Process Review: Jämtlandsdräll with Julia

My intention is to weave fabric for a couple of cushy throw pillows. But after just one pattern repeat, I realize that this cloth on my brand new Glimåkra Julia is something I would like to wear! No pillows this time. Instead, here is my new autumn/winter shoulder wrap, embellished with frisky swinging fringes. Miss Julia has proven her worth on four-shaft Jämtlandsdräll (crackle) in 6/2 Tuna wool. Her next adventure will be something that explores all eight shafts. (See My New Glimåkra Julia Loom.)

Jämtlandsdräll Wool Wrap - woven on Glimåkra Julia.
Finished wrap. Ready for cool weather!

This project starts with the draft for the Jämtlandsdräll Blanket on p.59 of Simple Weaves, by Birgitta Bengtsson Björk and Tina Ignell. Tuna yarn samples, along with Fiberworks Silver for Mac, help me jazz up the color. I settle on three colors for the warp, with burnt orange as the anchor. Six different colors are used for the pattern weft, plus dark teal for the tabby.

Planning my next weaving project on Fiberworks.
Paint chips, Tuna yarn samples, and Fiberworks Silver for Mac aid my planning process.
Colors! Let's see how they work together on the loom.
Colors! Let’s see how they work together on the loom.
Beaming the warp on my new Julia.
Beaming the warp.
Weaving Jamtlandsdrall (Crackle) on my new Julia.
Daylight, plus colorful yarn. As summer is warming up outside, Julia is dressed warmly inside.
Weaving Jamtlandsdrall (crackle) on my new Julia.
There is something about weaving with a double-bobbin shuttle that I especially enjoy.
Color gradation in the pattern.
Some color gradation in the pattern.
My new Glimakra Julia!
Miss Julia, filling up her cloth beam.
Crackle (Jamtlandsdrall) in Tuna Wool.
Ending with a few picks of plain weave.
End of warp on my new Glimakra Julia.
Thrums at the end of the warp will serve as fringe.
Cutting off Jamtlandsdrall (crackle)!
Cutting off, giving a view of the back side of the cloth. Front and back have reverse images.
Jämtlandsdräll, just off the loom.
Jämtlandsdräll, just off the loom.
Twisting fringe on Jamtlandsdrall wrap.
Much to my pleasant surprise, after removing (unweaving) my short sample weaving at the beginning, and untying the front tie-on knots, I had the EXACT same length of fringe–to the centimeter–on both ends of the woven wrap.
Chunky, frolicky fringe.
Overhand knots secure the weft. Two groups of four warp strands each form each chunky fringe. Now, this wrap is ready for wet-finishing.

This is one of those times when the weaving is so satisfying that I truly don’t want the warp to come to an end. (…except that I’m excited to start on Julia’s second adventure!)

Jämtlandsdräll Autumn/Winter Wrap
Jämtlandsdräll Autumn/Winter Wrap

May your adventures never cease.

Happy Weaving,
Karen

12 Comments

  • Bom dia! Ficou lindo essa peça.Sou brasileiro, professor aposentado e estou tecendo a pouco tempo em um tear de quatro eixos que eu mesmo fiz. Gostaria de saber qual é a medida do tecido pronto? E onde encontro esse padrão para quatro eixos. Muito obrigado por compartilhar seu trabalho

    • Karen says:

      Google Translate: Good Morning! This piece was beautiful. I am Brazilian, retired teacher and I am recently weaving on a four axis loom that I made myself. I would like to know what is the measure of the finished fabric? And where do I find this pattern for four axes. Thank you so much for sharing your work

      Bom dia, Reinaldo!
      Thank you very much. The finished piece is 47cm (18 1/2”) wide and 146cm (57 1/2”) long, plus 14cm (5 1/2”) fringe on each end.

      This pattern is in the book “Simple Weaves,” p.59 “Jämtlandsdräll (Crackle) Blanket,” by Birgitta Bengtsson Björk and Tina Ignell, published by Trafalgar Square Books, Vermont, 2012. I changed the colors in the pattern.

      The weave structure is Jämtlandsdräll, also known as Crackle.

