Choosing Rag Rug Fabric is Like Song Writing

Choosing fabric for a rag rug reminds me of song writing. I like to start with a pretty melody. Add some harmony. Write a good accompaniment to finish the song. Be sure to include a good balance of harmony and dissonance to make the music exciting. That’s a good description of my thought process for selecting fabric for a rag rug design.

  1. Start with a melody–a fabric in the color(s) that you want to use in your design.
  2. Add harmony–one other fabric that compliments the first one.
  3. Write the accompaniment–with the chosen pair of fabrics on the table (or in the shopping cart at the fabric store), lay other fabrics beside them, one at a time. Select compatible colors that enhance the “melody” and “harmony.” Eliminate fabrics that “sing a different tune;” but don’t be afraid of unusual combinations. Some dissonance can work in your favor to add interest and excitement to the mix.

Here are a few examples of fabric combinations I am playing around with as I plan my next double binding rag rug design.

Fabric combinations for rag rug planning. Simple tutorial.
Starting with the blue fabric at the top, I added the bold multi-color print as harmony. The black acts as contrast. The two remaining pieces could be used as accents.
Choosing fabric for double binding rag rug.
Bold multicolor print takes the melody line, and the red batik adds harmony. Two more selections bring out the yellow-green and the reds and oranges in the melody piece.
How to select fabrics for weaving rag rugs.
Dark print with green as the base color is complemented with the reddish brown. Other fabrics are included to add contrast and interest.
Process for choosing rag rug fabrics. Short tutorial.
Summer print is enhanced with the harmonizing light pink. Dark pink in small portions makes a good contrast. White serves as a unifying backdrop. Two more prints, used sparingly, could be added for interest.

You can view my double binding rag rugs on Etsy to examine some of the fabric choices I have made for previous rugs.

Classic Check; Autumn Clouds; Improvisation; Woodland Walk; Black and Red SquaresForest at Dawn; Opportunity in Disguise; Painting Sunsets.

May you find a good balance of harmony and dissonance.

With a song in my heart,
Karen

Graphed Design Directs Weaving

Like sorting laundry, I separated the fabric into darks and lights for this design. I am hopeful that with the simple distinction of dark and light, the overall symmetrical design will be evident. We will not be able to judge the success of this idea until it comes off the loom.

Double binding rag rug on the loom.
Cloth tape has units of inches marked on it for measuring the rug on the loom. Tape is moved and pinned for each woven section of the design.

Sometimes I question the plan, even though it is drawn out on graph paper. I wonder how the finished rug will look. But then I remind myself that I see the cloth from the breast beam to the fell line, which is a very small segment of the whole design. I have to trust that the graphed design is the way to go, and I make up my mind to stick with it.

God loves all of us. It takes courage to love Him back. We love God by walking in His ways. That is not always easy. It means learning His plan with a humble heart, and making adjustments to our thoughts and actions. It is also recognizing that we see a very small segment of the overall picture. To go my own way instead would be short-sighted. The designer knew what He was doing in the beginning. Surely, He will carry His good plan through to the end.

May your designs come to life.

Love,
Karen

Color Wrapping Take Two

As always, one idea leads to another. I am planning warp colors for linen lace weave scarves, and color wrapping helps unleash ideas. And your comments helped “stir the pot.” You asked for my thought process. Here goes. (If you missed Tools Day: Color Wrapping, you’ll want to read it first.)

16/1 linen in six colors.
Six 16/1 linen colors.

I started with the idea of making a smooth transition from one color to the next. That was card #1. Then, I made more distinct stripes on card #2. For #3, I aimed for a mirrored arrangement. #4 blends colors in a different order.

Color wrapping to plan linen warp.
First six color wrapping cards.

Of those first four cards, #1 was close to my ideal. But the magenta and green stripe seemed out of sync. So I made adjustments, and card #5 became my favorite.

Next, I arranged the six colors of thread from light to dark, and paired each color with its best partner. For example, starting with cream, “With which other color does cream look best?” With enough samples to see all the options, I concluded that light blue suits cream the best. I did that kind of pairing with each color to make card #6. Now #6 became my runaway favorite! And, card #6 received the most votes in the comments from you, too.

More color wrapping to plan linen warp.
Three color wrapping cards that are in the finals. Slightly varied arrangement of stripes on each card. (Click on picture to enlarge.)

I color wrapped two more cards, trying to improve the color gradation. #7 and #8 have the same composition of stripes as #6, but in different arrangements. The “winning” color arrangement will become stripes spread across the warp in a Fibonacci sequence.

Now… Which one of these three would you choose: #6, #7, or #8? (I’d love to hear from you if you left your opinion the first time, and if you didn’t.)

May you see options by thinking things through.

Happy Coloring,
Karen

Tools Day: Color Wrapping

Linen singles line up for a new warp to make lace weave scarves. I have only one tube of each color. This makes an interesting challenge, since I wind warps with two threads together. Adding to the challenge, I am requiring myself to use all six colors. How will the colors behave with each other? What order should I put them in? Color wrapping is a fun way to find answers.

Making color-wrapped cards for planning linen warp.
Playing and planning with color by wrapping threads on index cards.

First I will select one color-wrapped card as “winner.” And then, I will decide whether to repeat the narrow stripes on that card across the warp, or spread the chosen stripe sequence over the width of the warp by expanding each of the narrow two-color stripes.

Color wrapping with linen to plan warp.
Cards wrapped with 16/1 line linen to view warp possibilities.
Color wrapping to plan linen warp.
Each narrow stripe is two colors paired together. (Click on photo to enlarge.)
Color wrapping shown in black and white to see balance.
Black and white gives a view that shows the balance of dark and light.

Color wrapping supplies:
Index card, folded in half lengthwise
Double-stick tape

  • Place a length of double-stick tape on one side of the folded index card.
  • Starting on the back of the card (the side with tape), stick the end of a thread (or two threads, as in these examples) to the tape.
  • Wrap the threads around the card, aligning the threads right next to each other, sticking the thread to the tape on the back each time around.
  • Experiment with different arrangements of colors, and vary the width of stripes as desired.

Which of the six color wrapping examples would you choose for an eye-catching lace weave scarf? And would you repeat the sequence across the width of the warp, or would you spread the sequence out over the width of the warp? Share your thoughts and ideas in the comments.

May you discover more options than you know what to do with.

Happy Coloring,
Karen

Weaving Favorites

I normally pin a measuring ribbon to the cloth being woven, moving the pins as I advance the warp. This rug is different. I am using a graph paper sketch; and beside each block on the sketch I have written the number of inches to weave. The tape measure that hangs at the end of my weaving bench makes it easy to follow the plan, measuring frequently as I go. This requires mindfulness as I weave, paying attention to the pattern.

Patterned rag rug on the loom
Two cotton batik prints are used for the first section of blocks in this double binding rag rug. The graph paper pattern hangs with the weaving draft in a plastic page holder on the end of the loom for quick reference.

I have the end in mind, and this may turn out to be my favorite rag rug ever! (Have I said that before?) It is true that my favorite thing to weave is usually that which is currently on the loom…

Double binding rag rug on the loom.
Tape measure hangs on the right end of the weaving bench. This tape measure records inches and centimeters. I use both imperial and metric units, depending on what I am measuring.

The Maker of heaven and earth is mindful of you. Cherishes you as his favorite. I know that seems incredible; but as a weaver, I understand it. When you create, you care about the process and the results. As the ones created, we find ourselves in his story. The living Creator God invites us to himself. So, we come to his studio to meet the Mastermind behind the marvelous creations.

May your hands find favorite things to make.

Happy Weaving,
Karen