I hope this isn’t cheating, but I added a teeny bit of embroidery to the finished bluebonnets. One thing I learned with this transparency is that an image that looks flat can be improved with a hint of shadows.
I’m thankful for my husband’s artful eye. He helped me identify the “off-screen sunlight” that would produce natural shadows. I am adding a few darker stitches to the right-hand side of some of the lighter areas, and a touch at the sides and lower end of the flower stems. My hope is to give the picture a bit more depth.
A single strand of mora wool in a darker shade is used to embroider some outline stitches on the right side of some of the bluebonnet petals.
Shadows tell us something: There is a light source. Find out where the light is coming from. That is what it’s like for those seeking God. There are shadows everywhere you look. We see the shadows–the effects of a shining light. And we want to find the source.
Hint of shadows helps give shape to the otherwise flat transparency.
Go on a search and exploration expedition. Start with small shadows that you see, the circumstances and blessings that hint at an outside light source. Such seekers may discover that God is just off-screen, waiting to be found.
It started with a prickly pear cactus in the front yard of our Texas hill country place, and then a photograph. Now, I have a woven representation of this interesting specimen of our Texas landscape! I am hoping that Steve will whittle a rustic rod from which this cactus banner will hang in our home.
Weaving the casing for the top of the transparency. Linen warp and weft make an appealing mesh that holds and surrounds the pictorial weaving.After cutting off, the complete front side of the transparency is seen for the first time.
Eager to hang this transparency, I didn’t want to waste any time. I finished the ends of the piece with a zigzag stitch on my sewing machine. And I sewed casings at the top and bottom. Now, in full view, a little back lighting reveals the complete picture of the woven threads.
Cactus spines in the woven image seem to reach outward and almost appear three-dimensional.Detail view of some of the shading in the cactus.
We weave thoughts and ideas in our heart. And when we speak, we bring those thoughts out into the open. Words reveal the treasures of the heart. When we speak words of value, we bring our choicest treasures out in the open. And what a welcome picture that is.
Is there anything as exciting as cutting off? Oh sure, there will be some errors to mend. And only wet finishing will reveal the true nature of the cloth. But after investing hours and hours at the loom, cutting the fabric off is a celebration. This is the moment when the work of this weaver’s hands is finally revealed!
While admiring and examining the fabric as it comes off the loom, I am already moving onto the next step–finishing. Here are a few of my regular practices.
Thread-mark the right side of the fabric on each sample and individual piece before completely removing the fabric from the loom. This removes guesswork later. Thread a blunt-tip needle with 6 – 8″ of warp or weft thread, and make a 1/2″ stitch through the fabric. Leaving a loose loop, tie the ends of the thread together in a square knot on the right side of the fabric.
Knot in the thread tells me that this is the right side of the fabric. Thread marks are sewn onto each piece before removing the fabric from the loom if the difference between the right and wrong side of the fabric is less than obvious. Thread marks remain until hems are turned under.
Tie sequential knots in the thread marks. e.g., First towel has one knot, second towel has 2 knots, etc. This enables accurate record-keeping measurements before and after wet finishing for individual items.
After washing, I count the number of knots in the thread to know which towel is which. Before and after measurements enable me to calculate the amount of shrinkage that occurs, which helps for planning future projects.
Cut pieces apart before washing.
1. Two weft picks have been woven for each cutting line. The two threads make an easy guide path for the scissors.
Cutting line for separating the woven pieces. Cut between the two red weft threads.
2. Use the same cutting-line color for every project (I use red, unless red is one of the weft colors in the project). This helps prevent accidental cutting at weft design stripes in the piece (which I did once –Oops!– before establishing this rule).
3. Pull out the cutting-line threads. Any remaining thread residue is easily removed with a lint roller.
Red cutting line thread pulls off, leaving a straight woven edge for finishing.
Finish the cut edges with an overlock stitch on a serger or with a zigzag stitch (preferably a three-stitch zigzag, according to my friend, Elisabeth) on a sewing machine.
