Warped for Good – Page 134 – a handweaver's journey

What a Colorful World!

August 5, 2014August 4, 2014 Karen

I am ridiculously in favor of color. Bright or pastel, rich or muted, vibrant or subtle. Just give me hue, value, and intensity to work with and I’ll be happy. I dutifully wove the first four towels in nice neutrals (see one of them in this post, Goose Eyes); now, let’s see what other weft colors can do on the remainder of this ten-meter / eleven-yard warp. Look around in nature to see outrageous color combos, some of which would never pass standard color theory practices.

Cotton goose-eye towels on the loom. — Afternoon sunlight plays with the unwoven warp, while wide green-blue blocks of color and narrow royal blue stripes bring the brown and golden warp to life.

I cannot imagine a universe without color. What would we miss, for example, if everything were in gray scale? Our world began in color. That thought gives us a marvelous glimpse into the outlandish creativity of our maker. Who knows, he may be holding back a whole realm of undiscovered color that we won’t see outside of heaven.

God meets us with an open hand, giving us a feast. Yes, a feast for the eyes, to be sure, yet more than that. He gives what is needed from an open hand at the right time, satisfying true desires. The gift of color is merely a fragment of our creator’s vast generosity spilled out on creation.

May your surroundings be alive with color!

Happy weaving,
Karen

(Check my About page for Etsy Shop coupon for August, 2014.)

Quiet Friday: Undoing

August 1, 2014July 31, 2014 Karen

I see a treadling error about 24 picks back. Don’t you hate it when that happens? Backing up is not hard, but it does take some guts if you do it the way I propose. (I first observed it done this way by Becky Ashenden at Vavstuga, though I don’t claim to enjoy it nearly as much as she does.) It is time for some undoing.

Disclaimer: Try at your own risk. Do not attempt the following if you do not know how to repair a broken (or cut) warp end. And do have fun! (I have not cut any warp ends with this method… yet, but it could happen.)

1. Notice the error as soon as possible. Stop weaving. Loosen the warp tension enough to make it easy to spread the warp ends apart.

2. With one hand, spread the warp ends apart at the center of the warp’s width. With your other hand, begin clipping the weft threads between the spread warp ends. Do not try to do this without good lighting. And if you must have coffee first, no more than one cup.

4. Continue carefully clipping the weft threads. Only clip as far as you can easily insert the point of the clippers.

5. Treadle as for the last pick woven, and pull out the top weft thread on each side of the cut. Treadle the pattern in reverse, and with each step on the treadle pull out the top thread on each side.

6. Continue treadling in reverse and pulling out the top thread on each side. Repeat steps 2 through 6 until you have removed the weft error.

7. Tighten the warp tension for weaving. Weave as if nothing ever happened. Except, pay attention this time!

May you have all the do-overs you ever need.

(Please visit my updated About Page to find a special coupon code to use in the Warped for Good Etsy Shop.)

Happy Weaving,
Karen

Tell Me When You Reach Halfway

July 29, 2014July 28, 2014 Karen

The “MID” marking helps me to make a slight adjustment on this towel so that the second half comes out the same as the first half. I like knowing when I am at the halfway point of a piece because it tells me how close I am to completion.

Cotton goose-eye towel at the halfway point on the loom. — By moving the MID point of the measuring ribbon to the center of the brown stripe, the second half of the towel will be symmetrically aligned with the first half.

The midway point is a chance to evaluate and make sure everything lines up. If you could see the midway point in your life, or look back and see that you have passed “MID,” would you live the remainder differently? What adjustments would you make, large or small?

If only we could know when we are on the downhill side of life… But we don’t get a “halfway notice” on life, do we?

God made us. We did not make ourselves. Do you know a towel that wove itself? I don’t. The good news is that the one who made us wants to complete us. He knows all the necessary marks along the way, and nudges us when adjustments are needed. It is good to know we have a Grand Weaver who cares even more about our completion than we do.

May you see where to make adjustments.

Being Woven,
Karen

Goose Eyes

July 25, 2014July 24, 2014 Karen

Do you see a goose looking at you? This goose-eye twill is aptly named, as seen in the diamond motif that is woven in the fabric. You can see the motif best where the warp and weft are in contrasting colors. But even where there is little or no contrast, the goose-eye is still there. It’s in the structure.

Cotton towels in goose-eye twill on four shafts. — Beginning of the third towel on this warp. The hem is woven in a smaller goose-eye pattern in a stone color. A narrow gold stripe within a wide brown stripe begins an overall checked design for this towel.

I find it fascinating that one simple repeated geometric shape can set the tone for the whole cloth. It reminds me of what the great classical composers could do with a single musical motif. Think of what Beethoven did with just four notes in his famous Fifth Symphony! Bah-bah-bah Baahm... Joy is that kind of repeated motif that sets the tone for our days.

Joy is the urge to sing on the inside. And it shows up in your countenance on the outside. God loves to see a glad, singing heart. He knows that joy is good for your soul. Sometimes the motif is less visible because of the threads that are crossing your life at the moment. But abiding joy in your structure keeps the melody line alive.

May joy be woven in your fabric.

With love,
Karen

Rya, Rya, How Does Your Garden Grow?

July 22, 2014July 21, 2014 Karen

Lay the groundwork; add a row of rya knots. Because of the coarser sett, and the thickness of this doubled linen weft, this rya weaving is progressing faster than the previous one. Tying all 36 knots across the warp is still the slowest part. But I can see progress. I like to see something happening, don’t you?

Rya knots (wool and linen) covering coarse linen cloth. — Green strands of thick Åsborya wool, fine Mora wool, and 16/1 linen, sit in a cluster, ready to be separated. Each rya knot is made of three strands, one of each type of yarn/thread.

I weave about an inch / 2.5 cm of point twill linen background first. It provides a framework to hold the mixed wool and linen rya knots. This means throwing the shuttle at a good pace for a short distance, and then stopping to add another row of rya. Through this moving – stopping – moving – stopping, progress is made. A little green and beige garden is growing on the surface of the linen structure. It is during the slow part that the “growing” happens.

Are you troubled about anything today? Don’t lose hope. If progress seems slow, you may be in a growing season. The Lord rebuilds ruined places and replants desolate fields. It feels slow now, but in time, you will look back and see a garden covering what once was ruins. Keep going, you’re going to make it.

May your garden grow.

(I did finish the previous slow rya project and turned it into three fun pillows. You can find two of them in the Warped for Good Etsy Shop!)

Making progress,
Karen