Tag: band loom

Quiet Friday: Weave a Bag with Handles

Karen

Voila! A rag-weave bag with the handles woven in. First, the handle straps were woven on my band loom. And then, I wove the straps into the rag-weave bag on my floor loom. Lastly, I cut the weaving from the loom and sewed the bag together. This is a warp for double binding rag rugs. I take advantage of this double cloth structure to make handles that are extremely secure. The pictures show how it all comes together. (Quiet Friday: Rag Rug Bag shows my first attempt at this feat. Be sure to read the comments. My amazing readers helped me develop the idea for this workable solution.)

As a bonus, at the end of this post you will see a new video that demonstrates my method of cutting fabric strips for weaving rag rugs.

1. Weave bag handles. (First seen on Is My Weft Showing?)

Unwoven warp (length equal to the rag rug warp width on the loom, plus 2″/5cm) comes before and after each of two bag handles, which are woven to desired length. Unwoven warp is held together at the beginning, and in between the two handles, and at the end, with 1″/2.5cm of woven band.

Bag handle woven on band loom. Karen Isenhower

2. Insert unwoven band warp for one handle.

Weave approximately 1/3 of the bag.

Cut the two handle straps apart in the middle of the 1″/2.5cm woven section that separates the two lengths of unwoven band warp. Entering from the right-hand side, insert one unwoven band warp, used here as weft, into the first shed of the double binding weave, with 1/2″/1cm of the band-woven handle strap reaching into the shed. Tap the weft in with the beater, but do not beat it in firmly, yet.

Steps for weaving handle into rag weave bag.

Weave handle into rag weave bag. How to.

3. Insert unwoven band warp for the second handle.

Entering from the left-hand side, insert the unwoven band warp, used as weft, from the second handle strap into the second shed of the double binding weave, with 1/2″/1cm of the band-woven handle strap reaching into the shed. Beat firmly, packing in both layers of weft together.

Weave handle into rag weave bag on the loom.

4. Weave the center 1/3 of the bag.

Step-by-step weaving handle into bag.

5. Insert remaining unwoven warp of first handle.

Repeat Step 2 with the unwoven band warp attached to the handle on the right-hand side. Make sure the handle strap is not twisted.

Inserting bag handles during weaving. Tutorial.

6. Insert remaining unwoven warp of second handle.

Repeat Step 3 with the unwoven band warp attached to the handle on the left-hand side. Make sure the handle strap is not twisted.

How to insert bag handles into the weaving.

7. Weave the final 1/3 of the bag.

Double binding rag rug bag.

8. Finishing work.

Cut rag-weave bag from the loom. Remove header and knot the ends. Press. (For more about finishing the ends, see Quiet Friday: Rag Rug Finishing and Wear and Tear Rag Rugs)

Finishing ends to make bag.

9. Stitch the bag.

Fold the bag, right sides together. Stitch side seams. Turn right side out. For whimsical detail, form box corners on the outside, and stitch in place by hand with warp thread. (You could form box corners on the inside just as well, stitching flattened corners by machine or by hand.)

Creating a rag rug bag.

10. Take your bag with you wherever you go.

Rag rug bag with woven handles. Karen Isenhower

Rag rug bag detail. Karen Isenhower

May your ideas turn into fruitful efforts.

Happy weaving,
Karen

Is My Weft Showing?

Karen

In warp-faced weaves, like this band, the warp is what you notice. When the weft is placed correctly, it is not seen at all, except at the selvedges. And even then, when the weft is the same color as the outermost warp end, as it usually is, the weft thread blends in and is virtually invisible.

Glimåkra two-treadle band loom.
Four strands of aqua cottolin (cotton/linen thread) are threaded together to form the “dots” in the center of the woven band. Brown weft matches outer warp ends. Glimåkra two-treadle band loom.

The weft is doing its best job when it remains out of view. You could say the weft’s purpose is to make the warp look good. Consistency is the hallmark of a high quality woven band. I aim for that by pulling the weft snug, but not too snug, on each pick. If the weft thread is visible between warp ends, it’s a sign that the weft is not properly placed.

Humility is the hidden weft that holds relationships together. Humility preserves relationships. We must never let selfish ambition or conceit be our motivation for anything. “Me first” has no place in healthy relationships any more than weft is meant to be seen in warp-faced weaves. We are at our best when we make those we love look good.

May you know when to stay out of view.

At your service,
Karen

Smiles and Linen Band Weaving

Karen

This is linen singles; so, yes, I did have a few broken warp ends. Despite that, I think linen makes the very best band weaving experience. Linen holds its shape. Linen feels good in the hand. Linen looks good. The finished band looks good. That makes me glad.