      Thank you,
      Karen

  • Nannette says:

    Yep, a much better wrap.

    Beautiful !

    Can’t wait to see your next creation.

    • Karen says:

      Hi Nannette, It would have made a pretty throw cushion, but I already have plenty of those. This will be fun to wear!

      Thanks!
      Karen

  • Betsy Greene says:

    That’s a beautiful wrap! Thanks for sharing your design process.
    Betsy

    • Karen says:

      Hi Betsy, I’m glad you enjoyed seeing a bit of my design process. I don’t usually use the weaving software, but this makes me want to put it to use more often. It helped to see different possibilities on the screen.

      Happy weaving,
      Karen

  • Cindy Bills says:

    Simply lovely! I so enjoy following along with your projects. You inspire me to try new techniques/projects with my looms. 🙂

    • Karen says:

      Hi Cindy, When I got the Julia, I decided to use the loom to weave something I haven’t done before on my own. (I wove Jämtlandsdräll at Vavstuga once, and have wanted to weave it again ever since.)

      It’s so exciting to try new things!

      Happy weaving,
      Karen

  • Nancy says:

    Beautiful! Love your style!

  • Elisabeth says:

    Gorgeous colors! And if not pillows, the wrap can double as a runner for a special holiday or something 🙂
    I love that you have looms in several spaces, with your dedication it makes sense. And you get a glimpse of your projects as you move around, what a joyful experience!
    Elisabeth

    • Karen says:

      Hi Elisabeth, I had the same thought that I could use this as a runner. The colors fit right in.

      It is a joyful experience to have looms scattered around. Each one has its place and purpose, and I’m free to let them work or rest, as needed.
      I always enjoy your thoughtful responses.

      Love,
      Karen

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Charted Territory on the Drawloom

The chart that hangs at the left side of the beater gives a glimpse of the overall design of this rag rug. It’s the second page of a three-page chart. It’s not easy to make sense of the design on the loom, seeing only a small slice of the big picture. I am eager to see the whole project woven, to see how it aligns with the design I’ve imagined.

Drawloom rag rug on the loom.
First color block of the rug was brown. The second color block is red. Two different red fabrics alternate.
Following a chart for the single-unit drawloom.
Chart hangs at the left side of the loom. A transparent ruler is clipped to the chart. I move the ruler up, row by row, to keep my place on the chart. Single-unit draw cords that are pulled are held in place along the hook bar just above the beater.

I drew the design in MacStitch, a cross-stitch design program. Then, I imported the gridded image into Photo Affinity to add vertical shaded stripes to match the 10 white-/10 black-cord arrangement of single-unit draw cords on the loom. Lastly, I printed the enlarged chart to use as my guide at the loom.

Drawloom rag rug in the making.
Drawloom rag rug in the making.

How does our present slice of life fit into the overall plan? Only God knows. But one thing is certain. The Grand Weaver has a purpose for your life. It’s a purpose that he will fulfill. You and I are the work of his hands, work that he will not abandon. Yes, we make our plans. The truth is, our best plan is that which aligns with the design he has imagined.

May you get a glimpse of your life’s design.

On purpose,
Karen

20 Comments

  • Nannette says:

    Oh my goodness!!!

    Just when I think I’ve seen it all, there is more. God is great!

    How are you getting such even widths on your rag warps?

    Kind regards,
    Nannette

    • Karen says:

      Hi Nannette, I like the way you notice detail.

      I’m not sure if you’re asking about the rag wefts, or about the width of the warp overall…

      For the rag wefts –
      I fold the fabric yardage and put it on my cutting mat. I use a clear quilting ruler to measure off 1 cm (3/8”), and slice it off with my large-blade rotary cutter. It takes a lot of cutting for a rug this size with strips this thin. I usually cut 40 strips, then weave them, then cut 40 more, then weave them, and so on.

      For the width of the warp –
      I use a temple, and I bubble the weft. Both factors help keep the warp width uniform size.

      Thanks for asking,
      Karen

      • Linda Adamson says:

        Curious about the 3/8″ strips. It appears you are using only one strip at a time so the front and back will be different colors. Is that correct?
        What set are you using? Wondering how thick it will be when finished.