All items are prepared for washing. Errors have been mended, and cut edges have been finished with the serger.Lovely texture of the M’s and O’s (Sålldräll) structure is revealed after washing. A few more finishing steps remain: pressing, adding handwoven hanging tabs, and hemming.
Humans are not finished until they are loved. Love is patience and kindness at the core. We want to be on the receiving end of that, don’t we? We all need someone to love us–to carry our burdens, to believe us, to hope the best for us, to endure with us. It’s in the finishing that we discover the value, the corrections needed, and the beauty that has been woven in. This is the love of God to us. This is the finishing work of Jesus Christ, and his love in us.
May you have many cutting-off celebrations.
With love, Karen
PS It’s good to be back with you! I hope you had a pleasant and weaving-full July.
Twenty-seven coffee mugs sitting in a row… on these new mug rugs! Wouldn’t that be a lovely sight?! Twenty-four of the mug rugs are identical. The last three, however, are different. I ran out of string yarn near the end of the warp, so I switched to fabric strips for the weft. There is just enough spacing between warp ends that some of the fabric print shows through. I love the results! These last three mug rugs are set apart. Brought about by a shortage of string yarn.
Fabric strip from a past rag rug project is used for the thick weft in this rep weave mug rug. The cotton fabric strip is 3/4″ wide.Beautiful batik fabric with crimson and purple deepens the color of the red cottolin warpends.Cutting Off! Six yards of mug rugs.Finished with machine zigzag stitches and a short fringe. 25 mug rugs with black string yarn weft. 1 mug rug with fabric strip weft. (Not shown: 2 mug rugs from the set-apart pile that have already been dispersed as gifts.)
Realizing our personal shortages is the beginning of humility. It’s not easy to acknowledge shortcomings. But humility begins with honesty. And it’s the answer for those who want to find the path to God. It’s our honesty about our shortcomings that catches His attention. God hears a humble prayer. The God of the universe gives one-on-one attention to the person who comes to Him in humility. Amazing! We come to the end of our personal supply, and He supplies the needed weft that sets us apart.
May your humility make you different from the norm.
With you, Karen
~ATTENTION~ Towel Kits ~
Thank you for your fantastic response regarding the towel kits I am offering! Many of you have expressed an interest in knowing when the kits will be available for purchase.
A small number of towel kits are ready! The River Stripe Towel Set, Pre-Wound Warp and Instructional Kit, for $150 per kit,will be listed in the Warped for Good Etsy Shop tomorrow, Wednesday, March 29, 2017, around 10:00 am CT.
If you are not already on the Towel Kit notification list, and would like to be notified when the next batch of towel kits are ready, please send me a message HERE.
The fascinating thing about weaving a transparency is that it feels like color-by-number with yarn. There are similarities to tapestry weaving, for sure. But this seems ten times faster. I found it to be engaging and fun! I echo what my transparency-weaving friend says when it’s time to stop and do something else, “Just one more row…”
Warp chain of 16/2 golden bleached linen, before beaming the warp.Threadingheddles in my little playhouse, with project notes by my side, and a cup of coffee on the side cart.Leveling string is added with extra care so that abrasion of the linen warp is kept to a minimum.Butterflies are made from the hefty cotton chenille yarn.Weaving without a cartoon. I am counting warp ends to keep the pattern angle consistent.Cartoon has been added. The pattern weft follows the lines drawn on the buckram cartoon, which is pinned in place.Cartoon is removed.Now, for the end of the warp…
After the main transparency with the zigzags, I had room to play on the remaining warp. I made another cartoon–a “cartoon” house. This gave me a chance to use a few more yarn butterflies, without it being overwhelming. Home. Sweet. Home.
“Cartoon” house cartoon. Ready for playtime at the end of the warp.With several butterflies going at once, the transparency weaving gets even more interesting!Now, the actual end of the warp is here.Cartoon house just off the loom.Welcome home! Home. Sweet. Home.
May you enjoy the fascination of learning something new.
