Who Says Plain Weave Must Be Plain?

Karen

Do you see the lengthwise raised ridges in this linen fabric? Don’t be fooled. The plain weave panel of this fabric is as flat as can be. Optical illusion. I have two slightly different colors of linen in the warp, unbleached and golden bleached. Instead of strictly alternating the colors, I threaded the warp ends “as they came,” to bring depth and interest to the plain weave fabric.

Dice weave on the loom. View from under the weaving.
View from under the weaving, the cloth is seen going over the knee beam. This dice weave, with 16/2 linen, has colorful squares of weft pattern floats. A panel of plain weave follows the patterned cloth.

We can be fooled by what we see. Lines and colors work together to create a false impression. Coming close enough to touch and examine is the best way to help the eyes see what is real. How many things do we misunderstand because we fail to come near enough to truly examine the evidence? We assume that a distant view is reliable.

Humility sets the stage for learning. It removes distance between us and what we need to learn. Instead of trusting only what we see, we step nearer to touch and examine the real thing. The humble are teachable. They know there are things they don’t know, and they are on a quest to learn. With weaving, and with matters of greater importance, like faith and truth, we must come close enough to touch and to learn.

May you hold valued fabric in your hands.

With much to learn,
Karen

Rag Rug Tapestry

Karen

Bold striped hems and four white stripes across this rug stabilize the unpredictable design. This is the rug that uses up several remnants from my fabric stash. My main agenda was to use up fabric.

Double binding twill rag rug.
Final rug from this warp of double binding twill rag rugs. The striped hem is created by alternating picks of dark and light fabric strips.

I like rugs for the way they give the impression of a pathway. A place to put down your feet and walk. This rug does look like a path to me. Like a tapestry, this rug tells a story. I can see irregular changes of scenery. And the white stripes are like scheduled events that add structure and definition. It is good to have a path for your feet, and for your life.

Life is filled with changing seasons, and with schedules and interruptions. It isn’t always easy to see the right path. The Shepherd leads us on a path lined with goodness and mercy. These qualities are woven in. Like this double binding rug, mercy is always on the other side of goodness. And goodness backs up mercy. When these elements of kind-hearted design can be seen in our lives, though only as remnants and fragments, that is when we know we are on the right path.

May goodness and mercy follow you around.

Happy Weaving,
Karen

Smiles and Linen Band Weaving

Karen

This is linen singles; so, yes, I did have a few broken warp ends. Despite that, I think linen makes the very best band weaving experience. Linen holds its shape. Linen feels good in the hand. Linen looks good. The finished band looks good. That makes me glad.

Linen band woven on band loom.
Band loom creation of 16/1 linen in unbleached, golden bleached, and pure blue. Unbleached 16/1 linen weft. Photo credit: Steve Isenhower
Linen band from linen singles.
Photo credit: Steve Isenhower

Real joy lasts through broken warp ends and all, and is not deterred by temporary heartaches and setbacks. To tell the truth, I wasn’t happy when warp ends broke. Especially the one that broke two times in a row. If I look for that spot now, I may be able to find it, but I doubt you could. I think joy is the thing that takes a bigger look at what is happening, and is able to see the finished version. If I can step into that insight when I am in the middle of a problem, I am better off.

Band loom woven band. Karen Isenhower
Photo credit: Steve Isenhower
Woven on Glimakra band loom. Linen singles. Karen Isenhower
Photo credit: Steve Isenhower

Live joyously. That is my goal. The Lord makes me glad in His presence. That is the joy that sustains us through big occasions and little mishaps. There is joy where the Lord is. That is where I want to be. I am eager to start another linen band, if only to practice repairing broken warp ends…with a smile.

Linen singles woven band.
Photo credit: Steve Isenhower

(This linen band is my contribution to the “Way Out West Weavers” basket that will be up for bid at Warp Speed Ahead! Contemporary Handweavers of Texas Convention in Austin this summer. If you are the highest bidder on our basket, this band, as well as other very fine items, will be yours.)

May your face be a picture of gladness.

With Joy,
Karen

Quiet Friday: Rag Rug Bag

Karen

Think of this as an experiment. A first try. A specimen with which to work out procedures and details. I like the bag, and I will certainly use it; however, there are a few things that I will do differently when I make the next one. And I do intend to make another one, or two, or three. Experiments are like that. One idea leads to another. This warp was all about double binding rag rugs. As always, though, it is delightful to have some warp left at the end for play.

Weaving bag handles into the rag rug bag.
Length of 1-inch/2.5 cm black cotton webbing is woven in. The webbing that extends beyond both selvedges will form the bag handle. Rag weaving continues for a few inches before placing the webbing ends back into the shed.
Placing bag strap ends in the shed.
Both ends of the webbing strap are tapered, and then overlapped in the shed before beating them in.
Temple maintains the weaving width.
Temple maintains the weaving width as the rag weave continues past the woven-in handle straps.
Securing warp ends of rag rug.
Warp ends are secured, as usual. First, square knots, and then cut off to 1/2 inch/1 cm.
Stitching up a rag rug bag.
Sewing the sides of the bag, right sides together. I am using the four rows of woven rug warp at the beginning of the woven hem as my stitching line.
Creating lining for rag rug bag.
After turning the bag right-side out, and pressing the seams open, I created a simple flat lining, with added pocket, to fit inside the bag.
Pinning lining into the rag rug bag.
Lining is pinned into the bag, matching seams and mid-points at front and back.
Lining is inserted into the rag rug bag.
Lining is stitched into place with narrow topstitching.
Rag rug bag, with handle woven in. Karen Isenhower
Voila!
Finished rag rug tote bag! Karen Isenhower
Fun tote bag to carry to and fro.

Next time… Find a strap that is not as stiff, so it will beat in better. Weave in a strap that is the same color as the warp. Make the strap longer. Find a way to secure the cut ends of the strap (this is the biggest issue). Possibly use a band woven on my inkle or band loom for the strap.

What would you use for the strap? Can you think of a good way to secure the ends of the strap together? What other suggestions or thoughts do you have to improve a bag like this? I would love to hear your ideas.

May your experiments lead to fresh ideas.

Always trying new things,
Karen

Linen Is Special

Karen

Linen is special. This is nothing new. Even in biblical history, linen is mentioned as fabric for sacred purposes. But weaving with linen requires attentiveness. The inelasticity of linen means extra care is needed in every stage of dressing the loom and weaving. Of first importance is an even warp tension.

Getting ready to weave with linen. Tying on.
Tying on linen in small 1-inch/2.5 cm increments is one thing that helps contribute to an even warp tension.

This method of tying on* is perfect for weaving rag rugs. The 12/6 cotton rug warp stays snugly in place. Not so with linen. The even warp tension that I have been so careful to maintain can be lost in a moment. The sneaky linen is smooth and slick enough to tie on easily, and then loosen up just as easily. So I take the double precaution of tying an additional overhand knot, AND moistening that knot with a dab of water which helps the linen grip itself. I never have to worry about these knots slipping loose.

Beginning dice weave in linen.
Additional overhand knot, with a dab of water, secures the tie-on threads. I am using sample space to try weft colors and work on getting optimum weft density.

What do you worry about? I have bigger things I worry about, too. But my heavenly Father assures me that He has secured all the knots that concern me. “Don’t worry,” he tells me. “Your Father knows your needs.” Be attentive to keep first things first. Put yourself in the Father’s care, and find that he takes care of you. Special you.

May you forget your worries.

With you,
Karen

* I learned this method of tying on from Becky Ashenden. You can see it fully explained by Becky, with pictures, in Dress Your Loom the Vävstuga Way: A Benchside Photo-guide.