Creative Expression at its Best

Many variables are possible on this rosepath threading, but I find creative freedom by imposing certain limitations for the design of the rag rugs. The overall design concept gives me direction for arranging colors and setting a treadling pattern for each rug.

Rosepath rag rug on the loom. Karen Isenhower
Overall rosepath is featured on this rag rug, appearing as a diagonal white grid on the top side, with subtle color changes in the background weft. Previous rug is seen wrapping around the cloth beam below.

How many times have I gone off track, only to realize that I didn’t really get on a track in the first place? When I start without clear intentions, I set myself up for inconsistent results (HERE is one example). This is true for weaving rugs and for dealing with people. If I determine to live by a standard of kindness, those clear intentions will shape how I speak and act.

We can protect relationships with kindness, which is at the heart of love. The greatest enemies to love are biting words, a sharp wit at someone else’s expense, and shading of the truth. Who wants to be on the receiving end of that? Self-imposed limitations on our words open up creative expressions of kindness. The beauty that is formed by these sincere expressions is a beauty that stands out, being different from the norm; and it’s a beauty that endures.

May you experience someone else’s kindness today.

Come check out my new Etsy! Just click on the Etsy Shop page above. Let me know what you think.

With you,
Karen

 

Right Now Is the Best Time

What do you do with a blank slate? Do you feel empowered or immobilized? It is easy to get stuck in over-planning instead of jumping right in and doing something. I am facing a blank slate now with the rya weaving. I finished the first two rya pieces on this warp (the first one HERE; the second one HERE), and now I have time to think about the color and design for the third piece. I have a good assortment of wool yarns to choose from, about twenty-five different colors.

Rosepath weaving on the loom. Glimpse of rya knots on the way to the cloth beam.
First rya section is seen wrapping around the cloth beam, and the second piece is on its way there, with bits of the red wool strands seen hanging down. Now ready to begin the third set of rya knots.

Sometimes all the options overwhelm me and I freeze, doing nothing instead of doing something. I can think about the next steps all day long, but until I act on the ideas nothing happens.

Opportunities come and go. If we are immobilized because we fear making a mistake, we miss the chance to make a difference in the moment. Your best opportunity is right now! Whatever you have in front of you…whatever you know to do…no matter how small or seemingly insignificant…do it. Do the next thing now. And if you don’t care for how it comes out, …there’s always next time!

May you find yourself moving forward with gusto.

Happy Weaving,
Karen

Good Idea!

It is never an easy decision to call it quits and start over. Should I try to make it work and hope for the best? How do you know when to walk away? A good idea shapes the planning of a design, including color choices, materials, and weave structure. That same good idea forms an ideal that guides and critiques the choices along the way. When I saw that the rug on the loom (THIS one) was not lining up with that ideal, I knew it was time to start over. (This new start is much closer to my original idea.)

Rosepath Rag Rug on the loom. Karen Isenhower
Brown rosepath design stands out because of contrasting light background. The print and teal pattern that borders the rosepath design brings in some of the color from the plain weave hem area.

Hold on to good. Let the virtue of goodness be a guiding star for decisions, behavior, and interactions with people. When our actions do not match that good ideal, it’s time to walk away from poor behavior and start over. We become zealous about other things, like good color combinations and perfect selvedges. (HERE is one of the best ways to improve selvedges.) Why not be zealous for good? I don’t mean pointing fingers at others. My own life is the only one I can inspect to see how it aligns with the ideal. The good idea is confirmed as the colors of gentleness and respect are noticeably woven into the fabric.

May you have a good day.

Warped for good,
Karen

Are You in a Pretty Mess?

You might think this looks like a mess. Maybe there is a vague sense of pattern and color, but doesn’t it look like the assortment of rya knots are in a random arrangement? Guess again. Let me give you another view.

Rya knots, an assortment of colors in wool yarn.
Each colored wool strand is knotted by hand around doubled warp ends. Mora wool is doubled on the quill in the shuttle for the background weft, woven in a rosepath pattern.

Change the perspective of the camera, and you will see the simple, but distinct, pattern and order that is woven into this design.

Layered rya knots on the Glimakra Standard loom.
A simple stripe arrangement enhances the layered look of rya knots. The row of reds and violets is repeated to give prominence to that color family.

We think we are able to know all there is to know, but that’s just not true. We see from a human perspective. Is it possible that there is more than science, education, and philosophy can explain? God is greater than we think. His view of his creation is from a higher angle. He knows what he made and how he designed things to operate. We study and discover how it all works, but we didn’t make it. Our grand weaver is great. No one knows how great he is. But when things look like a pretty mess, we can trust he has a plan that will weave the assorted threads into a beautiful work of art.

May you see beauty even when things seem to be a mess.

In a pretty mess with wedding plans (only two weeks to go!),
Karen

Quiet Friday: Coral Shawl for a Memorable Occasion

Have you ever experienced a chain of events, where the dominos start falling, and you just try to keep up? That is the story of this shawl. My daughter got engaged, so I bought a dress to wear at her wedding. The dress is sleeveless, so I wanted a shawl to wear over my shoulders. Not knowing where to find a matching shawl, I decided to weave one. To weave a shawl, I had to finish weaving these towels that were on the loom, plan the draft for a shawl, and order thread.

Thread and yarn record notebook.
New 10/2 bamboo thread samples added to my thread/yarn record book.

The excitement of dressing the loom, trying out weft color options, weaving the delicate huck lace pattern, twisting fringe, wet finishing the cloth, and waiting for the wet cloth to dry, is all intensified because of the meaning of the event where I will wear the shawl. The shawl, itself, is a minor player that will serve best if it is not even noticed. The attention will be on Melody and Eddie as they pledge their love and faithfulness to each other, embracing companionship for a lifetime. Three weeks to go!

Threading heddles with coral bamboo thread for huck lace.
Threading heddles for huck lace.
Sleying the reed on Glimakra Ideal.
Reed is sleyed with two ends per dent in a 12 dent reed, which means the sett is 24 ends per inch.
Every thread is ready. Let the weaving begin!
Every thread stands at attention, each in their proper place. Let the weaving begin!
Weft color auditions on coral bamboo warp. Karen Isenhower
Trying out the weft colors in the late afternoon on the dark coral warp. First, coral weft; and then, hot pink weft.
Coral pink bamboo shawl in huck lace.
Pink coral shawl was woven first. The hot pink huck lace weft floats are on the back side of the cloth, visible as the cloth angles toward the knee beam.
Hemstitching on the loom. Huck lace bamboo shawl.
Hemstitching at the beginning of the coral shawl. Notice the subtle border treatment that starts with plain weave and three closer rows of huck lace before the body of the shawl.
Twisting fringe.
Twisting groups of warp ends together to create twisted fringe that embellishes the ends of the shawl.
Wet finishing begins for coral huck lace shawl.
There is nothing that makes me more nervous than wet finishing. A mistake at this point can ruin the handwoven masterpiece. For this reason, I first wet finished the sample piece, and then the pink coral shawl. Now, I am confident about throwing the coral shawl into the washing machine with a half-capful of no rinse delicate wash concentrate.
Bamboo shawl, laying flat to dry.
After gently rolling the wet cloth in towels to remove excess water, I lay it out smoothly on my longest countertop, and leave it to dry overnight.
Trimming the fringe after washing. Frayed ends removed.
After the cloth is fully dry, knots at the ends of the twisted fringe are trimmed off, removing frayed ends and leaving clean-cut ends.
Finished handwoven coral bamboo huck lace shawl. Karen Isenhower
Ready for a special occasion!

May those you love know how much you love them.

With Anticipation,
Karen