        • Karen says:

          Hi Linda, I am using only one fabric strip at a time. The back is the reverse of the front. In other words, where you see the red on front, you will see the predominant warp threads on the back, and vice versa.

          The sett is 7 doubled ends per centimeter (I think that’s about 18 doubled ends per inch), which makes the warp very dense. The first rug from this warp is about the same thickness as my “regular” rag rugs, but I would say the rug is stiffer and feels more densely packed.

          Thanks for asking,
          Karen

  • Joanne Hall says:

    I look forward to seeing the completed rug. This is a very interesting desigtn.

    • Karen says:

      Hi Joanne, It will be gratifying to see the whole rug at once. I tried to come up with a design that is simple enough to work with the scale of this rug.

      Thank you,
      Karen

  • Linda Adamson says:

    Fascinated by the drawloom. Could I contact you to talk more about it?

  • Elisabeth says:

    That’s impressive, and the design is quite dramatic. Now I am curious to see it finished 🙂
    I like the possibilities a draw loom offers, but I am afraid it would be too complex for me.
    It is a challenge to be content with only seeing today, but to be able to focus on the present day and the task at hand, that’s where I find the beauty of life

    • Karen says:

      Hi Elisabeth, It helps to know one’s purpose. The drawloom isn’t for everyone. But when you come out to see me, I’d like to give you a swing at mine. 🙂

      I agree with you, that it is so important to focus on the present day we have–a gift that’s been given to us.

      Happy weaving,
      Karen

  • Anna Zinsmeister says:

    It looks really interesting. It’s so good to see a rug being woven using the drawloom. It shows that it can be a very versatile loom. I like your work!

    • Karen says:

      Hi Anna, I am touched by your words of affirmation. Thank you!

      I have always been interested in rag rug weaving, so when I got a drawloom, I knew this was something I wanted to try. Yes, indeed, this is a very versatile loom. I will never run out of things to learn and try on it.

      Happy Weaving,
      Karen

  • LJ Arndt says:

    Beautiful work. I’m really new to draw loom and have a question from the photo. Are you using a shaft and individual draw on your loom. The shafts being pulled and on the pegs below the draw attachment. In the photo, right now, there are no individual warp ends selected. Am I interpreting the photo correctly. Thank you, looking forward to seeing the finished rug.

    • Karen says:

      Hi LJ, You are asking pertinent questions. I do have the Myrehed combination draw frame; however, this project is not using the shaft draw system at all. This is completely woven with the single unit draw. In the second picture you can see the shaft draw handles near the top of the draw frame. They are not being used on this project. The single unit draw cords are the black cords and white cords that you see, some of which are pulled and held in place by the pegs on the hook bar. In other words, these draw cords that are pulled are lifting individual units of threads. Whereas, if any of the shaft draw handles were pulled, they would be lifting pattern shafts holding certain units of threads.

      Does that clarify?

      My next “death-defying feat” will be to use the combination–both shaft draw and single-unit draw on the same project. I’m still wrapping my mind about how that will work. Coming soon…!

      Thank you!
      Karen

      • LJ Arndt says:

        It does. I have a shaft draw system that I’ve only used a couple of times and so interested in learning it’s possibilities. Thank you for the great explanation.

  • Loyanne Cope says:

    Super neat!

  • Martha says:

    Karen, this rug is so pretty. I can hardly wait to see it when it is finished.

    • Karen says:

      Hi Martha, I’m glad you like it! It’s a fascinating project to work on. Like you, I am eager to see it rolled out.

      Thanks so much!
      Karen

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Process Review: Jubilation Hand Towels

These towels make me think of my father. He was a brilliant architect. As an architect’s daughter, I learned to appreciate the interaction of structure, design, and color. This fabric has it all! These towels are also an expression of joy, a prominent aspect of my dad’s personality. If you could create a tangible article of jubilation, this would be it.

Broken and reverse twill structure. Handwoven towels.
Broken and reverse twill structure. Using all the same colors, each towel has a different sequence of weft color order.

