Tag: design

With or Without a Cartoon?

Karen

Weaving a transparency could become one of my favorite things to do. I had no idea that drawing a cartoon for this project would make such a difference. Now, I can see vast possibilities with this weaving technique.

Drawing a cartoon on buckram for weaving a transparency.
Buckram, a stiff cotton cloth, is in my sewing supplies, specifically for making bills on caps. It is being used here to make a cartoon for the transparency weaving. The center line will be lined up with the center warp end.

I started the transparency without a cartoon. I wanted to weave a few zigzags back and forth. How hard could that be? I counted warp ends, “under 12 to the right, and then, under 13 to the left.” When I tried to change the angle of the slant, though, it was confusing. I started getting jagged zigs and zags. This cartoon has made a world of difference.

Cartoon in pinned into place under the transparency weaving.
Cartoon is aligned and pinned into place.
Transparency weaving in progress. Cotton chenille over linen.
For each row of the pattern, the cotton chenille weft butterflies go under the raised warp ends that coincide with the lines drawn on the cartoon underneath. One pick of linen background weft follows each pattern row.

How often do we think it will be easier to go our own way? We want to make it up as we go. Wait. There’s a better way. The head designer has drawn out a path. It makes sense to follow those lines. It’s a picture that’s bigger than we are. God created. He did it in such a way that shows his loving attention to those he created. And we get to follow his design. No more striving. No more trying to find our way. His way makes perfect sense. It’s satisfying to place the weft in a thought-out design.

May you see the possibilities.

Happy Weaving,
Karen

Striped Warp Freedom

Karen

Winding a warp like this is intricate work because of the frequent color changes. These narrow warp stripes provide the perfect canvas for plattväv accents. The simple weft float pattern, woven across the width every five centimeters, adds embroidered-like stitches to the cloth. Everything else is a breeze. It’s plain weave.

Plattväv towels on the loom. Karen Isenhower
Cottolin warp and 16/1 linen tabby weft, with doubled 16/1 linen pattern weft.

It’s good to have a plain weave project every now and then. It’s a reminder of how freeing it is to let the boat shuttle fly back and forth between your hands. Rag rug weaving isn’t like that. Soft alpaca scarf weaving isn’t like that. I’m zipping along, …only stopping to move the temple, advance the warp, and add the black linen accents. No worries here.

Plattväv towels on the loom. Narrow warp stripes advantage.
Two red picks are woven for the cutting line that separates the towels. First towel is seen wrapping around the cloth beam.

Consider all that has been prepared for us to have a meaningful life. Why should I worry? Who wound the intricate warp and put it on the loom? Doesn’t the Grand Weaver know what it takes to complete his design? We enter the Lord’s place of rest through the door of trust. True rest is worry free. Let the shuttle fly. Let the weft floats embellish the cloth. Come enter the place of rest.

May your worries slip away.

Plain weaving,
Karen

Plain Rosepath

Karen

This is a stash-busting rug, using leftover cut strips from previous rugs. Like my other rag rugs, I start with a plan. Then, I get out my fabric and make my color selections. It’s plain rosepath, without tabby picks in between, perfect for a stash buster. Snip, snip, snip. Fabric snippets are taped to my idea sheet. These are my blueprints–weaving draft, treadling order, and idea sheet with fabric snippets. I am weaving!

Rosepath rag rug on the loom.
Without tabby picks the rosepath pattern takes on a compressed form.

I can, and do, make adjustments at the loom. But I keep one question in mind. Will my choices along the way fit with the overall design of the rug? My idea sheet serves as a guiding compass. It’s a reminder of the big picture that forms a cohesive design.

Idea sheet for rag rug design.
Idea sheet hangs from the beater clip on the Glimakra Ideal loom. The treadling pattern, penciled on graph paper, and fabric snippets provide a quick reference while weaving.

Guiding principles shape our lives and enable us to make wise decisions. A compass sets the course. Use a true compass. Live in a way that pleases God. This is a valid compass for all choices and decisions. The Grand Weaver has the comprehensive design. Amazingly, He weaves our leftover fabric strips into his design, and uses them to make something useful and beautiful.

May you see your part in the overall design.

Happy weaving,
Karen

Handwoven Thick and Thin Towels

Karen

Do you remember the black and white towels? I love the fascinating results of weaving with thick and thin warp ends, and thick and thin weft threads. That’s why I submitted a project to Handwoven for their November/December 2016 Thick & Thin issue. I gave you only a brief glimpse of the thick and thin towels I wove on an Aquamarine, Teal, and Moss warp, from the palette given me for that issue. (See Tools Day: Loom Cart and This Time in Color.)

Thick and thin towels on the loom.
Double bobbin shuttle carries the doubled weft.
Thick and thin towels at the front beam. Karen Isenhower
Breast beam with thick and thin towels.
Thick and thin towels just off the loom!
Cut from the loom, new colorful thick and thin towels.
Thick and thin towels just off the loom. Karen Isenhower
Towels just off the loom.

Guess what!? My project was accepted for publication. Not only that, these towels that I enjoyed designing and weaving have been placed on the cover! What an unexpected privilege!

Excited to see my Thick and Thin towels on the cover of Handwoven!
Credit: Photograph by Joe Coca from Handwoven November/December 2016 magazine. Copyright © F+W Media 2016.

As great as it is to have your handiwork appear on the cover of a national publication, there is something even greater–being loved. Being on the receiving end of kindness, compassion, and forgiveness. Love is like that. Love is to be demonstrated. That’s how Christ demonstrated his love to me–kindness, compassion, and forgiveness. His love is printed on the cover of my heart, with instructions written within so that I can learn to love like I’ve been loved. That’s the cover story I like to tell.

May your heart be covered with love.

With love,
Karen

PS I am recovering from back surgery better than anyone expected. I’m not weaving yet, of course, but I have no shortage of things to share with you while I regain my strength! Thanks for your wonderful encouraging words and prayers for my full recovery.

PPS My draft and instructions for the thick and thin towels are in this Handwoven November/December 2016 issue. This is the same draft I used for the black and white towels.
For purchase of the Handwoven November/December 2016 print edition:
http://www.interweavestore.com/handwoven-magazine-november-december-2016-print
For purchase of the digital edition:
http://www.interweavestore.com/handwoven-magazine-november-december-2016-digital
For weavingtoday:
http://www.weavingtoday.com/

More Rosepath Rag Rug Ideas

Karen

This is my favorite rosepath rag rug of all time! (Have I said that before?) I like the unexpected color changes that occur in the design. While the main rosepath pattern is woven in a yellow batik, the background tabby changes from pink to a mixed print, and then a single brown stripe outlining solid blue.

Classic rosepath motif in a rag rug on the loom.
Single row of dark brown tabby serves to outline the central rosepath motif.

The other thing I like about this design is the repeated uneven plain weave weft stripes–three rows green and two rows black. The ideas for color changes and uneven stripes came from looking at rugs in my Swedish weaving books. I have another rug to weave on this warp before we get to see this “favorite” spread out on the floor.

Weaving a rosepath rag rug. So many design possibilities!
Every weft, including the rosepath pattern weft, goes around the selvedge warp ends. The inactive yellow batik fabric strip is carried up the selvedge through the active wefts.

Designs start with ideas. Who designed the intricate workings of the human body, or had the idea of putting planets together in a solar system? The universe is amazing, with every explicit detail honoring the Creator. Designed to operate on the faithful love of the Lord, this universe is a divine idea brought to life. With the glimpses we see of his perfect design, we can’t help but give our Grand Weaver the admiration he deserves.

May you have plenty of favorites to weave.

Happy weaving,
Karen