karen

Draw-in happens. It is a natural part of weaving. Sending a weft thread across the warp, weaving over and under, naturally pulls the warp threads closer together–this is draw-in. But excessive draw-in ruins selvedges, causes warp ends to fray and/or break, and wastes time because it creates problems. The width across the fell line needs to be the same as the width of the warp in the reed. If the cloth is narrower at the fell line, there is abrasion on the outer warp ends from the reed, as the beater comes to the cloth.

Two things work together to help prevent excessive draw-in:

1) Angling the weft. Placing the weft across the warp at an angle adds extra length to the weft, which helps to accommodate for the natural draw-in.

2) Using a temple (stretcher). The purpose of a temple is to maintain consistency in the width of the cloth. It does this by “stretching” the cloth out, holding it in place with little spikes on each end of the tool. Moving the temple frequently uses the tool to its best advantage. I move mine about every inch of weaving. For more instruction on how to set a temple, please see one of my most popular posts, Tools Day: Temple Technique.

I weave with a temple more often than not. The temple must be set properly, to the precise width, so I have several sizes in my growing collection of temples. Sometimes it works to combine two different sizes to get the measurement that is needed.

My first temple was a make-do tool that I used with my rigid heddle loom on lightweight weaving. It is not adjustable, so it only works with one specific warp width.

Make-do temple for a rigid heddle loom.
Slat with clothes pins glued on the ends makes a simple lightweight temple for a rigid heddle loom.

My wooden temples are from Glimåkra. They serve me well, and are the ones I use most often. Since they are adjustable, they cover a wide range of possible widths.

Wooden temples (Glimakra) for weaving.
Wooden temples (mine are Glimåkra) work well for any type of weaving.
Switching parts to two sizes of temples. Info about temples on the blog.
Switching parts on two different sizes of temples can increase the range of possible sizes. And, yes, some of my temples have an extra hole, added by my husband, to increase the range of the temples’ adjustability.
Tips for using a temple!
Perfect width of temple for this cotton lace-weave scarf found with combination of two different sizes.
Handmade extension for temple. Temple tips...
Steve made an extension for my longest temple when I needed a really l-o-o-o-o-ng temple. He used finishing nails for the little spikes. It’s perfect!

The metal temples are heavier, with thicker teeth, and work well for coarser weaving, especially rugs.

Metal temples for weaving, especially rag rugs.
Metal temples work well for weaving rugs. Like the wooden temples, these also have interchangeable parts, which can extend the range of possible widths.
Temple in place in scrap weft between rag rugs. Temple tips.
Temple is set in the scrap weft between rag rugs. Ready for the start of another rag rug!

May your selvedges shine, and your broken ends be few.

Happy Weaving,
Karen