After weaving three towels, I eliminated the floating selvedges. Which one of the four towels do you think was woven without floating selvedges? Leave your answer in the comments. (1 – 4, with the towel on top as #1.)

Four new handwoven towels.
Three of the four towels were woven with floating selvedges.

Here’s a short slideshow video that shows the process from start to finish:

Jubilation bath towels are up next on the Glimåkra Standard!

May your jubilation rub off on your family and friends.

Happy Weaving,
Karen

47 Comments

  • Anonymous says:

    Number 4

  • Nancy says:

    They are all beautiful!

    I think it is number 4 that didn’t have a floating selvage. I know those edges anywhere! Ha ha

  • Kristin Martzall says:

    The towels are gorgeous ! I think I would have liked to have met your father…….
    !

    • Karen says:

      Hi Kristin, I’m sure you would have enjoyed my father. He was a very likable guy. Thank you for your compliment on the towels!

      All the best,
      Karen

  • Charlotte says:

    The richness in color and design…goodness…gracious…such beauty have you created! I and going with #3, to be the one without a floating selvage.

    • Karen says:

      Hi Charlotte, Your encouraging words mean a lot to me. Thanks for making a guess. Stay tuned… I will reveal the answer next week.

      Happy weaving,
      Karen

  • Beth Mullins says:

    They are beautiful, Karen!

  • Rachel says:

    I believe it is 4. My question is why? These towels are stunning. Thanks for sharing.

    • Karen says:

      Hi Rachel, If your question is why would I eliminate the floating selvedges, I have a few reasons. Primarily, though, I can get a much better rhythm in weaving without them. And in most cases, I find they are unnecessary.

      Happy weaving,
      Karen

  • My guess is #2. Only because it looks a little different than the others. Did you start out without one and then decide it would be A little easier to use one?

    • Karen says:

      Hi Jenny, I started out with the floating selvedges because I thought I needed them because of the reverse twill. After three towels I decided to chance it and cut the floating selvedges off. I was pleasantly surprised. It leaves only small floats at the selvedge (which are unnoticeable after wet finishing), and it was much easier for me to weave without them. I only had to toss and catch the shuttle, so my hands didn’t have to stay so close to the warp.

      Thanks for making a guess. I’ll reveal the answer next week.

      Happy weaving,
      Karen

  • Bethany Garner says:

    What a glorious video Karen… the loom, the threading, the weaving and the music brought me great joy this morning. Be safe and well! You are loved!
    Bethany in Kingston, ON Canada

  • Kristin G says:

    I’m guessing #2. These towels are gorgeous, Karen! The video with all of its loveliness brought a smile to my face this morning (and I needed it – I was feeling like a grump!) Your father sounds like such a wonderful man. Thank you for spreading joy today 🙂

    • Karen says:

      Hi Kristin, Well, I’m glad this had that effect on you because the world needs your beautiful smile! You would have liked my father, and I know he would have liked you.

      Thanks for your guess. Stayed tuned for next week….

      Hugs,
      Karen

  • Nannette says:

    Good morning Karen. Your craftsmanship is so precise I couldn’t pick out the missing salvage with a laser pointer and a flashing neon light.

  • Loyanne Cope says:

    The towels are lovely. Your colors are always so interesting. If I am not being too forward, your edge in the picture where the towel is still on the look looks so firm. Would you share how you did this? Thank you, Loyanne

    • Karen says:

      Hi Loyanne, It’s good to hear from you.

      While on the loom, the edges stay firm for two reasons. 1. I generally keep the tension fairly tight. This is especially possible with a countermarch loom. 2. I always use a temple. The temple helps me weave tight selvedges—the weft is very snug at the selvedge, which helps keep the outer warp ends firm.

      I hope that makes sense.

      Happy weaving,
      Karen

  • jane n wolff says:

    These are lovely. Cam you share what yarn you used?

    • Karen says:

      Hi Jane, Thank you for asking. The warp and weft is 22/2 Bockens Nialin (Cottolin). The cotton and linen blend is perfect for making absorbent towels.

