Quiet Friday: Checkered Rug

Karen

I have another rag rug warp on my Baby loom (Glimåkra 100cm Ideal), playing with the magic of double binding again, this time with four shafts and four treadles. Ten yards / nine meters of warp. I planned an additional twelve inches / 30.5cm between rugs for cutting off and tying back on, so I can cut each rug off as it is finished. Here is the first rug.

Winding warp for another rag rug.
Small warping reel is used to measure the ten yards / nine meters of 12/6 cotton rug warp.
Beaming the warp under tension, using warping trapeze and weights.
Warp chains are undone and lengthened out over the warping trapeze. Several pounds of walking weights hold the bouts under constant even tension for beaming the warp.
Tying on.
All tied on. Ready to weave.
Designing a rag rug.
Design concept is created; and fabric colors are chosen.
Double binding rag rug on the loom. Karen Isenhower
Progress.
Using a temple for weaving rag rugs.
Temple is always in place when I am weaving a rug. I fitted two different temple parts together to get this warp width. Notice the lengthwise gaps between the temple parts…but not a problem.
Rag rug on the loom. Nearing completion.
Around the breast beam, and over the knee beam, to wrap around the cloth beam. Warping slats are placed between the cloth beam and the rug the first time around to make a smooth surface for the woven rug-cloth.
Rag rug on the loom. Woven hem.
Hem is completed with 12 picks of rug warp. Three inches of scrap fabric header comes next, and then the rug is ready to be cut from the loom.
Hand-hemming rag rug.
Warp ends have been knotted and trimmed; and hem folded under and pressed. Now, hemming with a needle and rug warp, the last step is almost complete. The only thing left is to sew on my label.
Checkered rag rug. Karen Isenhower
Notice the subtle changes in color and depth of color where the warp colors change–purposely not aligned with the block changes.
Home sweet home. That's what rag rugs are for.
Home sweet home. A patterned rag rug makes a house feel like home.

May you finish what you started.

Happy Weaving,
Karen

Tapestry Diary Imaginary Mountains

Karen

Small tapestry weaving has been added back to my evening routine. Tea and tapestry. This quieting-down practice closes my day. I missed that. I didn’t decide to stop my tapestry ritual; I just drifted away as life got complicated, a little at a time, until I wasn’t doing any tapestry at all.

Tapestry diary on frame loom.
Tapestry diary resumes, adding one little mountain each day.
Small tapestry diary progress, woven from the back.
Small tapestry woven from the back.

I am weaving little mountains here–one little mountain each day. I let my imagination create scenes that are hidden from view. There are lush valleys between the peaks, and brush-covered hills too short to be seen. In the imaginary mountains, there are innumerable hiding places. I see myself slipping out of sight to sit on a quiet grassy slope next to a sparkling stream.

Small tapestry diary progress. Karen Isenhower
New mountains are woven, creating more imaginary hiding places.
Daily tapestry practice. Tapestry and tea to close the day.
Daily quiet tapestry and tea provides a peaceful close to each day’s adventures.

When life gets complicated and overwhelming, there is one thing we need. A safe place to hide. The Lord provides a hiding shelter in his presence to those who come to him. This is the place of safety. From our hiding place, we can see across the distance, make plans for the future, and rest up to continue our journey with strength–strength to cross one mountain at a time.

May you find a hiding place when you need it.

Quietly,
Karen

Rya Pillow in the Rocking Chair

Karen

Do you remember this sturdy linen cloth, that I wove months ago, with the wonderful wool and linen rya? Yesterday I made it into a classy pillow. First, I fashioned the pillow cover, with invisible zipper, and all. Hollow by itself, the pillow cover needs an insert to be usable. So I made a muslin insert to fit, filled lightly. Now I have a cloud-soft rya pillow. (Read about weaving this fabric in Rya, Rya, How Does Your Garden Grow? and Now What Are You Counting?)

Rya pillow. Hand-tied rya knots in linen fabric, handwoven.
Fabric is two-sided point twill with rya knots. 8/2 linen for warp and 8/2 linen, doubled, for weft produces a sturdy base fabric for the hand-tied rya knots.
Finished handwoven rya pillow.
Pillow insert, lightly filled with down-like cluster fiberfill, fits perfectly inside the pillow cover.

This new rya masterpiece makes a perfect lumbar pillow for the antique rocking chair in my living room. This was my great-grandmother’s chair. One thing I know about my great-grandmother is that she was a praying woman. I love to imagine that she rocked her babies in this chair, praying for them and for her future grand- and great-grand-children. She may have prayed for my life in advance.

Rya knots made with wool and linen threads, on linen background fabric.
Each rya knot includes a combination of threads–Åsborya wool, Mora wool, and 16/2 linen.
Great grandmother's rocking chair with new handwoven rya pillow.
Great-Grandma’s rocking chair. A reminder of love that reaches to the next generation.

I want to be more than what others see on the outside. I need the Lord on the inside. I yearn for God to hear me and for me to hear Him. Without that connection, life is hollow. Prayer is a two-way conversation. That ongoing conversation keeps me from being empty. When I am filled, I am at my best. Could that be an answer to my great-grandmother’s prayers?

May your life affect future generations.

Softly,
Karen

Tools Day: Just Me Bell

Karen

My weaving studio is usually a place of solitude where I can slip into deep concentration. I am counting warp ends; or I am paying close attention to synchronizing shuttle, treadles, and beater for greater efficiency and speed; or I am doing calculations to plan my next project. Or I am examining the cloth on the loom with a magnifying glass, counting picks per inch; or I am trying to wind a quill with just enough, but not too much, yarn. Without realizing it, I get absorbed in my thinking.

Bell for breaking silence before entering studio of concentrating artist.
Old little brass bell hangs in the hallway on the way to the weaving studio.

When I am in this state of being immersed in weaving, I am easily startled by any innocent interruption. My husband has solved the problem of seeing me jump and hearing me gasp when he walks into my concentration bubble. He has hung a little brass bell a few steps outside the doorway to my weaving room. “Ring-a-ling-a-ling…,” the bell quietly announces, “It’s just me…” Now, with fewer incidents jolting me from solitude, I may live longer, as well.

May you welcome those who come near.

Come on in,
Karen

How I Remember Woven Details

Karen

A picture works better than memory. By the time I get to the opposite end of this rug, I doubt I will remember the details of this starting hem. Technology makes it simple. This is one reason I keep my iPhone handy when I am at the loom. Click. Now I have a visual record of the hem that will do the remembering for me.

Take picture with smartphone to remember hem details.
Four picks of rug warp between hem sections gives a good edge when turning the hem under.

Some things are worth the effort to remember. Remember the good. When times are difficult, waiting to see the Lord’s goodness requires strength and courage of heart. It requires remembering the good from before. Wait for the Lord with faith–the faith that looks like courage. Faith is that picture of good that made an impression on your soul, that’s been tucked away for a while. Maybe it’s time to pull it out and remember.

May you build many good memories.

Yours Truly,
Karen