Puckered Sample

Will these long floats do what I hope they will do? I have puckered scarves in mind. Soft 8/2 cotton in shades of green. We do not often know, really know, how things will turn out. With weaving, I can sample first. That little piece of trial and error is not wasted threads. It enables me to weave the remainder with confidence. Without a sample, especially with a new technique, or an untested idea, my hope for a good outcome is guesswork, with no real substance.

Sample of lace weave with warp floats - before washing and drying.
How will this sample behave through the washer and dryer? Will I get the results I’m after?
Sample for weaving a puckered scarf.
Yes, looks like a puckered scarf to me. It feels soft, too.

In some ways, my faith is like that sample. Faith is strength through storms; and I’m facing one of those storms today. I don’t know how things will turn out, but because of the One who has gone before me, my hope has substance. It’s as if my Lord has woven a sample for me to see, to trust in His care.

Wet finished sample compared with lace weave scarf on the loom.
Sample piece gives a preview of what the end result will be like. The cloth on the loom looks and feels rigid and unbending, but the finished sample cloth reveals a surprising texture that has the feel of movement and freedom.

My soul is preserved through faith, taking me to the front line in the battle, with courage. And so, I continue weaving with hope, having an imperfect glimpse of what the finished fabric will be.

May you see hope as you weather the storms.

With faith,
Karen

Trash the Warp or Try Again?

This band was giving me fits! First, the 12/6 cotton (rug warp) is a little heavy for a band. Secondly, I created tension problems by adding two green stripes of 22/2 cottolin. Thirdly, a wider band like this is unwieldy to weave with my small hands. Fourth, I goofed in the threading. And, lastly, I couldn’t see the goof in my threading because I was pulling the weft too tight. Nothing was going right.

How NOT to weave on the band loom.
How NOT to weave on the band loom.

Cut it off and throw the whole thing away. It’s only three yards. Hold on… I don’t want to give up that easily. Yes, cut off the woven mess. But why not correct the threading and at least try weaving a little bit? As it turns out, the threading error had contributed to most of the problems. Times like this remind me to carefully examine what I am doing.

Weaving a sturdy strap on Glimakra band loom.
After making threading corrections, adjusting my beat and how tightly to pull the weft, the true pattern emerges. At 1 3/4″ / 4.5cm, it will be the right width for a nice sturdy strap–a shoulder strap for a bag, or a guitar strap, perhaps.

Examine everything. Hold on to what is good; and abandon evil. We need to practice the good, even when the good seems difficult and we want to take the easy way out. Repeat the good; don’t let the good slip away. And you will find yourself making progress in the right direction.

May you not give up too easily.

P.S. Many of you have shared my Twisting Fringe on the Loom tutorial video! Thank you!!
In answer to your requests about my finishing process for the wool blanket, including the fringe, look for a series of short videos in my Quiet Friday post at the end of this week!

(If you have not signed up to receive my posts by email, now is a good time. Sign up at Follow Along on the right sidebar.)

Learning,
Karen

Textured Textiles for Christmas

This is exactly what I had hoped for! Wet finishing made textured textiles out of flat fabric. One look at these pot holders and you know they have been through the washer and dryer. The rag weave table runner tells the same story. It’s true, wet finishing made positive permanent changes.

Rag weave table runner in M's and O's - on the loom.
Rag weave table runner on the loom. M’s and O’s, with Cottolin warp, and narrow cotton fabric strips for weft.
M's and O's pot holders and table runner cut from the loom.
Time to celebrate cutting the pot holders and table runner from the loom.
Rag weave table runner and string yarn pot holders in M's and O's. Karen Isenhower
Textured textiles, after wet finishing and hemming. Twisted cording was added to pot holders for hanging loops.
Detail of textured textiles. M's and O's with creative treadling.
Creative treadling for two pot holders produced design variations.

Christmas is a true story. Love came down. You have heard the story: Jesus came as a baby, grew up, and gave up his life to save us, all in the name of love. When this Jesus story is written on our hearts it changes everything. This love story is the wet finishing we need. It is the only thing that can truly complete us. Your life already tells a story. It is an open book that people read. When we let the Christmas story of God’s love shape us, the fabric of our life becomes characterized by the texture of love.