      Happy weaving,
      Karen

  • KimG says:

    Well, I LIKE the edge of number 2 the best. Where is the pattern from, how many shafts and what are the were and warp threads? Absolutely stunning!

    • Karen says:

      Hi Kim, Thanks! I like knowing what you like the best.

      I started with a draft for wool blankets from Favorite Scandinavian Projects to Weave, by Tina Ignell. I adjusted it for size and sett to make the towels, and chose my own colors. This uses 6 shafts and 6 treadles. Cottolin for warp and weft.

      Thank you!
      Karen

  • Kevin B says:

    Your towels are beautiful! Beautiful colors and fabulous weaving! I’m guessing #4 is the one without the floating selvage.

    • Karen says:

      Hi Kevin, I have enjoyed these colors immensely. It’s fun to find a set of colors to play around with. Thanks for making a guess! I’ll let you know the answer next week…

      Thanks for your sweet encouragement.
      Karen

  • D'Anne says:

    I suspect you inherited your father’s precise workmanship and creativity as your work is always exquisite. He sounds like a delightful father. I think #2 is the one without the floating selvedge, but I look forward to your answer. 🙂

    • Karen says:

      Hi D’Anne, Your cheerful encouragement means so much to me! If I inherited my dad’s workmanship and creativity that’s saying a lot. You have a keen eye. We’ll see if you’re right about the selvedges.

      All the best,
      Karen

  • Jan says:

    Beautiful towels Karen. I think No 1 is the one without the floating selvedge.

  • Linda says:

    My guess is #4. I always use a FS with twill and it makes me laugh that I am having such a hard time seeing the difference! Beautiful towels!!!

    • Karen says:

      Hi Linda, Floating selvedges are very common. I’m pleased to know that it is not easy to tell the difference. Weaving is far simpler for me without them. Thank you!!

      Happy weaving,
      Karen

  • Kat says:

    My goodness! These towels are just stunning, color, pattern, all of it! My guess is number 2. It just looks different form the other three, and I prefer the look of that edge!

    • Karen says:

      Hi Kat, Your descriptive words really warm my heart! I’m glad these towels look good to you.

      Thanks for including your guess – and your reasons.

      All the best,
      Karen

  • Janis Schiller says:

    Hi Karen,
    Your towels are wonderful. I love the combination of reverse and broken twill.
    Is this your original pattern or is it from another source?

    The video was enjoyable to watch as well.

    Can’t wait to see what your Jubilation towel project will be!
    Regards, Janis

    • Karen says:

      Hi Janis, I’m very happy with the reverse and broken twill combination. It puts a lot of action in the design.
      I started with a pattern for wool blankets in Favorite Scandinavian Projects to Weave, by Tina Ignell, and made adjustments to turn it into towels.

      The next Jubilation Towels will be very similar, only bigger! Bath size.

      Happy weaving,
      Karen

  • Elisabeth says:

    Your towels are beautiful! Nothing beats the feel of hand wowen towels, I am sure they will be wonderful as bath towels, too 🙂
    My guess is # 2, for two reasons… the edge looks different, and I think I recognize the colors from the last towel you wove where you made this change.

  • Tobie R LuriTobie says:

    Hi Karen-The towels are beautiful but I have a question about rag rugs. I cleaned out my linen closet and discovered I have too many sheets and think they will make very good rugs. I plan to cut them in strips and dye them. My question is how wide should I make these strips–1 inch/2 inches? These are older cotton sheets so are pretty soft. What do you think? And thanks for advice!

    • Karen says:

      Hi Tobie, That’s great that you have cotton sheets that you can use for rag rugs. I recommend you test some different widths of strips after you get the loom warped before you cut all the strips. I use a sett of 8 epi (3 epc) with 12/6 cotton rug warp. Most of my fabric strips are 3/4″ wide. If the fabric is thin, I cut them a little wider, up to 1 inch. If you want thicker weft, 2 thinner weft strips will pack in and lay better than one wider strip. Most of the Swedish rag rug books I refer to use fabric cut to 2cm (about 3/4″), so that’s what I try to follow.

      Happy weaving,
      Karen

  • Lora says:

    Number 2. Gorgeous towels.