Linen band woven on band loom.
Band loom creation of 16/1 linen in unbleached, golden bleached, and pure blue. Unbleached 16/1 linen weft. Photo credit: Steve Isenhower
Linen band from linen singles.
Photo credit: Steve Isenhower

Real joy lasts through broken warp ends and all, and is not deterred by temporary heartaches and setbacks. To tell the truth, I wasn’t happy when warp ends broke. Especially the one that broke two times in a row. If I look for that spot now, I may be able to find it, but I doubt you could. I think joy is the thing that takes a bigger look at what is happening, and is able to see the finished version. If I can step into that insight when I am in the middle of a problem, I am better off.

Band loom woven band. Karen Isenhower
Photo credit: Steve Isenhower
Woven on Glimakra band loom. Linen singles. Karen Isenhower
Photo credit: Steve Isenhower

Live joyously. That is my goal. The Lord makes me glad in His presence. That is the joy that sustains us through big occasions and little mishaps. There is joy where the Lord is. That is where I want to be. I am eager to start another linen band, if only to practice repairing broken warp ends…with a smile.

Linen singles woven band.
Photo credit: Steve Isenhower

(This linen band is my contribution to the “Way Out West Weavers” basket that will be up for bid at Warp Speed Ahead! Contemporary Handweavers of Texas Convention in Austin this summer. If you are the highest bidder on our basket, this band, as well as other very fine items, will be yours.)

May your face be a picture of gladness.

With Joy,
Karen

Weaving in the Comfort Zone

Karen

I like the comfortable feeling of weaving familiar things. Especially rag rugs and narrow bands. I also like to push my limits, doing projects that have new things for me to learn. The problem is, sometimes I am afraid of getting in over my head.

Linen singles for a woven band.
Loose warp chain with eight yards (7.3 m) of 16/1 linen for a narrow band.
Threading band loom.
Threading the band loom, with the threading sequence taped to the wall.
Glimakra band loom threaded with 16/1 linen for narrow band.
Linen threads show their personality.

If I’m not careful, I let the fear of failure keep me from trying. Decisions get put on hold. The big loom waits empty. Meanwhile, I stay in my comfortable zone. This new narrow linen band is that comfortable place for me. There is nothing wrong with enjoying this familiarity, letting the band practically weave itself. But at some point, I will have to step out of the boat, so to speak, and attempt the “impossible” things.

Linen band weaving on Glimakra two-treadle band loom.
Is there anything better than linen for band weaving? This is pleasure weaving. Glimåkra two-treadle band loom.

It has been told that Jesus walked on water. As the account goes, when Peter saw Jesus walk on water, he believed that Jesus could enable him to do the impossible, too. It’s not easy to walk on water. Just ask Peter; he faltered after just a few steps. But he tried! When we face insurmountable challenges, after sitting comfortably for a while, we need to try taking a few steps out on the water. Like Peter experienced, the hand of Jesus will be right there when we falter.

May you have courage to step into your next challenge.

Happy weaving,
Karen

My Wide Little Warp

Karen

I wanted to make a video for you, showing how I weave on the band loom. Unfortunately, I put on a wider warp than usual. My small hands can barely weave this wider band, putting me to the test. It is slow and sloppy as I struggle to make progress. Finally, though, the end is in sight! So much for pointing out common errors in band weaving. Ha.

Glimakra band loom weaving, using 12/6 cotton rug warp.
Band loom shuttle is carried through the warp with the left hand, and the right hand uses a tool, called a band knife, to beat in the weft. 1 3/4 inches / 5.5 cm is just wide enough that sending the shuttle through with one (small) hand is pretty tricky.

My difficulty in weaving this will show up in the finished piece. The main problem is lack of consistency. Some stretches are embarrassingly uneven and may not be usable. If I want to show someone else how to weave a wider band, I need to work on my own technique. I better get it right before I try to demo this for anyone else.

It is a virtue to correct your own mistakes before pointing out the faults of others. How easy it is to notice someone else’s “blind spot.” I wonder if sometimes we are seeing our own flaw, but we don’t recognize it until we see it on someone else. The next time I am tempted to highlight someone else’s mistake, I want to remember what it took to weave this band, errors and all.

May you always give, and receive, the benefit of the doubt.

P.S. I do have another video in the making. I’ll show you next week.
P.P.S. I will do a video on band weaving. Eventually.

Love,
Karen