May your loved ones enjoy reading “your” book.

(Shoppes at Fleece ‘N Flax in Eureka Springs, Arkansas is carrying a few of my rugs. If you are near the area, drop by the shop and say Hi to Debbie!)

Happy Holy Day,
Karen

Rag Weaving with a Boat Shuttle

This is a simple way to make a rag weave table runner. The M’s and O’s weave structure provides a great framework. What I like about narrow fabric strips is that you can wind them on quills, just like yarn, and weave with a boat shuttle. It is fast weaving that breezes right along.

Rag weave table runner on the loom. Karen Isenhower
Boat shuttle holds quill with narrow fabric strips to weave table runner. In view below the table runner are pot holders that were woven using unbleached cotton multi-strand yarn.

I could use a small ski shuttle for this, as if I were weaving rag rugs. Or, I could even place the weft across by hand on this narrow-width warp. The most efficient way is the boat shuttle, and the main thing is to get the weft across so weaving can happen. In life and relationships, it is love that needs to get across.

Patience and kindness are universal expressions of love. Love never fails. It started with the patience and kindness of God. As we draw toward Christmas, consider the meaning of the holiday–that God so loved the world. His patience and kindness toward humanity meant sending His son to our world. And that baby, named Jesus, became God’s way of taking love across the gap between heaven and earth.

May you be known for patience and kindness.

Good Christmas to you,
Karen

Textiles from The Philippines

Steve and I returned this week from travels to The Philippines. We had a wonderful time celebrating Thanksgiving there with our son’s family in Makati. During our eleven-day visit, I encountered many examples of beautiful handwoven articles and other fascinating textile goods. It probably won’t surprise you that I tucked a few textile treasures in my suitcase to bring home with me. (Remember last year? Quiet Friday: Philippine Textiles)

Handwoven cotton towels from Sunday market in Makati, Philippines
Lovely cotton hand towels from Beth’s Loomweaving at the Makati Sunday Market.
Cotton towel detail shows green weft for stripes.
Detail of cotton towel shows that the darker stripes are created with green weft.
Variety of scarves and wraps from markets in The Philippines.
With an over-abundance of scarves and wraps to choose from (in bargain prices), I escaped with only these few. Some are for gifts; and some are for personal use. All are sources of design and color inspiration.
Example of backstrap weaving from Mindanao, Philippines.
Lightweight table runner or scarf was made by a weaver in Mindanao, the southernmost island of The Philippines. This exquisite example of backstrap weaving is made from very fine cotton, and is completely reversible.
Detail of backstrap weaving from Mindanao, Philippines.
Backstrap weaving detail reveals the intricacy of the tapestry-like design.
Traditional Filipino weave structure showcases pattern and color.
Pillow cover is well-planned and executed, showing striking color combinations in a traditional Filipino weave structure.
Detail of handwoven pillow cover from The Philippines.
Detail of pillow cover shows the pointillistic appearance of this weave.
Filipino bag woven from piña fibre.
Made from the leaves of a pineapple plant, piña fibre was used to weave this sturdy little open plain weave bag.
Detail of bag made from piña fibre.
Piña fibre has a natural luster.
Handwoven Elegant Filipino Table Runner
Not the expected mix of bright colors, this elegant table runner has black weft floats on a white warp of fine cotton. The traditional Filipino weave uses a multi-stranded black cotton (or cotton/poly blend) for the pattern, alternating with the fine white cotton threads for the tabby. This one-sided cloth, similar to overshot, has weft floats only on the top side.
Detail of weft pattern floats in traditional Filipino weave.
Detail of black and white table runner. The patterned black floats almost give the cloth the look and feel of cut velvet.
My very favorite treasures from our visit to The Philippines.
My very favorite treasures from our visit to The Philippines.

May you find textile treasures in your travels.

PS Two more new rag rugs from my latest run of rugs are now in the Etsy shop, if you are interested. These two may be my favorite yet!

A little jet lagged,
Karen