Tag: linen

In Time for Christmas – Or Not

Karen

It’s beginning to look a lot like Christmas! I am excited to have halvdräll up next on the big loom. Warp chains are white cottolin. The weft is white cottolin for the tabby, and red linen for the pattern. Red and white for Christmas. However, if it is not finished by December 25th, there’s always Valentines Day, right? I would love to have this table square ready for Christmas, but I am not willing to make shortcuts on quality to make that happen. It will be finished when it is finished.

Winding a white warp on the warping reel.
Warping reel is used to measure a warp of bleached 22/2 cottolin. A counting tie goes between every 50 ends.
White cottolin and red linen.
Red 16/1 linen pattern weft will add Christmas (or Valentine) flair to the bleached 22/2 cottolin.

Do you ever find yourself being controlled by circumstances instead of convictions? Convictions are firm beliefs that guide our actions. Convictions are like signposts on an unfamiliar path. It’s like having time-tested weaving techniques that help you navigate any new weaving adventure. In time for Christmas, or not.

May you stay on course. 

With Christmas in mind,
Karen

Weave the Portable Way

Karen

What do you do when you are away from your looms for a week? Portable weaving, of course. I thought about bringing my band loom, but fitting the band loom in the car turned out to be more of a hassle than it is worth. So the band loom stayed home.

Glimakra band loom with cottolin warp.
Band loom stays home.

I have my inkle loom with me instead, as well as my small tapestry frame. Steve is taking a woodcarving class from Dylan Goodson this week at the Texas Woodcarvers Guild Seminar; and while he is in class I am keeping my hands busy with portable weaving.

Woodcarving class by Dylan Goodson.
Steve beginning to shape his relief carving, following the finished example by his instructor, Dylan Goodson.
Linen inkle band.
First inkle band of the week is linen.
Cottolin inkle band warp.
Cottolin warp for the second narrow inkle band.
Cottolin inkle band.
Second inkle band almost finished.
Small tapestry on portable frame loom.
Start of a small tapestry of a little girl, derived from a picture in a children’s book.
Cottolin inkle band. Karen Isenhower
Time to put on one more inkle warp!
Woodcarver doing relief carving.
Adding more details to the relief carving. Good carving takes time and patience. Like weaving.

May you enjoy passing the time away.

Happy portable weaving,
Karen

Linen Air Scarves

Karen

This linen scarf is for embellishment, not for warmth. Wear it as a summer shawl, and it will make you feel pretty without adding any weight to your shoulders. Making this scarf was like weaving air, and wearing it is like wearing air.

Linen lace weave scarves just off the loom.
Lace weave scarves, woven with 16/1 linen, just off the loom.
Twisting fringe on linen scarves.
Fringe is trimmed, knotted, twisted, and knotted again. Then, after washing by hand in hot water with mild soap, the scarves are hung to dry.

The wrinkly nature of linen gives character to this netting-like lace weave. In The Big Book of Weaving, this draft is written for a project using paper yarn to make room dividers. I didn’t know if it would work to substitute linen for paper yarn… Or, if the fabric off the loom would work as scarves… Result? Two fabulously light linen scarves, wearable even in Houston.

Linen lace weave scarves. Karen Isenhower
Long and lightweight, the airy fabric is suitable to serve as a scarf, shawl, or even a long sash. Being linen, it embellishes a nice dress, or adds style to comfortable blue jeans.
Fringe detail on linen scarves.
Long fringe, twisted in small sections, accentuates the linen character of the scarves.

Concerns that turn into burdens are like scarves that are too heavy for the present season. We keep wearing the scarf, even though it makes us miserable. Our Heavenly Father is a burden lifter who knows our concerns. He bears our burdens. Though he is great and glorious, he lifts the burdens that are on our shoulders and carries them for us. In place of the burdens, we get to wear peace instead. Light and airy, and wearable with everything… peace.

May your burdens become light as air.

With grace,
Karen

Understanding Linen

Karen

What is your experience with linen? I know weavers who love it, and others who completely avoid it. Linen has remarkable qualities. Strength, durability, natural beauty. It took me several attempts, though, to become comfortable using linen as warp. Linen has indeed given me more than my share of broken warp ends! But truly, those struggles have been part of the learning process. The more I weave with linen, the more I love this natural fiber. I am beginning to understand how to work with it, instead of against it. In fact, weaving these lace-weave scarves with single-ply linen warp and weft has been a joy. And only two broken selvedge ends this time!

Linen lace weave scarves as they wind onto the cloth beam.
Linen lace-weave scarves as seen on the cloth beam. Fringe between the scarves is left unwoven. The separated stripes are caused by the hemstitching at the end of one scarf and at the beginning of the next one.

It takes effort and experience to understand some things. The love of Christ is like that. The love of Christ is extraordinary. It takes inner determination to discover the beauty of this unconditional love. Some things are simply worth the effort.

May your understanding increase.

Happy Weaving,
Karen

How I Got Started in Handweaving

Karen

In the early 1980’s Steve and I signed up for a pottery class at Johnson Atelier in Tulsa, Oklahoma. We still have the hand-built pitcher Steve made. The big thing that happened for me, though, besides figuring out that I am not a potter, was the rigid heddle weaving class across the hall. I signed up for that class, and lo and behold, I discovered I was a handweaver at heart! I found myself in an exhilarating new story; and I acquired my first loom–a 32″ Beka rigid heddle. Weaving became my means of creative expression. Now, several chapters (and a few more looms) later, I am still a happy handweaver. It’s part of who I am.

Small tapestry, mounted on linen, with frame made to fit. Karen Isenhower
Practice tapestry piece is mounted on linen. Steve made the frame to fit. The frame is leaning on the crackled raku pitcher Steve made in our pottery class so many years ago.

That is how I want my story to be written on the inside, too. Through a discovery that redirects my whole attention. Let a new story be written! A new creation starts on the inside and makes you a new person. The writer of this terrific new story is God, Himself, who makes everything new.

May you find yourself in a true story.

Happily Weaving,
Karen