I threaded 888 warp ends. I am getting ready to thread those 888 ends again. It’s part of the preliminary process for a new drawloom project. A drawloom has two sets of heddles. Thread the pattern heddles. Then, thread the ground heddles. I enjoy all the preliminaries because of what they bring about—a delightful new weaving adventure!
Before I start threading, I count out all the lingos (weights) I need for the pattern heddles. Then, I hang a lingo on each unit of pattern heddles. In this case, there are 148 units, and six heddles in each unit. I move all those prepared units (heddles with lingos) to the back of the loom, get comfortable on my loom bench, and start threading. After a few sessions, I am finished threading the pattern heddles.
Next up, I will thread long-eye heddles on six ground shafts. A few more start-up operations after that, and then we will see this big ol’ boat raise its sails and leave the shore for another exhilarating adventure in weaving!
May you enjoy the preliminaries for every new start.
You could say I finished these scarves too late. Winter in Texas has come and gone. But I prefer to think of it as considerably early. When cool weather comes back around in a few months, I’ll be ready. I began with the draft for the lovely Stardust scarf, designed by Mona Nielsen, published in Happy Weaving, from VävMagasinet, p.74. I simply substituted the yarn and colors in the book with what I had on hand.
The scarves are delightful, but the icing on the cake is the addition of fluffy, furry pompoms, an embellishment with youthful flair. And that is exactly what I will put on at the first sign of autumn chill.
Some things are certain. The sun will rise tomorrow. The seasons will follow their schedule. The faithfulness of the Lord our God will never end.
I have often wished I had the skill of artistic drawing. How wonderful it would be to portray a slice of creation using pencil lines, or pastels, or with watercolors and a paintbrush. Instead, though, I’ve been delighted to find that I can “draw” and “paint” with threads and yarn. By capturing a slice of creation through my iPhone camera lens, the hard part has already been done. All I have to do is translate the photo into a woven image. And what a joy that is!
Here is a glimpse of my process of weaving the Texas hill country Cactus and Bluebonnetstransparencies.
(Don’t miss the amazing animated images at the end of this post that my son, Daniel, made of these woven transparency projects!)
I hope this isn’t cheating, but I added a teeny bit of embroidery to the finished bluebonnets. One thing I learned with this transparency is that an image that looks flat can be improved with a hint of shadows.
I’m thankful for my husband’s artful eye. He helped me identify the “off-screen sunlight” that would produce natural shadows. I am adding a few darker stitches to the right-hand side of some of the lighter areas, and a touch at the sides and lower end of the flower stems. My hope is to give the picture a bit more depth.
Shadows tell us something: There is a light source. Find out where the light is coming from. That is what it’s like for those seeking God. There are shadows everywhere you look. We see the shadows–the effects of a shining light. And we want to find the source.
Go on a search and exploration expedition. Start with small shadows that you see, the circumstances and blessings that hint at an outside light source. Such seekers may discover that God is just off-screen, waiting to be found.
A folded piece of paper and a seven-inch tail from a yarn butterfly become an answer to a small technical problem. When using a cartoon, like I am for this transparency, it’s imperative to identify the center warpend so I can align the dotted-line center of the cartoon with that one end. Finding the center warp end is my technical problem. The paper and yarn work together as the tool that helps remove the guesswork.
With these bluebonnets, if the cartoon slides to the right or left by even one warp end it distorts the picture. It’s not enough to eyeball it. I need a way to make sure I am finding, and marking, the exact center end every time.
How to Find and Mark the Center Warp End
Subscription card from a magazine, folded in half lengthwise
Seven-inch tail from a yarn butterfly, or a strand of yarn
Measure the width of the beater and use a pencil to mark the exact center with a vertical line.
Hold the folded edge of the card against the vertical pencil line on the beater, with the bottom edge of the card almost touching the warp.
3. Slip the yarn tail under the center warp end, as identified by the bottom corner of the card.
4. Check the alignment of the center line of the cartoon with the center warp end.
5. Slide the yarn from the reed to the fell line to check the entire length of the alignment. Reposition the cartoon, if needed.
May you find a solution that eliminates guesswork.