Tools Day: Handwoven Photography Simplified

If you take pictures, does that make you a photographer? I enjoy taking pictures at the loom. Besides the creative challenge of finding a good shot, I like the aspect of letting a picture tell a story. The Warped for Good Etsy shop is another avenue to expand my photo skills. My goal is to take photos that showcase finished handwoven articles, while keeping the process as simple as possible. Typically, I take fifteen to twenty pictures of an item, and then choose the best five shots to upload on Etsy. When I have new items to add to Etsy, I do a photo marathon on a good sunshiny day.

Tips for taking photos of handwovens.
Single towel photo from photo marathon.

TOOLS:

iPhone 5
– I take all my photos with my phone. I know that is crazy! I never use my husband’s fancy digital SLR camera. My phone is always in my pocket, and there is nothing for me to figure out.

Tripod
– I do not actually attach the camera (iPhone) to the tripod. By leaning my hand on the tripod, I can get a steady shot; and I change the angle or height simply by moving my hand.

Natural light
– Colors are not true if I use any artificial lighting. Colors will vary on computer monitors and mobile screens, but natural light gives the best chance of capturing the colors as I see them.

Sunshine, not cloudy
– With the iPhone camera, I find it impossible to get true colors if the sky is overcast. Sometimes an overcast sky in the afternoon still seems bright, not dark. Even so, I find the colors are distorted. If the conditions are not favorable, it is worth waiting.

Long roll of white paper
– A white background appeals to me. I think it conveys simplicity and elegance.

Four walking weights
– There is no end to the usefulness of two-pound walking weights. These soft weights are perfect for holding the roll of paper out to size, without creasing. (You’ll find me using walking weights for just about everything …except walking.)

White poster board
– Sometimes a white poster board or two is needed to provide background for a shot from a lower angle.

Tips for simplified photo shoot for handwovens.
Simple set up for photo shoot. Testing lighting with first shot.
Tips for setting up simple textile photo shoot.
First few practice shots show me what adjustments to make with lighting, focus, and white paper and poster board background arrangement.
Three of a kind. Simple photo tips.
Three of a kind. I like to photograph complimentary pieces together.

May your photos show your best moments.

Say cheese,
Karen

Quiet Friday: Double-Binding Rag Rugs

Ordinary has never appealed to me. I remember some outfits I wore as a girl that were far from ordinary. For example, I had a corduroy cape with a Peter Pan collar, that had slits for the arms. I wore a corduroy brimmed cap to match, with a striped feather on the brim. Did I know any other ten-year-old girl wearing such a thing? No, not really. But I thought the outfit looked “cool” and stylish.

When I make a rag rug, I am not aiming for ordinary. I like the idea of making a rug that no one has imagined before.

Double-binding rag rug on loom.

Autumn Clouds rag rug on the loom. Karen Isenhower

Rag rugs on the loom.

Black and White and Red rag rug on the loom.

Simply red squares rag rug.

Double-binding rag rug on the loom.

Black and White.

Nearing the end of Black and White and Red rag rug.

Black and Red Squares rag rug on the loom. Karen Isenhower

May your ideas be far from ordinary.

Your friend,
Karen

Every Color Imaginable

Can you imagine weaving in a place where you have access to fully-stocked shelves of colors and fibers? Or, imagine someone with excellent color sense setting up a warp-faced project for you to weave, giving you the freedom to simply focus on pattern. This is what it was like at Vävstuga Weaving School for More Swedish Classics.

Pick-up Band woven on floor loom at Vavstuga
Set up on a four-shaft loom, band weaving with pick-up is simplified (or complicated, depending on how you see it). Five treadles are used to raise and lower threads. A pick-up stick is used to lift pattern threads, and a band shuttle stick is used to beat in the weft. Being a warp-faced weave, all the color is in the warp, and the weft is mostly hidden.
Rep weave on the loom at Vavstuga
Becky’s Rep Weave in Four Blocks on Eight Shafts. I took this opportunity to experiment with patterns. You might call this “playing with blocks.” Again, being a warp-faced weave, the color is pre-determined by the arrangement of the warp ends. The thin 16/2 cotton weft alternates with a thick weft of mini string yarn, giving the characteristic ribbed surface.

Worry happens when I don’t think I have what it takes to do the job, or when I think I won’t have enough of what I need. When Becky Ashenden prepares the warp, I certainly have no worries about choosing colors. And, with an abundant supply of 16/1 linen, I can combine three shades to produce a gorgeous, rich red, with no fear that the color supply will run out before I finish.

Beautiful Smålandsväv in linen on the loom at Vavstuga!
Deep red, burgundy, and coral 16/1 linen are wound together for the pattern weft in Smålandsväv. The warp is 16/2 line linen. This is the project in “More Swedish Classics” that gave me the most pleasure AND the most angst. …but that’s a story for another day.

We have a Father in heaven who knows all the things we need. All he asks is that we get to know him so we can learn to do things his way. It is much like weaving within the guidelines of the studio where we’ve been given the privilege to weave. Is that too much to ask? For his part, then, he sees to it that we have everything we need, giving us access, through his Son, to his great supply closet.

May your needs be amply supplied.

In case you missed, here is what I posted last week while I was at Vävstuga in beautiful New England: Vävstuga Autumn and Vävstuga Autumn II

Once again, Becky graciously allowed me to sit down with her to ask a few key questions. I am excited to share that conversation with you soon! Stay tuned… (Remember last year?)

Love,
Karen

Vävstuga Autumn II

Five days of weaving, learning many new things. It’s a wonderland of sights and sounds, colors, textures, fabric, looms, tools. The people I get to enjoy this with are as much a treasure as the skills I develop. Becky Ashenden’s cheerful teaching style makes the experience fun, and she stretches us to our limits so that we leave knowing more than when we came.

Here is a small sampling of my week. I’ll show you more after I get home.

Autumn at Vavstuga, view from student quarters

 

Swedish curtains on the loom at Vavstuga

 

Rep rug on the loom at Vavstuga

 

Weaving 3-Shaft Ticking at Vavstuga. On the porch.

 

Jämtlands Drall (Crackle in the US) at Vavstuga, 133cm wide.

 

Autumn in Shelburne Falls, MA, Bridge of Flowers at dawn

May your stretching be enjoyable.

Vävglädje (Happy Weaving),
Karen

This Rug Paints a Picture

Pretend this rug is a painting. Can you guess what the picture is? I have an image in my mind as I weave this rag rug. Sunset over land and sea. I saw a beautiful sunset last night that used these very colors! It was spectacular! And when the sun is setting in one place, it is seen rising somewhere else. (Do you remember when I wove another rag rug similar to this one? You can see it HERE.)

Weaving sunsets into a rag rug on the loom.
Moving the temple out of the way gives full view of the rug in progress. Blocks of color in this double binding weave hint at quilt blocks.

We count on the sun rising and setting every day. So, why do we worry? We tell ourselves there is not enough time, the day is too short. We can’t seem to make ends meet (did a weaver make up that phrase?). The one who positioned the sun knows how time works. And, surely, our Maker knows how to make our ends meet.

Most people worry. But you do not have to worry. Your heavenly Father knows precisely what you need. He is glad to provide for you from his kingdom resources. When I weave an imagined sunset into a handcrafted rug, it is a simple replica. When we see the actual display of sunset colors in the sky, let it be a reminder to put our trust in the One who is weaving our story.

May your ends meet.

Happy weaving,
Karen