Tag: design

Handwoven Thick and Thin Towels

Karen

Do you remember the black and white towels? I love the fascinating results of weaving with thick and thin warp ends, and thick and thin weft threads. That’s why I submitted a project to Handwoven for their November/December 2016 Thick & Thin issue. I gave you only a brief glimpse of the thick and thin towels I wove on an Aquamarine, Teal, and Moss warp, from the palette given me for that issue. (See Tools Day: Loom Cart and This Time in Color.)

Thick and thin towels on the loom.
Double bobbin shuttle carries the doubled weft.
Thick and thin towels at the front beam. Karen Isenhower
Breast beam with thick and thin towels.
Thick and thin towels just off the loom!
Cut from the loom, new colorful thick and thin towels.
Thick and thin towels just off the loom. Karen Isenhower
Towels just off the loom.

Guess what!? My project was accepted for publication. Not only that, these towels that I enjoyed designing and weaving have been placed on the cover! What an unexpected privilege!

Excited to see my Thick and Thin towels on the cover of Handwoven!
Credit: Photograph by Joe Coca from Handwoven November/December 2016 magazine. Copyright © F+W Media 2016.

As great as it is to have your handiwork appear on the cover of a national publication, there is something even greater–being loved. Being on the receiving end of kindness, compassion, and forgiveness. Love is like that. Love is to be demonstrated. That’s how Christ demonstrated his love to me–kindness, compassion, and forgiveness. His love is printed on the cover of my heart, with instructions written within so that I can learn to love like I’ve been loved. That’s the cover story I like to tell.

May your heart be covered with love.

With love,
Karen

PS I am recovering from back surgery better than anyone expected. I’m not weaving yet, of course, but I have no shortage of things to share with you while I regain my strength! Thanks for your wonderful encouraging words and prayers for my full recovery.

PPS My draft and instructions for the thick and thin towels are in this Handwoven November/December 2016 issue. This is the same draft I used for the black and white towels.
For purchase of the Handwoven November/December 2016 print edition:
http://www.interweavestore.com/handwoven-magazine-november-december-2016-print
For purchase of the digital edition:
http://www.interweavestore.com/handwoven-magazine-november-december-2016-digital
For weavingtoday:
http://www.weavingtoday.com/

More Rosepath Rag Rug Ideas

Karen

This is my favorite rosepath rag rug of all time! (Have I said that before?) I like the unexpected color changes that occur in the design. While the main rosepath pattern is woven in a yellow batik, the background tabby changes from pink to a mixed print, and then a single brown stripe outlining solid blue.

Classic rosepath motif in a rag rug on the loom.
Single row of dark brown tabby serves to outline the central rosepath motif.

The other thing I like about this design is the repeated uneven plain weave weft stripes–three rows green and two rows black. The ideas for color changes and uneven stripes came from looking at rugs in my Swedish weaving books. I have another rug to weave on this warp before we get to see this “favorite” spread out on the floor.

Weaving a rosepath rag rug. So many design possibilities!
Every weft, including the rosepath pattern weft, goes around the selvedge warp ends. The inactive yellow batik fabric strip is carried up the selvedge through the active wefts.

Designs start with ideas. Who designed the intricate workings of the human body, or had the idea of putting planets together in a solar system? The universe is amazing, with every explicit detail honoring the Creator. Designed to operate on the faithful love of the Lord, this universe is a divine idea brought to life. With the glimpses we see of his perfect design, we can’t help but give our Grand Weaver the admiration he deserves.

May you have plenty of favorites to weave.

Happy weaving,
Karen

Quality Rag Rugs

Karen

Does this color enhance or detract? Is there enough contrast between background and pattern? Is five centimeters of plain weave between pattern sections too long, or too short? I ask myself questions as I weave a new design. I consider all the technical aspects, as well. Warp tension, treadling finesse, and shuttle shuffling. Attention to detail matters.

Rosepath rag rug on the loom. Karen Isenhower
Design elements are planned before weaving, and then adjusted as weaving progresses on the loom.

Details begin in the planning stage with design, choice of materials, and colors. While weaving rosepath rag rugs, consistency counts. I aim for a consistently firm beat and good, tight selvedges. All of these elements contribute to quality. And as I grow in my weaving skills, overall quality improves.

Rosepath rag rugs require extra attention at the selvedges.
Rosepath rag rugs require extra attention at the selvedges.
Rosepath rag rug on the loom.
Yellow dash is made with a single weft pick. The single fabric strip is cut long enough to securely tuck the ends back into the shed.

A person’s character is defined by their motivations. It’s not what you do, but why you do it. It is not enough to look good. I can buy a cheap rug that looks good. But if I could examine how it was made, I might find the shortcuts that diminished its quality. Our inward motivations are revealed in our outward behaviors. The cheap rug fades and comes apart all too quickly. By examining our own motives we build quality of character. The result is not only lovely, but durable, too.

May your quality control efforts succeed.

With you,
Karen

Odds and Ends Rag Rug

Karen

What can you do with odds and ends? Plenty. I do use new cotton fabric for my rag rugs. But I refrain from buying new fabric until I absolutely have to. It’s a good challenge to combine available colors from previous rag rug projects to make a new design. There are two piles of color for this double binding rag rug. The blue pile and the brown/black pile. The color blocks switch places in the rug about every seventeen centimeters, with a three-pick white chain pattern in between.

Double binding rag rug. Red warp shows up as little red spots.
Collection of blue fabric, and a collection of brown and black fabric form the basis of this double binding rag rug.

I enjoy combining multiple shades of a color, such as the blue in this rug, to add character. Every odd fabric strip finds a place to belong. It ends up looking cozy and friendly. All the mismatched pieces somehow fit together.

Double binding rag rug.
Chain motif draws a line where the colors switch. Three picks form the chain. Print, white, print (the center section shows the reverse.)

We belong to somebody. We belong to the one who made us–the Creator of everything. He weaves the fabric strips together to make his beautiful design. Scraps become useful, and colors are mixed and rearranged in interesting ways. Together, the woven mixture has a purpose. A rag rug, made from odds and ends like us, puts the creativity of our Maker on display.

May you know where you belong.

Love,
Karen

What Rag Rugs Should Be

Karen

My goal for every rag rug I weave is to make a pleasant footpath that lasts through many, many seasons of wear. What makes an exceptional rag rug? Quality of workmanship and design. Tightly-packed weft, snug selvedges, and high quality materials produce a strong rug. And, great design includes an interplay of weave structure, color, detail elements, and functionality.

Tightly-packed weft in a double binding rag rug.
Tightly-packed weft in a double binding rag rug gives no hint of the opposite colors that show on the reverse side.
Double binding rag rug on the loom.
Double binding uses a two-block threading that determines where color changes can occur in the weft pattern.
Double binding rag rug being woven with two ski shuttles.
Two ski shuttles are used for weaving the two layers of a double binding rag rug. Consistent tight selvedges contribute to a long-lasting rug.

Strength is like a quality handcrafted rug that handles daily foot traffic. And joy is like the artist’s design, the colorful pattern, that is woven into the rug. Strength and joy go hand in hand. We see this in creation. And in our Creator, who gives of himself to those who come near. Be refreshed with strength and joy.

May you be refreshed.

With you,
Karen