  • […] PS Floating Selvedges. Last week I asked if you could tell which one of these four towels was woven without floating selvedges. (1 – 4, with the towel on top as #1.) See Process Review: Jubilation Hand Towels […]

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Drawloom Rag Rug Color Transition

This is a huge project. Four shades of blue from dark to light span the nearly one-and-a-half-meter-long rug. I have reached the final color-transition section. I am eagerly awaiting the day this rug will be rolled out!

Rag rug on the drawloom. Color transition.
Transitioning from one color to the next.

My measuring ribbon shows me where to make the color changes. I alternate two weft colors (C and D) through the transition area to blend the hues. All the while, I stop after every half-unit of four picks to manage the draw cords. A graphed chart tells me exactly which of the 164 draw cords to pull or release. In this way the graphic designs are woven into the rug, row by row. I weave in quiet, allowing me to put full attention on each move.

Drawloom rag rug.
View of the underside of the rug as it goes from the breast beam to the knee beam.
Single unit drawloom rag rug.
Draw cords are arranged by tens, alternating black cords and white cords. I pull the cords as they correspond to the prepared chart hanging at the left side of the loom.

We need hope in these unsettling times. Jesus invites us to admit our fears and failures, and put our trust in him, and follow him. And this is the message Jesus gives his followers: I am always with you. The Lord gives strength and courage. As our Grand Weaver, he has his full attention on us. So be strong and take courage.

May you have hope that lasts.

Love,
Karen

6 Comments

  • Linda Cornell says:

    Thank you for the words of encouragement today.

    God bless you.

  • Linda Adamson says:

    Please send a photo when the rug is finished. Happy Easter! He is risen!

  • Nannette says:

    Pretty colors. I noticed the pattern is reversed on the back. Or, is there an actual back once it is cut from the loom?

    We now have a Palm Sunday grandson. He came quickly. 15 minutes from leaving the house.

    In their hospital, dads were allowed in with admission, but have to stay the entire time. They are not allowed in if they leave. This is where modern technology comes to play. 31 seconds of video played over and over by the toddler who is fascinated by his baby brother.

    We are watching the toddler and entertaining him with driveway chalk art. The neighbors are enjoying this as much are he is.

    The stories to be told at future Thanksgiving tables…. none of which are relevant to your beautiful weaving. Except… the enjoyment of God’s gifts.

    And of course. This is Wisconsin. The game playing with this year’s election. It makes my head hurt.

    This is a remarkable Holy Week.

    Thank you for making the world a better place.

    • Karen says:

      Hi Nannette, You are correct, the pattern is reversed on the back. Who knows, maybe I’ll use the back as the main side. Or, probably flip it over from time to time.

      I’m glad your new grandson had a healthy entrance. Congratulations!

      With resurrection in mind,
      Karen

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Tried and True: Designing Handwoven Towels

How do you come up with a design for standout hand towels? Sometimes it’s nice to start with someone else’s ideas. There is a gorgeous wool throw, designed by Anna Svenstedt, in Favorite Scandinavian Projects To Weave: 45 Stylish Designs for the Modern Home, by Tina Ignell. This Colorful Throw—Reverse Twill makes a perfect template for designing eye-catching hand towels.

New handwoven towels.
Warp chains with seven colors of 22/2 cottolin for standout hand towels.

Decisions:

  • Colors – a set of seven colors, to be used in warp and weft
  • Fiber – 22/2 cottolin for warp and weft
  • Reed and sett50/10 metric reed, 10 ends per centimeter (~ 12-dent reed, 24 ends per inch)
  • Finished size of towel – 39.5 cm x 63 cm (15.5” x 24.5”)
  • Number of towels – 2 pairs of towels = 4 total
  • Spacing of warp stripes – add two more narrow stripes at each selvedge to balance the pattern

These decisions enable me to prepare a project plan, make calculations, and write a new weaving draft.

New handwoven towels.
Testing, testing…

When the loom is dressed, the design process continues as I begin weaving a sample section. This is where I decide what weft colors to use, the spacing of weft stripes, and specific treadling patterns. I add these notes to my project sheet, which I keep at the loom as my weaving roadmap.

Measuring for weft stripes.
I place my measuring twill tape along the reed to mark the spacing of the warp stripes. I will use that same spacing for weft stripes to make plaid towels.
Testing colors and patterns.
Sample weaving to try out colors, stripe spacing, and treadling patterns. And, simply to practice this broken reverse twill treadling, which requires concentration.
First towel starts after the red cutting line.
First towel starts after the red cutting line.

These hand towels are a preview. If they turn out as hoped, I may have to make some bath towels to match.

May your designs stand out.

Happy Weaving,
Karen

14 Comments

  • Charlotte says:

    You will love the cottolin for your bath towels. I’ve used cottolin for warp and linen for weft. That works well. But, the balance of cottolin for warp and weft makes a wonderful bath towel.

    Your hand towels will be a treasure!!! The colors are smashing!!!!!

    • Karen says:

      Hi Charlotte, I like the idea of using linen for weft with a cottolin warp. You would get the softness of the cotton in the cottolin and the extra absorbency of the linen. I may consider that for the bath towels. What size linen do you recommend for that?

      I’m already thinking these may be my favorite hand towels.

      Thanks!
      Karen

      • Charlotte says:

        I am sitting here at home, sipping my first cup of coffee. Hence, I don’t have my notes available to answer your question. But, I usually try a weft and weave a few rows of blocks to make certain I can square the block. If the yarn is too thick for the weft, but I’m crazy about it…I’ll weave 1/2 blocks for the cloth. I’ll treadle 1, 2, 3 and change to the next pattern row: 4, 5, 6. Does this make sense?

  • Anonymous says:

    Absolutely beautiful! Gorgeous colors. Eight shaft?

  • Joanna says:

    I wish you more joy with your plaid than I have had with mine. It’s been stalled on the loom forever. What was your inspiration for the color choices? I keep looking for echoes of your beautiful Texas Hill Country.

    • Karen says:

      Hi Joanna, I know it is disappointing when something on the loom is less than what we’d hoped. What if you just finished your towels off with a single weft color, having only the warp stripes? Would that work? At least you could get them off the loom sooner.

      I have a set palette of colors for our home in Sherwin-Williams paint chips. I spread those paint chips out when deciding on thread colors for weaving that will be used in our home. I have yarn samples of all the main yarn/thread that I use (Yarn in a Jar from Vavstuga is fantastic for this) so I can spread the yarn colors out, too, and find pleasing arrangements.

      I hope you find a way to put joy back into your towel weaving.

      Happy weaving,
      Karen

  • Kevin says:

    Really beautiful! I love the colors and the pattern!

  • Barb says:

    Love the idea of using the warp stripe pattern as the spacing for the weft colors! It is an idea i will sample on the striped cotton towels on my loom. Thanks so much for sharing, I always find inspiration in your weaving journey.

    • Karen says:

      Hi Barb, Copying the warp stripe spacing is an easy way to bring a cohesive look to the towels. Good for you to sample the idea for yourself.

      I sure appreciate your kind encouragement.
      Happy weaving,
      Karen

  • Nannette says:

    Beautiful weave.Love your color choices.

    Thank you. Much needed as I sit next to totes being filled with decades of craft supplies to be moved to the retirement home and the empty boxes to be filled for the anticipated rummage sale. The Reed Pleater will have to be sold. Can I let go of the silk screening supplies from my college days?

    In the next 9 months there is much to do to make the transition.

    Between you and Curmugeom66 my creative soul is renewed. (His last VLOG was snow blowing his yard just south of Green Bay.) That said, he has posted quite a few VLOGs using cottalin.

    Thank you for keeping me in the loop with your wonderful projects..

    • Karen says:

      Hi Nannette, I understand. I, too, had to let go of many prized saved things when we prepared for our retirement move. Happily, I have no regret of letting go, and I have not missed any of it. The move became my chance to start fresh. That doesn’t make your challenge any easier, but I hope you will be encouraged. You have a bright future to look forward to.

      All the best,
      Karen

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